What Is The Reflection Of Sophie's World

Over the centuries, the concept of fate is constantly being changed to adapt to our current way of living. In modern times the concept of fate is usually connected to the themes of love and romance. However the ancient Greeks recognized fate as an inescapable reality that shaped their lives. The famous playwright, Sophocles, adopts the idea of fate in his plays to control the character’s actions. In both plays, “Oedipus the King” and “Antigone”, the writer uses the concept of fate to show human’s inability to conquer the will of the gods.

One of the most basic philosophical questions, as well as at the same time being the most complicated, in the novel Sophie’s World is the question, who are we? This question alone is what embarks Sophie, the main character in the novel, on a never ending journey of questions and through the world of philosophy. As it is shown in Sophie’s World, the concepts of philosophy have been in constant change all throughout history, philosophers contradicting one another in a constant battle to achieve greatness, and proceeding in a constant never ending cycle of philosopher contradicting philosopher. Because of this non-stop constant change in philosophy, Democritus, one of the earliest philosophers, would have a

Luck is many times considered silly or just part of someone’s imagination, but it can really play a big role in what becomes of an individual. In the first chapter, titled “The Matthew Effect”, we

The professor 's shield cracks, however, when her carefully designed worldview is upset by Stojan Sokolovic. His persistent questions and challenges to her book force her to confront her ethics and her understanding of the world

One of the greatest debates in human history is fate vs free will and does fate even exist. It is a question that has been asked for centuries across many different cultures (Dennin 2016). Fate still has a impact on people today. The modern day argument isn't about being a force for good or evil like in Beowulf's culture, it is whether or not fate even exists. Everyone claims to know the answer but no one truly does. In the anglo saxon culture fate was the common belief. Not as many people now believe in fate as they did in Beowulf’s times but “52 percent of Americans say that they do believe in fate while only 29 percent do not believe in fate” (Moore, 2015). This means that fate is not as big of a deal nowadays then it was back then. Fates meaning and importance has changed but it still affects people's views and beliefs today.

Joseph Conrad once said, “It is the mark of an inexperienced man not to believe in luck”. Nailer, the main character of Paolo Bacigalupi’s book Ship Breaker, wasn’t born lucky, he was born a ship breaker. Ship breakers are child and adult laborers who spend their days starving, poor, and working away to take the anything valuable off old ships for the big companies. Throughout Nailer’s life, he has suffered through various unfortunate events. However, with a strong belief of luck and having other superstitions, his life becomes more manageable. In Ship Breaker, Paolo Bacigalupi demonstrates that being superstitious and believing in various degrees of luck allows people to more easily feel in control of uncontrollable situations.

Many people believe that fate has planned out their lives and despite efforts on their part what was meant to happen, will eventually happen. This belief has been handed down over the centuries from some of the first civilizations, such as the Greeks. However, not all Greek citizens wanted destiny to take control of their lives. Some decided to choose freewill over the will of the gods. In Oedipus the King, Sophocles writes a cautionary tale meant to warn the doubters in Greek society that regardless of their beliefs in gods and prophecies, it is necessary to heed their warnings. Oedipus, Jocasta, and Laius are Sophocles’ characters that prove that escaping one’s fate is not possible, as each of their predicted fates is realized despite extensive efforts to thwart them.

Fate can be thought as life being predetermined for the entirety of your days. From the early writings of Homer, specifically in the poem, The Iliad, there is a clear representation of whether it is free will or fate after all. Although we may never know whether there is a predetermined path or rather just free, it can only make one wonder. For most Greek Mythology, it is been evident that most of people’s decisions were not free will but rather fate itself. While people think they have free will, it may just be fate after all.

Observation and Interpretation: Throughout the text, fate and the gods are blamed for the cause of the problems, however subsequent choices made later on by the characters appear to be free will, however are actually influenced by fate and the gods. So what? :

The developmental stage of a young child’s life is very crucial and can be impacted by the media. In The Book Thief by Markus Zusak, Liesel Meminger is a young girl living in a very important part of Germany’s history, the Second World War. Liesel’s childhood unfolds and develops against the backdrop of a time when words, books specifically were used for power and control. Liesel is someone who has a love for reading and, as such, books become very important to her, not only for her education but for her rebellion and discovering her true identity. Throughout the novel, books become a crucial symbol used to convey the desires and discovery of identity for the main character as her childish ignorance changes to her mature adulthood.

