What Is The Search For Identity In Susan Glaspell's Trifles

At the beginning of the short drama, “Trifles,” Mrs. Peters, the sheriff’s wife, is painted as timid and submissive wife. She willingly submits herself to the responsibilities she has as a wife. As the play unfolds, Mrs. Peter’s submissiveness begins to diminish. Mrs. Peters and Mrs. Hale work together to uncover the murder of Minnie Wright’s husband. When the women find the evidence, they refuse to share it with the men. Mrs. Peter’s character transforms into a more confident individual over the course of the play.

Trifles, Susan Glaspell’s play written in 1916, reveal concerns of women living in a male dominated society. Glaspell communicates the role that women were expected to play in late 19th century society and the harm that can come of it to women, as well as men. The feminist agenda of Trifles was made obvious, in order to portray the lives of all women who live oppressed under male domination. John and Minnie Wright are two main characters who are never seen; however provide the incident for the play. In this play women are against men, Minnie against her husband, Mrs. Hale and Mrs. Peters against their husband’s, as well as men in general.

Hale, and Mrs. Peters. Mr. Hale was the first one to visit the Wright home after the murder, so the sheriff immediately questions him. Because this is a play the actors have to talk to each other, so the audience knows what’s going on. Another way that the play goes into an action way is the aloofness of Mrs. Wright. Whenever Mr. Hale was being questioned he mentioned his encounter with Mrs. Wright saying that he would ask where her husband was, and she wouldn’t respond and just sit there in her chair and knit. The men then go on to criticize Mrs. Wright’s housekeeping, after the men leave the women say, “I’d hate to have men coming into my kitchen, snooping around and criticizing” (561). The short story has the same sentence except the short story surrounds that statement with an explanation of some of Mrs. Hale’s thoughts. For example, Mrs. Hale is described as having felt a strange feeling “then, as if releasing something strange, Mrs. Hale began to rearrange the dirt pans under the sink” (573). The play cannot provide description of emotions but shows them through action. “A Jury of her

The play “Trifles” by Susan Glaspell is type of murder mystery that takes place in the early 1900’s. The play begins when the sheriff Mr. Peters and county attorney Mr. Henderson come to attempt to piece together what had happen on the day that Mr. Wright was murder. While investigating the seen of the murder, they are accompanied by the Mr. Hale, Mrs. Hale and Mr. Peters. Mr. Hale had told that Mrs. Wright was acting strange when he found her in the kitchen. After taking information from Mr. Hale, the men leave the women in the kitchen and go upstairs at seen of the murder. The men don’t realize the plot of the murder took place in the kitchen.

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

Therefore, Mrs. Wright murdered her husband simply because he murdered her pet bird, and she did so the same way he murdered the bird, making the motive is unethical. Mrs. Hale finds a dead bird with a broken neck inside of Mrs. Wright’s sewing box wrapped in a cloth. Obviously as lonely as Mrs. Wright was the death of her bird would have been catastrophic for her. This is evidence of a motive proving Mrs. Wright killed her husband out of sheer revenge of the death of her bird, it was the last thing he was ever going to take away from her. Along with the broken cage Mrs. Peters states, “Why, look at this door. It’s broke. One hinge is pulled apart” (8). Then Mrs. Hale comments, “Looks like someone must have been rough with it” (8). This is how it happened, Mr. Wright came home from work in

One critic, Leonard Mustazza, argues that Mrs. Hale recruits Mrs. Peters “as a fellow ‘juror’ in the case, moving the sheriff’s wife away from her sympathy for her husband’s position and towards identification with the accused woman” (494). Though this is true, Mrs. Peters also comes to her own understanding. What she sees in the kitchen led her to understand Minnie’s lonely plight as the wife of an abusive farmer. The first evidence Mrs. Peters reaches understanding on her own surfaces in the following passage: “The sheriff’s wife had looked from the stove to the sink to the pail of water which had been

As the ladies examine the house, while the men are other places, picking clothes and an apron up for Mrs. Wright, Mrs. Hale gains sympathy for her until finally she starts to take action. When they find the block of quilting that has stitching askew, she starts to fix it, perhaps to cover for Mrs. Wright?s distraught state of mind. While Mrs. Hale is finding sympathy for Mrs. Wright, Mrs. Peters offers a counterpoint that tries to justifies the men?s viewpoints and actions. Her comments to Mrs. Hale?s resentful musings on Mrs. Wright?s unhappy life and on the actions of men in regards to women in general all seem to be rote answers programmed into her by society and a desire not to cause any trouble. This all changes as soon as Mrs. Peters finds the bird.

In “A Jury of her Peers,” Glaspell makes it clear from the beginning using characterization that Mrs. Peters, who is the sheriff’s wife and one of the three female characters featured in the story, is bound to her roles and stereotypes. Glaspell writes that “the sheriff came running in to say his wife wished Mrs. Hale would come too — adding, with a grin, that he guessed she

While Mrs. Hale rants about the invasion of Mrs. Wright’s home, Mrs. Peters states, “the law is the law” (10). She easily demonstrates her submissiveness and inability to break free from societal standards. While defending the men throughout the story, she reveals the dilemma she is faced from being the sheriff’s wife and also a woman herself. By saying “a person gets discouraged—and loses heart” (10) Mrs. Peters sets a grim mood not only relating to Mrs. Wright, but towards herself. Stuck in a systematic routine, Mrs. Peters is a delicate creature confined in an arched

Mrs. Hale and Mrs. Peters both understand and get to know each other by piecing together the crime scene and also looking at Mrs. Wright’s empty house. By the women noticing details and Mrs. Wright’s living conditions, they can see how sad and what little enjoyment Mrs. Wright had in her home. Mrs. Hale says, “It never seemed a very cheerful place," and later on she says, "But I don't think a place would be any the cheerfuller for John Wright's bein' in it.", she is revealing the atmosphere that the home had (Glaspell 5). The home was certainly not cheerful, but not

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

     You may begin to think, "Why doesn't Mrs. Peters do something, or say something to stop Mrs. Hale?" Well the answer is that Mrs. Hale convinces her that

Hale is not easily persuaded about the case. She is very outspoken and makes her opinion very apparent about the case. Mrs. Hale immediately assumes that Mr. Wright killed the bird and deserves death for what he did. Though Mrs. Hale is the more confident woman she has empathy for Mrs. Wright because she knew her when they were younger. Mrs. Peters has a little bit different of a life, she is the sheriff’s wife, but still experiences the same isolation that Ms. Hale does.

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.