In “Desiree’s Baby”, Desiree, her husband, Armand Aubigny, and their baby reside in L’Abri, or in English, “the shelter”. Unfortunately, Desiree and her baby do not literally live in “the shelter”. To Desiree, her baby, and the slaves that reside there, L’Abri is a terrifying place where cruelty and unfair treatment occur. When Armand fathoms the idea that his child is of dark descent, “an awful change in {his} manner” (Chopin) overrides his loving nature, guiding towards the belief that his child’s dark skin is Desiree’s fault. Desiree eventually realizes that Armand’s disposition alters, leading her to poignantly ask if he wants her to leave, to which he cruelly replies, “Yes, I want you to go” (Chopin). Ironically, Armand
‘Desiree's Baby’ is southern feminist writer Kate Chopin's emotional short story and most well-reputed piece of work. The story takes place in southern Louisiana and her writing reflects her Creole-French heritage. Chopin was a southern feminist writer who often entwined her stories with the struggles of social injustices and her writing style is deep, eloquent and rife with symbolism. She seemingly tethers each element of her stories with elements she faces every day. In this story, Chopin uses symbolism to imbibe the seemingly simple imagery of Armand’s home, the field in which Desiree and the baby departed, and the fire which consumed the evidence of their existence with deep, powerful connotations to convey her themes of the injustice of
In “Desiree Baby” Chopin shows how one skin color defines social class, and determines the value and identity of another (Cummings).For the majority of the story, Armand is clearly looked upon as a white male of class and wealth, until the end of the story. He owns land in L’ Abri, and he has a plantation full of African Americans working for him as slaves. Armand have slaves to do his work for him. He also expresses an individual class between the races of the slaves. The lighter slaves worked inside with his
Chopin show’s that Armand is unable to welcome the knowledge that his mother “belongs to the race that is cursed with the brand of slavery,” (250). Not only is Armand unable to accept this fact but he is not will to take responsibility for his actions resulting in his knowledge of his heritage. Desiree seemed to be the perfect solution for Armand’s secret since her background is a mystery and she has such
In “The Cask of Amontillado”, Montresor is guilty of the cold-blooded murder of Fortunato and should go to jail for his crime. Montresor speaks of the “thousand injuries” Fortunato caused him and, more recently, the “insult” that Montresor cannot forgive. Vowing to seek retribution, Montresor comments on the importance of ensuring his own innocence throughout the process of revenge. He goes out of his way to be friendly to Fortunato. Other evidence that supports the crime as being preconceived includes Montresor preying on Fortunato’s weakness, his love of wine and his conceited nature. He praises Fortunato on his knowledge of wine and taunts him with the full barrel that he just purchased asking him for his expert opinion. In preparation
Without racial comparisons, the story would only be a tragedy, reading as a criticism of hasty racial categorization because of the suffering it brings, but with them it is a depiction of a flawed system that has rewarded a black man. Chopin first contrasts Armand’s tendency to take on “the very spirit of Satan” in dealing with slaves with the more relaxed relationship they had with his father (441). Looking upon L’Abri, Madame Valmonde is troubled to realize that under Young Aubigny’s rule “his negroes had forgotten how to be gay, as they had been during the old master’s easy-going and indulgent lifetime” (440). Additionally, Madame Valmonde’s sadness upon seeing the estate may indicate that Monsieur Valmonde, a white man like Armand’s father, lacks young Aubigny’s cruelty. Armand’s lack of compassion is seen again upon realizing his son’s black heritage. Feeling that “Almighty God had dealt cruelly and unjustly with him” by giving him a quadroon child, Armand asks Desiree and the child to leave L’Abri (442). In contrast, Monsieur Valmonde’s treatment of Desiree as “the idol of Valmonde” depicts his compassion toward a child who may potentially be black (440). Chopin’s racist undertones are realized as the dark-skinned Armand, characterized by volatility and callousness, is meant to be looked upon much less favorably than the story’s compassionate white slave owners.
"Desiree's Baby" is Kate Chopin's most well-known short story and most anthologized piece of work. The story takes place in southern Louisiana and her writing reflects her Creole-French descent. Chopin begins the story with a descriptive quote, "when she reached L'Abri she shuddered at the first sight of it, as she always did. It was a sad looking place...Big solemn oaks grew close to it and their thick leaved, far-reaching branches shadowed it like a pall" (185). The preceding quote gives the reader an eerie feeling and foreshadows an unpleasant ending to the story. Throughout "Desiree's Baby," Kate Chopin uses symbolism to convey her themes of racial prejudice, unequal gender roles, and
If Desirée were actually black in the Antebellum south, she would know these things from early childhood. Desirée disappears “among the reeds and willows that grew thick along the bank of the deep sluggish bayou; and she did not come back again” (404). Desirée’s disappearance is not only her physical departure from L’Abri; it is the disappearance of the white woman that was Desirée. And none of these circumstances is decided by biology, but by what Marxists refer to as a “struggle for power between different social classes” (Gardner 145). Chopin is delivering a message that power transcends race.