Words can influence the mind in many ways that thought may not be able to. They are carefully placed and shared in different ways by each and every individual. Words have powerful impacts and can majorly impact how one may think, feel, or even lead others to feel. Written by Markus Zusak, “The Book Thief” describes a story of an innocent foster girl, Liesel Meminger, who resides in Munich, Germany at one of the most troubling time periods in history, Nazi Germany. A tale narrated by the one and only Death himself, shows the perspective from his point of view, as well as others, describing how Liesel had been seized away from her birth mother at a young age, and put into a foster family. Her new family, the Hubermanns. As she matures and grows into a more critical thinker, understanding and analyzing everything that carefully happens around her. Her foster-father, Hans guides her and teaches her how to read, which little does she know sparks her journey, the art of stealing books. Liesel soon discovers that words aren 't simply lines on a page, they are strong emotions packed into a form that merely is held in her delicate hands. Not only did she hold the pages of emotion, she held a power, a dangerous weapon of words, a weapon of control, and every book that she had stolen was giving her unimaginable power that made her think in ways that she would’ve never thought she could have. As with Nazi propaganda, and a gift that enabled her to broaden her worldview. Liesel evolves

Fate, as described in the Oxford English Dictionary, is “The principle, power, or agency by which, according to certain philosophical and popular systems of belief, all events, or some events in particular, are unalterably predetermined from eternity.” To the western world, fate is perceived as “a sentence or doom of the gods” (Oxford). They often sought prophecies of the gods, especially from Apollo, the god of knowledge. The Greeks would seek prophecies usually when they had doubts about something, or if they were afraid or in despair. When the gods made a prophecy, the Greeks put all their faith in it and believed that it would happen. When their prophecies did come true, was it really fate that

The concept of fate and the influence of gods on mortals’ lives are prominent aspects of Greek mythology. While the gods of Olympus are commonly presented as the primary manipulators of human lives, the Fates are the true creators of destiny. Gods may be able to affect human lives in monumental ways, but predetermined destiny and the Fates’ intentions ultimately reign. The gods have respect for this authority, as well, as they’re aware that a limit on their ability to intervene is necessary to maintain the order of the universe. This leaves one to question the amount of knowledge that the gods themselves have of fate, and whether they have their own free will to refrain from intervening or if they truly must submit to the authority of the Fates and their plans. The gods do have some knowledge of the Fates’ plan, but they are also wise enough to avoid too much interference and therefore don’t necessarily need to be commanded; they sometimes help guide mortals by sending them messages and symbols—and sometimes even influencing them for their own advantage—but ultimate fate cannot be avoided.

In a way, they are all connected through Sophie's life experiences. There are forces behind all of the philosophy lessons, as well as in Sophie's life. These forces are able to influence and adjust how you view the world around you.

Despite this supernatural description, fate is depicted as being inevitably natural. Fate, or providence, is a paradox of both the natural and supernatural. Allusions to the changing of the seasons and the natural cycle of life portray fate as belonging to nature. Biblical allusions associate Tess’s fate to pagan worship. In chapter eleven, the narrator questions the location of Tess’s guardian angel (Hardy.80). The diction used in this scene almost identically matches the language used in 1 Kings 18:27, where Elisha mocks the prophets of Baal on Mt.Carmel (Collins.472). Through this allusion, Hardy mocks Tess’s lack of faith, claiming that the tragedies that befall Tess are the result of her own negligence. Using this technique, Hardy victim blames Tess making the inevitability of her fate all the more prominent. “Tess’s struggle to maintain her decency against the forces of her environment is always the cycle of human destiny, a cycle in which man comes out the inevitable loser” (Williams.40). By the end of the novel, Hardy describes Tess’s hardships as mere sport for the “President of the Immortals” (Hardy.457). Combined with the tragedies that befall her, Tess’s lack of faith in a magnanimous god symbolizes human existence. Referencing paganism and Christian theology, Hardy invokes the natural-supernatural in an attempt to describe fate. Hardy renders fate as a maleficent and judgemental force by failing to answer whether there is a benevolent and forgiving God.