What Is The Mood Of The Lady Of Shalott

The themes of loneliness, exile and escape from reality are important aspects that characterize the works of Alfred Lord Tennyson. During the 1800s, these aspects differentiated him from other Victorian poets, distinguishing him as one of the most popular poets of the Victorian era. In Tennyson's poems Mariana, and The Lady of Shalott, the artists express loneliness in their isolation from the rest of the world. The following essay will compare and contrast the displays of temporary and permanent loneliness of these artists through Tennyson's use of imagery, repetition, and word painting.

One of the most important symbols found in the story is the pattern of the wallpaper. “But no one can get through the pattern -- it strangles so; I think that's why it has so many heads” (Gilman). The wallpaper pattern symbolizes the oppression woman went through because of how society used to see gender roles in the 19th century. “Then I peeled off all the paper I could reach standing on the floor. It sticks horribly and the pattern just enjoys it! All those strangled head and bulbous eyes shriek with derision”(Gilman ). The tearing of the wallpaper is symbolic of the narrator going crazy trying to free herself and the women from the roles they are forced to fill. “It must be very humiliating to be caught up creeping in the daylight” (Gilman).The narrator uses the moonlight to creep, symbolizing that no one is who they appear to be on the outside. During night time, people tend to do things they would be embarrassed about in day time, and during that period of time, people were embarrassed and felt it was seen wrong to defend women’s rights. Moonlight has also many connections with women, those include the moon cycle relation to a woman’s menstrual cycle and the greek goddess Artemis, who was the goddess of chastity, virginity, the hunt, the moon, and the natural environment. “ By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still” (Gilman). The Daylight, however,

The imagery in the poem, specifically natural imagery, helps use the reader’s senses to develop a vivid depiction of the speaker’s connection to nature and dissatisfaction with the surrounding reality. The speaker’s continued use of the “moon” reflects her attribution of feminine identity and idolistic character to the moon. As opposed to referencing herself and her personal insomnia, she uses the imagery of the moon “beyond sleep” to convey her internal struggles with insomnia and her reality. Throughout the poem, the speaker also refers to shining, reflective surfaces, such as “a body of water or a mirror”, to describe the inverted reality in which the speaker experiences reciprocated love. Reflective surfaces often invert the image that is projected into them, seemingly distorting the true nature and reality of the projected image. The speaker’s reference to this reflective imagery highlights her desire to escape the burden of a patriarchal society and assume an independent and free feminine identity. Specifically, the use of natural imagery from the references to the “moon” and “a body of water” convey the speaker’s desire to take refuge within the Earth or in the feminine identity of the Earth, Mother Earth. Feminine identities are often related and associated with aspects of nature due to the natural cycle of the menstrual period and the natural process of procreation. The speaker takes advantage of these connotations to suggest Earth and natural imagery as an escape from the man-made terrors of male dominated society. In the second stanza, the speaker uses extensive imagery to develop metaphors conveying the speaker’s experience of jealousy of the moon

The poet insisted, “Eyes the shady night has shut / Cannot see the record cut” (Housman 13-14). Housman metaphorically justifies that death is not a menacing occurrence in a person’s life, comparing it to sleeping on a shady night. With this seemingly bare comment, Housman reveals his valiantness of death and his supportive perspective on dying young. Moreover, Maupassant implemented imagery in “Two Friends” to demonstrate that friendship triumphs over death. He wrote that “Monsieur Sauvage fell forward instantaneously. Morissot, being the taller, swayed slightly and fell across his friend with face turned skyward and blood oozing from a rent in the breast of his coat (Maupassant 448)”. In the climax, great friends Monsieur Sauvage and Monsieur Morissot ungrudgingly were willing to die together rather than revealing the location of their country’s soldiers. Maupassant was purposeful in his word choices to create an image of two friends dying together, even if they had the choice to betray their country and escape. Thus, imagery is a powerful literary device to justify the authors’ purposes of writing.

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

After being crushed with deep sorrow over the death of his beloved Ligeia, the narrator moves into a decaying abbey to leave behind his lonesome house. Although he leaves the exterior of the house untouched, the narrator decorates the interior with strange but lavish furniture. “The furnishings take on the shapes and colors of his fantastic dreams” as he attempts to cope with his loss (Kincheloe). This supports the idea that the narrator would rather live in his own colorful fantasy (like the inside of his house), than engage in the dark reality (as represented by the outside of the house). Losing Ligeia meant the narrator lost his fulfillment in life; which is why his reality is now gloomy and undesirable. Not only does is the furniture an example of dream imagery, the walls of the desolate house also have a dream effect. The moving images on the walls cause the house itself to seem restless and alive. The narrator imagines this because it represents himself; always on the edge of monstrosity with each changing mood. As he hallucinates on opium, his sense of reality and fantasy is put together as one. With each furnishing, a looming memory of Ligeia haunts him as he reminances her during his opium dreams.