“Désirée’s Baby” is a story of love, prejudice and rejection, a story with noble beginnings that
The story by Kate Chopin called Desiree’s Baby (1894) focuses on the slavery days of America. It takes place during Antebellum in Creole Louisiana. Kate Chopin’s purpose in this story is to show how too much emphasis on skin and racial heritage could destroy a loving family. Lying is never an okay thing to do, especially during the days when race could make or break you. Armand’s parents did wrong by lying to Armand, making him believe he was white. This caused the self-destruction of his family, owning with harsh treatment of slaves and lived a life as someone he never was to begin with.
In “Desiree’s Baby” by Kate Chopin, Chopin describes a story of an older woman, Madame Valmondé, coming to see her daughter, Desiree, who is married Armand Aubigny, and her baby. Mme. Valmondé, at first, is astonished at the appearance of the baby. Later, the baby herself shocks because of its dark appearance. Desiree later asks Armand why the baby is black. Then, Armand gets very angry, because Armand, a person who perceives he is of European race, has realized that he is the father to a black baby. Armand goes on to accuse Desiree of being black and being the cause of this perceived imperfection. A very distressed Desiree asks for Mme. Valmondé for help. Mme.
Kate Chopin’s “Désirée 's Baby” was set in the days before the abolition of slavery, at a time when the ownership of another person was not only acceptable, but also economically impactful in the south. It was normal to see big plantations owned by whites and tendered by black slaves. We see all of this and more in “Désirée’s Baby”. One of the characters, Monsieur Valmonde finds an abandoned baby one day while out riding. His wife, Madam Valmonde, does not have a child of her own so she takes the baby in and names her Désirée. Madam Valmonde and her husband, Monsieur Valmonde raises the child, until she is old enough to become married. Her attractiveness and especially white skin attract Monsieur Armand Aubigny, a plantation owner, and they immediately become married and have a child. Désirée and Armand both originally associate themselves with the white class, but once the plot unveils their black heritage they are faced with uncertainty, and ultimately their lives become meaningless and not worth living. Throughout the story, Kate Chopin uses symbolism to convey her themes of racial biasness and social ladder in a society. The characters and the setting in this short story help provide the readers with more understanding of how racially charged our society was at that time.
Kate Chopin’s Desiree’s Baby is a short story about a girl named Desiree who is abandoned, then adopted into a wealthy family. Young Desiree soon grows up and falls in love with a slave owner, Armand,with whom she conceives a son with only to discover that her child's appearance consists of African descent characteristics. Chopin narrates the issues of oppression and loss of identity during a historical period of time through Desiree’s character. Derek Foster and Kris LeJeune's critique, focusing on the feminist standpoint of Desiree’s Baby, attempts to demonstrates how Desiree’s act to flee into the bayou is her first accomplishment of independence.
Desiree?s words show that her life depends on the race, notions, and social class of her husband and consequently, she feels obligated to obey his every desire. Desiree is presented as vulnerable to whatever Armand wants and tells her to do when she says, ?Do you want me to go?? (177). Desiree displays through her actions that in many ways, her happiness only comes from pleasing her husband. Therefore, Desiree must decide whether to live completely separate from Armand, or to live with him in constant fear and unpleasantness. Desiree achieves personal freedom and independence from Armand when ?she disappeared among the reeds and willows that grew thing along the banks of the deep, sluggish bayou; she did not come back again? (177). It is not even an option and is unheard of that Armand, being a male holding a respectable background, could possibly be black. Consequently, Desiree feels compelled to leave because she wants to please him. When Desiree decides to kill herself and her child, she shows that she is sensitive and vulnerable to her husband?s thoughts and actions.
Everyone wants to have some sort of identity, they want people to know them and like them. One quote that kind of explained what identity is “...identity is not necessarily a fixed trait, but is derived as much from how others perceive a person as from qualities intrinsic to that person,” (Themes 6). You are not born with one identity that you have to live up to, you make your own identity through the kind of person you are. This want to have identity makes it even scarier that one’s identity can change so quickly and so drastically. In “Desiree’s Baby,” Kate Chopin uses the character of Desiree and the character of Armand to express the theme that one’s identity can change very quickly, very drastically, but can also have negative effects from the changes.
In the next segment of the account, Chopin breaks the enchantment and the readers’ hearts when she turns a fairy tale into a horror show. Armand’s behavior towards Desiree changes drastically, as for “when he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out.” “He absented himself from home; and when there, avoided her presence and that of her child, without excuse” (32). Armand’s attitude did not only change towards his wife, but also towards the slaves as if “the spirit of Satan seemed suddenly to take hold of him” (32). Desiree then finds out the reason for her husband’s change of conduct is the fact that their child is not white. The considerable change of mood in the story intensifies the already shocking events. As people are always looking for the “soul mate” and the “happy ever after” ending, it’s both disappointing and disturbing to see a beautiful dream turn into a nightmare.