What Is The Political Philosophy Of The Tempest

The nucleus of the plot in Shakespeare's The Tempest revolves around Prospero enacting his revenge on various characters who have wronged him in different ways. Interestingly enough, he uses the spirit of Ariel to deliver the punishments while Prospero delegates the action. Prospero is such a character that can concoct methods of revenge but hesitates to have direct involvement with disillusioning his foes. In essence, Prospero sends Ariel to do his dirty work while hiding his involvement in shipwrecking his brother, Antonio, from his daughter, Miranda.

The Tempest is about an ousted Duke of Milan ,Prospero, who has been living in exile on a remote island for the past twelve years with his daughter Miranda. He is a powerful magician, who happens to be the master of Ariel and Caliban, and a guy who really likes his books. When Prospero's enemies wash up on shore, he uses his black magic to seek revenge and restore himself to power. The Tempest belongs to the genre of Elizabethan romance plays. It combines elements of tragedy with those of romantic comedy, and like one of Shakespeare's plays previously, it asks deeper questions that are not completely resolved at the end. The tone that seeps into the play is one of wonder, amazement, and admiration. Mystery is still present , but the magic performed is not black and scary. The version that seems to grasp my attention more, would have to be the Utah Valley University interpretation because it takes Shakespeare’s main purpose and tone but shows it in its own unique way. Furthermore, with its silly drunkards, the play has a certain lightness to it and even the so called killers of the King tell hilarious jokes and are lighthearted. But there is also the tone of revenge and reconciliation in the play. We feel a revenge burning in Prospero while, at the same time, a wish for forgiveness and reconciliation with those who have wronged him.

Political Philosophy is typically a study of a wide range of topics such as, justice, liberty, equality, rights, law, politics and the application of a codified law. Depending on what the philosophy is, it usually tends to be a very sensitive and a personal ideology that an individual holds within the reality of their existence. Several of the fundamental topics of political philosophy shape up the society that we live in as these specific topics and their implementation by the state ensures a legitimate government. In Political Philosophy, the aforesaid concepts or topics are evaluated and analyzed with tremendous depth in context to their history and intent. Furthermore, in a rather colloquial sense, political

Prospero's intent throughout the course of The Tempest is neither to revenge himself upon his enemies, nor to reconcile himself with his estranged brother. It is, rather, to orchestrate the reclamation of his lost duchy, Milan, through both his magic and a shrewd manipulation of both the shipwrecked party and the islanders (Caliban and Miranda).

“The Tempest” is a play written by William Shakespeare in early 1600s that has been previewed in different kinds of movies, such as the one made in 2010, directed by Julie Taymor. It is a play containing themes such as; revenge, allusion, retribution, forgiveness, power, love and hatred. When it is compared to the play, there are specific differences seen in the movie, such as; Prospero is reflected as a woman in the movie. The time differences between the play and the movie and how the spirit Ariel is shown as a white man in the movie. The play starts with the story of Prospero, the Duke of Milan. He gets banished from Italy and was cast to sea by his brother Antonio. He has

Shakespeare's "The Tempest" forms a world within itself. Within this world, many topics regarding government, power and colonization are addressed. Shakespeare tackles the discovery of new places and races, the relationship between the colonized and the colonist, old world ideologies on new soil, as well as theories on civilization and government. These aspects at the core reveal a very clear struggle for political power. Prospero's first major monologue creates the foundation of such a theme. In 1.2 lines 30-175 Prospero tell his story recounting the usurpation of the power he had as Duke of Milan, then quickly

The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.

   A production of The Tempest should emphasize the idealized methods in which Prospero uses magic to solve the problem of revenge which is so prevalent throughout his tragedies, perhaps the production might be a direct allegory for the magic of the theatre itself.   In this conception of the play, the scattering and bringing together of the characters in the script is significant in that theatre also could be said to bring people together and allow them to share in an experience of emotion, magic, and finally, of resolution. In this way the production could be used as a vehicle for conveying the idealistic virtues of forgiveness, compassion, and of course knowledge. In his book, A