The speaker refers to the night as his acquaintance. This implies that the speaker has a lot of experience with the night, but has not become friends with it. Thus, because even the night, which has been alongside the speaker in comparison to anything or anyone else, is not a companion to the speaker, the idea of loneliness is enhanced. In addition, “rain” (2) is used to symbolize the speaker’s feelings of gloom and grief, because there is continuous pouring of the rain, which is unlikely to stop. In line 3, “city light” is used to convey the emotional distance between the speaker and society. Although the speaker has walked extensively, he has not yet interacted with anyone – thus distancing himself even further from society. Moreover, the moon, in lines 11 to 12, is used as a metaphor of the speaker’s feelings. The speaker feels extremely distant from society that he feels “unearthly.” The idea of isolation and loneliness in this poem is used as the theme of the poem; and the use of the setting and metaphors underscores the idea that the speaker feels abandoned from society.

To start off the analysis, the setting of the entire poem is significant. Though the poem takes place in a house, the atmosphere the house is set in is also important. The month is September which is a month of fall which can be seen as a symbol for decline. It definitely insinuates that the poem is leading towards death. Line 1 has “September rain falls on the house” which gives the feeling of a dark and cold night with a storm on top of that. To further develop that, Bishop gives us the failing light in line 2 to also give us an idea of the grandmother’s struggle. Bishop uses the cyclical theme of changing seasons to show the unending nature of what is transpiring within the

In order to describe the nature of the world, the lyrical subject of the sonnet uses dark and negative metaphors, which present the world as a "painted veil" (l. 1) and as a "gloomy scene" (l. 13). This symbol of

The Lady of Shallot can be interpreted as a symbol of artists and their commitment to their work, in this poem represented by weaving, but also paralleling Tennyson and his poetry. She sacrificed herself to her passion and ironically Sir Lancelot made her into nothing more than a piece of art, he said, “She has a lovely face; / God in his mercy lend her grace” (line 169) she can no longer weave “A magic web with colors gay,” (line 38) rather, just be objectified into a dead-pale beauty not able to offer anymore creativity.

The atmosphere of this exposition is clearly foreboding: "the dark clouds, broken chimneys, unused street, solitary cat, and dead air" all prove ominous and reflect the sordid ruling mood. Failed culture and solitary of aimless women ("a cat moved itself in and out of railing") not knowing exactly what to do about their predicaments in which

Also in isolation is "The Lady of Shallot who} is protected from the corruption of the outside world. She views the world from her mirror, as "And Moving thro a mirror clear/That hangs before all the year, /Shadows from the world appear"  (LL.46-480). The darkness of shadows is her view of the world. The lady demonstrates Tennysons had labor moral as her tapestries are to his poems with "Their she weaves by night and day" (l37).  Furthermore, nobody has laid eyes on the mysterious lady, "but who  hath seen her wave her hand? /Or is she known in all the land" (LL.24-26).

“That oppresses, like the Heft of Cathedral Tunes--.” It has a very heavy feeling derived from the word Heft as well as Cathedral Tunes. The Cathedral is considered sacred yet it is such as somber sound that it could easily affect a person’s mood. The use of paradoxes in the poem creates a sense of confusion about the true feelings about the revelation. “Heavenly Hurt” is both wonderful and horrible and suggests that the pain comes from the heavens. This suggestion is support in various situations throughout the poem. “Cathedral Tunes” and “Sent us of the Air” are the prime examples. It shows that this new realization may have been from a divine being therefore the reader is confused on it’s significance because it perhaps a type of gift. “Landscapes Listen Shadows—hold their breathe” is the personification used in the poem. This personification in the work shows that a divine being has arranged for this revelation to occur therefore, all of nature will halt to the being who has been selected to find this new piece of themselves. She also uses a bit of irony as well as parallel structure to set the scene in the poem. The revelation is brought out in the light of an wintery afternoon, this is the parallel yet it oppressive and dark which is ironic because the light brought with it such darkness.

On the other hand, John Keats’ “Ode to a Nightingale” is another interesting poem set in London, which tells the story of a nightingale that undergoes pain and suffering caused by a loss of human life but remains alive. Like in “the Raven” the latter the poem demonstrates clearly that pleasure is temporary and that human beings are mortal (Fogle 81). In the literary piece, Keats envisages the shortcomings of the physical environment and considers his own life gone when the nightingale song sets in. As such, the poet contrasts between the eternal nightingale and temporal life of human beings in an immensely imaginative way that integrates the primary factors affecting life including weather and natural aesthetics such as flower. Weather rejuvenates the power of the nightingales as evidenced in their covering of the heath. Like “the Raven,” however, “Ode to a nightingale” shares the theme of human mortality, spirituality and kindness, and isolation among the bereaved.

Tennyson portrays the isolation of women through the reoccurring theme of Romanticism, this is shown through the poet’s constant associations with nature being the centre of the poem. The poet focuses more on the surroundings of the main character as she lives “By the island in the river…And the silent isle embowers The Lady of Shalott.” Tennyson presents the speaker to hide the details of the actual lady, her imprisonment and the curse which leads us to believe she is a mystery as the nature around her seems overpowering and consuming her. Tennyson portrays the lady in the poem to be an embodiment of a typical woman of the contemporary culture as he describes ‘A charmed web’ which the woman is ‘weaving, either night or day’. The ‘web’ can be a symbol of slavery but also a symbol of creativity and possibility. When the woman tries to turn away from the web she refuses to be a slave and ultimately