What Is The Meaning Of Metaphors By Sylvia Plath

The figurative language in the poem “Daddy” by Sylvia Plath can be used to discover a deeper significant of the poem. By using figurative language throughout the poem such as symbolism, imagery, and wordplay, Plath reveals hidden messages about her relationship with her father. Plath uses symbols of Nazis, vampires, size, and communication to help reveal a message about her dad.

Poets, Judith Wright, Sylvia Plath and Emily Dickenson all express their views on life and death, however, do so in varying manners. Through imagery, Wright and Plath both consider life’s beginnings, however, Wright considers it to be a beautiful gift, whereas Plath views birth as an empty burden. Subsequently, through structure Dickenson and Wright each acknowledge life, expressing how in some cases it is difficult, yet in other circumstances it is celebrated. Finally, through tone, Dickenson and Plath convey their views on death, yet differ in that Plath believes it is purifying and holds a sick fascination with it, while Dickenson instead holds a unique curiosity about it. Therefore, whilst each poet recognises the journey of birth,

It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.

Sylvia Plath’s “Tulips” explores the idea of disconnecting oneself from life, only to remember their responsibilities in life. The speaker in the poem is in a hospital room, separate from her family. No one is present in the white hospital room, except for the speaker and the tulips. The room is peaceful and allows the speaker to enjoy a lack of commitment towards anything. Unfortunately for the speaker, the tulips in the room remind her of her life and bind the speaker to her prior commitments. Color symbolism and personification contrast the peace of disconnection and obligations in life.

One often hears the saying, “Don't judge a man until you have walked a mile in their shoes.” The way an author uses similes can help the reader better understand how the character feel and what they're going through like Sylvia Plath in The Bell Jar. Esther Greenwood, a college student, working at a month long job as a guest editor for a fashion magazine feels like an outcast from the rest of the girls; she doesn't seem to fit in. When she arrives back home, she receives several bad news leads her into thinking suicide is the best thing to do. After multiple failed attempts, she is put into a mental hospital where she will gain hope in life and finally discover who she really is. In Sylvia Plath’s The Bell Jar, there are several instances in which the author uses similes to illustrate a more detailed image/description to better portray how the main character felt during her New York job, her suicide attempts, and at her stay at the mental institution.

Sylvia Plath was a troubled writer to say the least, not only did she endure the loss of her father a young age but she later on “attempted suicide at her home and was hospitalized, where she underwent psychiatric treatment” for her depression (Dunn). Writing primarily as a poet, she only ever wrote a single novel, The Bell Jar. This fictional autobiography “[chronicles] the circumstances of her mental collapse and subsequent suicide attempt” but from the viewpoint of the fictional protagonist, Esther Greenwood, who suffers the same loss and challenges as Plath (Allen 890). Due to the novel’s strong resemblance to Plath’s own history it was published under the pseudonym “Victoria Lucas”. In The Bell Jar, Sylvia Plath expresses the

All three poems generally convey Sylvia Plath’s speaker’s emotions and feelings towards the people surrounding them and several inevitabilities such as old age. In “Mirror” the poem, although it is written in the first person, is written as if she is a neutral object observing another person. The speaker is the mirror observing someone else’s emotions towards the mirror, “she rewards me with tears and an agitation of hands,” this is Plath’s reflection on old age and how women are afraid of the future as it is often associated with imperfection and the unknown. The speaker is afraid of the future because she doesn’t know what will happen as her beauty will eventually fade and she with each day she is slowly approaching death. This can be linked to “The Arrival of The Bee Box.”

In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.

Metaphors by Sylvia Plath The poem 'metaphors' by Sylvia Plath deals with strong issues of pregnancy. The poem was written when she was pregnant. She wrote about her mixed feelings and emotions. The poem itself is a metaphor.

Also, the words “strolling” and “tendrils” give the reader an image of a woman, who’s really obese, who has small legs that you can hardly see, plus she can’t walk properly because she is weighed down by all her fat and they might collapse at any second. In the first three lines the feeling is very negative, yet in line four the feeling becomes much more positive because she starts talking about her baby. When the narrator says “O red fruit” she is saying that the baby is really precious to her like a red fruit. Also, the narrator says the baby is like “ivory” which is very precious and it’s a light material.

Sylvia Plath uses many literary devices to convey her purpose in The Bell Jar such as symbolism. The Bell Jar itself is used as symbolic representation of the emotional state Esther is in. The glass jar distorts her image of the world as she feels trapped under the glass. It represents mental illness; a confining jar that descends over her mind and doesn’t allow her to live and think freely. Symbols of life and death pervade The Bell Jar. Esther experiences psychological distress which is a major motif in the novel. The death of Esther’s father and the relationship with her mother is a possible reason for her illness. Sylvia Plath expresses the difficulties Esther faces and parallels her struggle with depression and illustrates it using various symbols such as a fig tree, mirrors, beating heart and a bell jar throughout the novel.

The next stanza moves on to talk about how Plath's apprehension stops her from bonding with he child with these lines: "I'm no more your mother / Than the cloud that distills a mirror to reflect its own slow / Effacement at the wind's hand." Here Plath (the ‘cloud') is resenting giving birth to her image as it reminds her of her own inevitable mortality. The child is the mirror, which reflects the dissipation of the cloud.

This strong metaphor compares the narrator to the elephant who feels their fate is death. The third part of line 4 is the fine timbers that directly relate to the house previously mentioned. The purpose of the house fortifies the idea that what’s inside is of value. The house is nothing without its fine timbers and it is merely for protection and shelter. Just like a pregnant woman is for her unborn child. The fifth line represents the rising loaf like a child growing inside a womb. It is a pun on a familiar saying to pregnancy of a bun in the oven. “Money’s new minted in this fat purse” plays with the idea that the purse has no great value in itself but contains valuable things inside. Line 7 explores the narrator’s feelings towards having a child. She feels like “a means”, as if she is just a way for the baby to be born. As a mother she is just “a stage” and a platform but not a performance. She is “a cow in calf,” where many cows are separated from their offspring and have little to do with their mum. The final lines seem to break away from the rest of the poem and have a tone of darkness. After eating “a bag of green apples” one might feel sick especially since green apples are considered sour. The fruit is also unripe, signifying that the narrator is not ready to have a baby. Another point that can be found is that it is easy to see the resemblance of this line and Eve from the Bible. Eve was tempted to eat an apple and was cursed with the

Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a

The poem is about being pregnant and she uses nine lines with 9 syllables in each line. This is stated in the first line of the poem. There is a sense of regret about the pregnancy throughout the piece. Plath focuses on the negative attributes of being pregnant and the inflections of it on her. "An elephant" suggests her belly is showing and she feels large. However, Plath describes herself as a "ponderous house" suggesting that she is slow and clumsy because of her weight and she is trying to hide this. "This loaf's big with its yeasty rising" implies that she is getting even larger as time goes on. In the 6th line the impression that this is her first pregnancy and she is feeling obese is shown when she says, "money's new-minted in this fat purse." Two meanings can be derived from "a cow in calf." One being that she is a child giving birth to a child. The other is that she feels the baby is bigger than her, literally a calf giving birth to a cow. Plath also gives the idea of being ill and having pains when she says, "I've eaten a bag of green apples." However, at the end she knows there is nothing she can do but go through with the pregnancy; "boarded the train there's no getting off."