  The Tempest is generally considered to be Shakespeare's last sole-authored play. The play draws a number of oppositions, some of which it dramatises, and some of which it only implies. Prospero, a figure exhibiting many resemblances to the Elizabethan idea of the 'Mage', (of whom the best known is probably Dr. John Dee), is opposed to both his corrupt brother, usurper of his role as Duke of Milan, and to Sycorax, an evil witch and mother of the 'deformed slave' Caliban. Sycorax does not enter the action of the play, having died before it opens, but enough is made of her evil disposition and behaviour to show Prospero as a model of human virtue in comparison. This despite Prospero's own use of magic to

Even on a desolate island, political struggle between classes shape the islanders fates. In the Tempest by William Shakespeare, the struggle for political power between classes and the dream of being king of the island present itself. The struggle for political power results in damaging and destructive endings for the stranded islanders. The play has clear social and political structures that can be viewed critically with the Marxist lense. The damage and destruction from a bureaucratic society and political system can be clearly viewed throughout the Tempest.

The Tempest, often regarded as Shakespeare’s last play, displaces the theme of possession of control and command over other, commonly known as power. Ariel, Caliban and the courtiers from Milan, all demonstrate different levels of control. Prospero, the protagonist of the play, especially displays his ability to cast influence and affect others psychologically. The characters, their relationships and their use of power can be compared to the English government and society of the 17th Century.

From when Prospero first “raised the tempest (Shakespeare 71),” and conjured the storm to helping him hold Alonso and his companions captive, we can clearly see in Ariel’s case that he adores Prospero for freeing him and holds a very loving son-father relationship with Prospero. These caring attributes are very scarce in the other majority of the characters such as Antonio, Stephano and Caliban (who only wish to murder and rob Prospero of his power) and Ariel's attitude which he has for Prospero only makes that case even more evidently obvious. When Ariel gives the word on Alonso and his partners in crime, he states that “our (his and Prospero’s) charm so strongly works 'em that if you now beheld them, your affections would become tender” (Shakespeare 71). He states that Prospero’s effect on the three were so ominous that if he saw them, even he, in all of his power and malice, would be compelled to sympathetic tears. We are duly noted that Ariel is a spirit who is able to possess a very human and fatherly concern for others despite being of nonhuman

Prospero even creates the actual tempest of the play through Ariel, which allows the creation of the rest of the story to happen. Prospero’s art is truly powerful and permits Prospero to conjure up and wield anything he must to attain his desired purpose or fancy. As Stopford A. Brooke states about Prospero: “He acts like a divine Providence, moulding nature and human wills to his purposed end” (Brooke 307).

The Tempest, a tribute to Shakespeare’s life, contained many references his own personal life, as well as exciting elements such as revenge, romance and the use of magic, uncommon during the time period the play was written. After being exiled onto an island with his daughter, Prospero has to deal with his desire for revenge once his enemies are brought to shore by conjuring a tempest. The original play, written by William Shakespeare in 1611, was adapted by Julie Taymor in 2010. With the part of Prospero played by Helen Mirren, a new take on the classic story arose with the introduction of Prospera. The compassion and care for Miranda was more evident with Prospera due to the nature of a feminine and motherly character.

Political philosophy is the study of basic questions about the state, government, politics, liberty, justice etc. political philosophy is concerned with the concepts and arguments involves in political opinion. It is ethics applied to a group of people, discusses about societies set up.In political philosophy it is important to know what ought to be a person’s relationship in a society. This seeks application of ethical concepts to social sphere. It is a standard which help to analyze and judge existing institutions and relationships. According to Bernard Williams “political philosophy is not just applied moral philosophy, which is what in our culture it is often taken to be….political philosophy must use distinctively political concepts, such as power, and its normative relative, legitimation.” Leo Strauss has said “Philosophy is the quest for wisdom and political philosophyis the attempt truly to know about the nature of political things and the right or the good political order.” In the history of political philosophy, many philosophers have born and influence the era with their theory. There some renowned philosopher from ancient time to modern are Plato, Aristotle, Machiavelli, Hobbes, Locke, Rousseau etc.They gave theory on state, Justice, government, education. In western political history Plato is a legend philosopher whose thought considered wealth of the century and till influence the people’s thinking world.The Republic is his famous book where he