What Is The Mersey Sound Poem

Love is a powerful emotion that every human being has experience at least once in their life. There are numerous connotations that refer to this emotion, but there is only one kind of love that can make a person change completely in unexpected ways. It is the kind of love that consumes the soul and everything within. Mixed with excitement, adventure, heartbreak, happiness and joy; it is a big ball of feelings, all concentrated in one simple, yet extremely complicated necessity to have, protect, please and give all of oneself to that one person. In certain occasions, love can grow very intense and, consequently,

Love is one of the most indescribable concepts that exist in one’s life experiences. Some argue that love is one of the most important things to have in life, which can shape and mold one’s interpretation of the world. Others may claim that love is an illusion, which serves as a distraction preventing individuals from being enlightened. The interpretation of love could be ambiguous, but the important thing is that love is very powerful and can severely affect an individual’s behavior, expectations in life, and sole responsibilities. Many writers have written about the power of love. Some of these works include, “The Love Suicides at Amijima”, “Death Constant Beyond Love”, and “Gilgamesh”. The most distinctive and comprehensive story involving

In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).

Susan Hill’s Strange Meeting, published in 1971, Sebastian Faulks ‘Birdsong’, published in 1993 and Siegfried Sassoon’s poetry written during ‘The Great

Love isn’t easy. Love is such a disarrayed and varied topic that even scientists are unable to completely define the word. IND AFF, by Fay Weldon, is a short story about a woman falling out of love. The story demonstrates a comparison and contrast between the impulsive, violent actions of Gavrilo Princip and the heartfelt impulsiveness of the main character. In both situations both characters suffer for their beliefs. IND AFF proves that not all love is virtuous.

W.H. Auden and Bruce Dawe, in their respective poems ‘Stop All The Clocks’ and ‘Suburban Lovers’, depict two different reactions to love. Auden’s use of an A, A, B, B, rhyme scheme creates rhythm through each of his 4 stanaz. Contrastingly, Dawe uses syllabic rhythm such as “on the fleet diesel that interprets them, like music on a roller-piano as they move, over the rhythmic rails”. Dawe also uses alliteration to create this similar pattern such as “breeze blowing”, “cliff of kissing” and “sandstone sustaining”. Both of these techniques create tone within each poem allowing the reader to reflect the mood of each poem. Auden’s rhyme scheme portrays a tone of sadness and grief in its simple structure and Dawe reflecting a tone of joy and longing

Love is a commonly misinterpreted concept that is many times taken for granted and unsurprisingly difficult to thoroughly comprehend. Love is an intangible conception and a condition of the mind that allows one to transcend emotional barriers between one another. In Raymond Carver’s short-story “What We Talk About When We Talk About Love”, love is illustrated in several different ways to provide insight on the various forms of love and how they transcend these emotional barriers.

The criterion used to determine whether or not artistic works can be considered poetry or not are, at best, esoteric. As poetry has evolved from rigidly-structured sonnets of the Renaissance to the plethora of imaginative, free verse pieces being produced today, the scope of what the artistic public defines as “poetry” has been stretched to encompass a great many things. This new freedom of form does have its limits, however. Take, for example, Claudia Rankine’s Citizen: An American Lyric and Kenneth Goldsmith’s Seven American Deaths and Disasters. Rankine incorporates a number of images and collages into Citizen to help augment the messages being put forward by her writing, while Goldsmith’s work is composed entirely of transcriptions of

Form is an essential component of any poem; it can make certain words stand out, and can convey the author’s meaning even more. In Claude McKay’s “Subway Wind”, his repetition of assonance and consonance throughout the poem brings about a word flow that makes the poem read much more smoothly. In addition to using these devices, McKay’s careful use of ten syllables per line brings about a distinct structure and form to the piece.

Thus rhyme is not just ornamental in “Echo,” but integral. The skill of Rossetti here is the same as in her half-serious, half-mocking poem “Eve,” even though the two poems are totally different. In “Eve,” she uses very plain rhyming words together with comically intended double rhymes. In “Echo,” her subject might be called fanciful and maybe even morbid, but the easiness of the rhyming words, like the diction of the poem generally, keeps the focus on regret and yearning rather than self-indulgence. As in all rhyming poems, Rossetti’s rhymes emphasize the conclusions of her lines. The rhymes go beyond this effect, however, because of the internal repetition — echoes — of the rhyming words, “Echo” is a poem in which rhyme is inseparable from

In the poem ‘Glasgow 5th March 1971 the poet Edwin Morgan contributes to the atmosphere of the poem by using several language techniques such as imagery ,metaphors and onomatopoeia. Which all follow the technique of instamatic poetry. The poem is a very dramatic visual poem that tells the story of one of the many crimes that took place in Glasgow,during the 1970’s, in this case the pem centres around the two youths,that push a couple into a jewellery shop window,to then carry out theft. An atmosphere of fear and violence is created by the way Edwin describes the way the victims appear as they fall through the window.

Love is perhaps one of the most contested issues in the world. No one has a precise definition of what love really should look or feel like. Most people have resorted to use their own experiences in love to effectively derive its true meaning. Through these experiences, philosophers have argued that the definition of love varies greatly depending on whether it was given by a man or a woman. This is however not the case. As proven by the narratives of Beauvoir and Sartre, the definitions of love derived from the experiences of both men and women are quite similar. Consequentially, Beauvoir’s account of the woman in love sheds important light on Sartre’s conflicting thought about love. By first highlighting the concepts of love as stated by Beauvoir, this text seeks to establish how Beauvoir’s account of love lays a vital foundation for Sartre’s.

Love is said to be the greatest human experience in which mankind are privilege to partake in. To love can be a wondrous experience filling life with bliss and other strong emotions. Some people believe to love is to be alive and be able to see the good in the world and others. The purpose of this paper is to examine and find a better understanding of what is love, to explore what people believe love to be, and what lies surround the perception of love and to explore and expose what the meaning true love is or at the very least the authors understanding of the perception of love. In addition to exploring the concept, deception and the truth of love,

While people are often able to identify when they feel the emotion love, love itself seems to defy definition.  In her polemic “Against Love”, Laura Kipnis argues that love cannot exist as traditional expressions of love such as marriage, monogamy, and mutuality.  However, in her argument, she defines love incorrectly by equating love to expressions of love. This definition lacks a component essential to understanding the abstract concept of love: emotion. Recognizing love as emotion helps us realize that, contrary to Kipnis’ argument love by nature transcends all expressions of love. Love is subjective and exists in any and all forms. In her argument that love cannot survive as conventional expressions of love, Kipnis ignores the nature of love as emotion in favor of equating love to different expressions of love. Love is a force which exists above expressions of love; a true understanding of love can only come from an assessment of how individuals, not societies, respond to the emotion.

Upon reading Erich Fromm’s The Art of Loving, I gained a better understanding of what love really is. Fromm’s book puts love into perspective. He begins with several facts with regards to the attitude in which people treat love. They are the problems of how to be loved, the object to love as well as the confusion between the initial experience of falling in love and the permanent state of being in love, which had a great impact on me, as far as thinking about what love is.