T.S. Eliot’s poem, “The Love Song of J. Alfred Prufrock,” illustrates the poet’s fear of the fragmentation of modern society. In the poem, Eliot creates the persona of his speaker, J. Alfred Prufrock. Prufrock is speaking to an unknown listener. The persona of Prufrock is Eliot’s interpretation of Western society and its impotency at the beginning of the Twentieth Century. His views are modernistic, which idolize the classical forms while incorporating new ideas about psychology and the subconscious. Eliot illustrates his contempt for the faithlessness of modern society by illustrating its fragmentation with synecdoche, characterization of Prufrock, and allusions to literary traditions throughout the narrative. In his poem, Eliot illustrates his view of a great tradition that he is witnessing as it falls apart.
'I have measured out my life with coffee spoons'; (line 51), shows how Prufrock thinks of his own life, unexciting and unheroic. In his mind he has nothing to offer these women. He returns to wrestling with his thoughts that allow him to desire the love the women have to offer but talk himself out of the task by gentile reminders of the risk. He tells the reader that he knows these women and even begins to rehearse an opening remark, 'Shall I say, I have gone at dusk through narrow streets / And watched the smoke that rises from the pipes'; (lines 70-71). This thought is quickly lost however as Prufrock imagines how easy it would be to be a creature that had no need for love, 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas'; (lines 73-74).
Never in Love When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
In "The Love Song of J. Alfred Prufrock," T. S. Eliot reveals the silent insecurity of a man, for whom the passing of time indicates the loss of virility and confidence. Throughout the poem, Prufrock struggles with his fear of inadequacy, which surfaces socially, physically and romantically. The
In “The Love Song of J. Alfred Prufrock” the main character of the poem, Prufrock, expresses the theme of isolation and introduces the reader to his sense of feeling isolated because of how he thinks he is perceived by others. Prufrock’s search to end his isolation is shown by the conversational monologue that he carries out as he searches for a way to connect with other people. Prufrock’s isolation is shown through both an epigraph from Dante and multiple types of imagery spread throughout the poem such as music, sex, and nature.
Aspects of Mood Presented Through Setting in "The Love Song of J. Alfred Prufrock" and "Something Whispered in the Shakuhachi"
Throughout the entirety of the poem, Prufrock struggles with paralyzing inaction stemming from his self-doubt. This holds a large portion of Prufrock’s inability to gain clarity. An example of this self doubt is expressed when he stated, “[They will say; ‘how his hair is growing thin!’]... [They will say: ‘But
“The Love Song of J. Alfred Prufrock” by T. S. Elliot is a poem that tells a character’s story with the use of emotions and imagery. The character J. Alfred Prufrock is first introduced as taking a walk and describing the surroundings such as vacant streets and dreary sights. Women
The Love Song of J. Alfred Prufrock T. S. ELIOT Questions for Discussion 1. How does the epigraph from Dante’s Inferno help Eliot comment on the modern world in“The Love Song of J. Alfred Prufrock”? What does it tell us about the setting of this poem? How is Montefeltro’s miscalculation related to the poem?
The poem “Concord Hymn” was written by a philosopher named Ralph Waldo Emerson. In the year of 1837, the state of Massachusetts had a monument dedicated to the Battle of Lexington and Concord. The poem was written to emphasize the importance of the first battle during the American Revolution which took place on April 19, 1775. The poem goes into great detail about the Minutemen who fought and did not stand down to the British army. During the Fourth of July, Emerson’s poem was sung at a celebration to show respect for these Minuteman who participated in the American Revolution.
The poem is poignant as it causes readers to think of those things that revive melancholy experiences. Lacroix interweaves “the irreplaceable moments of life and the sweet sting of memories” (canlit) into a poem describing the difficulty in acknowledging the departure of a better time. The line breaks that that occur place emphasis on the words at the beginnings and the ends of lines; an important element is that every three lines (besides one exception of four), either “you”, “we”, or “I” begin the line. The first half of the poem speaks of “you”, “I”, and “we”, but the last half is all “I”. The change from two people to one is a striking representation of how even though the husband is still alive, he is already gone in the mind of the wife. She is resigned to being alone now, and finds it unbearable to look at the “books/ the photo albums and flowered shirts” (Lacroix 52) because they remind her that the one thing she wants (her husband) is no longer beside
The monologue style of “The Love Song of J. Alfred Prufrock,” is interesting because it doesn’t clearly identify whether or not the speaker is talking to another person or his inner self. A monologue is like a conversation, but uses the language of poetry. This particular dramatic monologue tells the story of J. Alfred Prufrock, a man who is so wracked with insecurity and worried about how others perceive him that he is afraid to live his life.
Karl Marx’s perspective thus pertinently illustrates the alienation of the modern individual from the self and their surroundings as a direct cause of their socio-economic circumstance. T.S Eliot’s poetry established him as one of the most eminent modernist poets; attempting to free himself from the constraints of the Victorian movement which pre-dated him, this is evident in the free verse and stream of consciousness narrative style of ‘The Love Song of J.Alfred Prufrock’. In doing so, Eliot turned his attention towards the plight of the individual, opting for the ambiguous protagonists in his poetry and exploring the often desolate and depressive urban landscape of the time through the inner workings of an individuals mind. Following on from this, throughout the poem, Eliot conveys a sense of the individual conscience as conditioned by society, through exploring the inner workings of the persona of J.Alfred Prufrock. Prufrock’s lack of identity and freedom in the face of society appears to be the predominant issue he faces, as he wanders the ‘half-deserted streets’, signifying scenes of decay and degradation to the reader, of which the most telling is the “sawdust restaurants with oyster-shells”, a stark contrasting comparison of the lower class, “sawdust” covered floors with the elitist imagery of an “oyster”.
T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock” is inhabited by both a richly developed world and character and one is able to categorize the spaces in “The Love Song of J. Alfred Prufrock” to correspond to Prufrock’s mind. Eliot uses the architecture of the three locations described in the text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super-ego; the city that is described becomes the Ego, the room where he encounters women his Id and the imagined ocean spaces his Super Ego.
The poem “The Love Song of J. Alfred Prufrock” is about an extremely insecure and anxious man who is expressing his worries and concerns in his life. He feels cut off from society and emotionally distances himself from people around him, especially women. He is doubtful of his appearance and,