What Is The Similarities Between Macbeth And Othello

Instead of Macbeth being Thane of Glamis, he is a high-class chef of a well-renowned restaurant in the middle of London. The environment in Shakespeare Retold has changed from a Shakespearean era to the 21st century. Both Macbeth and Joe have high positions that will eventually lead to their downfall. Both the play and the film emphasize on the same values and they demonstrate how ambition and greed drive a human to their insanity and madness. For example, in Shakespeare Retold, Joe was introduced as a kind, jovial person who as a chef himself taught his fellow cooks how to properly make food. His desire to secure his throne, in this case, the main chef, made him disoriented and was breaking plates, and burning food, something he wouldn't do before. The loving aura changed and it was just filled with chaos, in which the environment was not a place where his workers wanted to be. The change of scenery from the kitchen to an ominous night was effective in such that viewers could see that it meant something bad was about to happened. Lastly, at the end of the film, the kitchen in a highly renowned restaurant was not as luminous as before. The lights were turned off by Joe, and this is where we could see that he was beginning to shut himself down.

To be evil, villainous or Satan-like, is to state that one does hurtful things to other citizens for the pure enjoyment of themselves. Hitler, Stalin and Napoleon are all leaders, who undoubtedly can be stated as evil. In William Shakespeare’s tragedy Othello, the character Iago is considered evil. It is argued though that he is not evil, just simply a human. Iago throughout the play becomes insecure over his decline in power leading him to become jealous and get revenge on those who contributed to this feeling of self-doubt. Though Iago at times is satisfied with the way he treats others, his motives are humanistic and the way he deals with his envy for others makes him one of the manliest men in William Shakespeare’s Othello.

According to Kim, “ A miasma of plague hangs around Shakespeare's dramatic corpus, and Othello is a topical response to its occasional outbreak in 1603” ( Kim 1). Othello skin color was the same response as the outbreak in 1603, known as the plague. Brabantio was acting like Othello had a disease when he found out that he married his daughter. Instead of Othello getting mad or going on the run, about him trying to come and kill or arrest him. Othello stay calm and waits for him, “ Not I, I must be found. / My parts, my title, and my perfect soul / Shall manifest me rightly. Is it they?” (Act 1, Scene 2, Lines 31-33). He turns a bad situation into a better one by compromise with the farther by listening to his feelings, and telling him in a calm manner that he didn’t do anything wrong to Desdemona and that it is all willingly. In this play Othello, Othello is put in a lot dramatic irony situation with Iago. Because Iago was always set Othello up, the audiences knew exactly what Iago was up to but Othello didn’t.

Macbeth, an ironic tragedy of the 17th century, is perhaps one of the most appraised works by renowned playwright William Shakespeare. Such fame, though, can be justified through the play’s effective utilization of themes and their evocative subtext; however, Shakespeare particularly focusses on the theme of power and has done so with intent. Macbeth visualises power in two forms, being that of divine and supernatural. The play forms a representation that, alike with the socio-cultural beliefs of the Elizabethan era, divine power should not be tampered with. Otherwise, the consequences can be detrimental, as demonstrated by the painful ends of characters Macbeth and Lady Macbeth. Both individuals use the process of illegitimate power to

In the first act, Roderigo using ‘thick black lips’ to describe a characterisation that would describe a person outside to the venetian quality, Iago using ‘Old black ram tupping the white ewe’ not only is describing a sexual act between Othello and Desdemona but it clearly represents that Iago is extremely judgmental towards Othello, using his skin colour as a negative towards Iago’s power. Today in society we can clearly see these racial issues still exist and continue to power through society. Iago in the play named Othello a devil, clearly stating the people from an African descent were associated with witchcraft. Throughout the play the use of Othello’s skin colour dehumanises him reinforcing how Venetian society have ostracised him. Throughout this the reader can understand Othello’s pain and struggle and can further emphasise and have a better understanding of of those character and his

In William Shakespeare's Macbeth, the supernatural and the role it plays in motivating characters is present throughout the duration of the play. The supernatural causes conflict in the play and the prophecies from the witches in act one is the inciting action. The apparition, Banquos ghost, and the dagger are examples of how the presence of the supernatural causes conflict. The theme of the supernatural causing conflict in Macbeth plays an important role in the plot of the play.

In William Shakespeare’s play Macbeth evil is conveyed in many ways through characters, themes and settings. Many themes are explored in detail contributing hugely to the sense of evil with characters being used along with these themes to create evil within the characters. These themes and characters are shown in different settings at different times consequently affecting the mood and atmosphere of the play.

Iago often refers to Othello as the "Moor" and when Emilia realises how Othello has treated his wife, she calls him "the blacker devil". As Iago's plan unfolds, Othello's suspicions and jealousy come to the fore. Iago's blasphemous expressions gradually infiltrate Othello's vocabulary as Othello becomes more and more convinced that Desdemona is being unfaithful. Initially he claims that while the marriage is expected to bring him some physical satisfaction, he and his wife value their mental attraction just as highly. However, as he becomes ensnared in Iago's trap, Othello reveals a more detailed acknowledgement of Desdemona's sexual appeal. As he discusses her death with Iago, he says he will not argue with Desdemona"lest her body and beauty unprovide my mind again".

In this essay I shall be looking at the way evil is portrayed in Shakespeare's play, Macbeth. I will be concentrating on the characters in the play that contribute to the evil themes of the play. It is clear from the start of the play that the witches are the main source of evil.

It is human nature to be intrigued by all things mystical and dangerous. We fear the unknown but seek it nonetheless out of greed. Most of Shakespeare’s works hold an element of the supernatural and the play Macbeth is no exception. In this play we see a contemporary morality that warns of the dangers of trafficking with instruments of darkness; the witches in the play prophesize of Macbeths future as king, and Macbeth blinded by his hunger for power fails to recognize that the witches prophecies are luring him to evil . In act 1 scène 3 we see the effect that the excitement of the prophecies has had on his imagination as he begins to contemplate murdering the king. As Macbeth gets closer to

  “At the heart of William Shakespeare's Macbeth is an examination of the nature of evil and it's many faces and facets”(Cathell 119). The principal evil characters in the play, Macbeth and Lady Macbeth, are both evil, but the manifestation of evil is different in each.

To begin, Iago’s encouragement of prejudice leads to Othello’s manifestation of darkness. For instance, when Iago unveils to Rodrigo that he has a plan to attain Desdemona’s affection for him, he in contrast dehumanizes Othello he reveals that “If I the Moor I would not be Iago. In following him I follow but myself; Heaven is my judge, not I for love and duty, but seeming so for my peculiar end. For when my outward action doth demonstrate” (I.i.57–65). This illustrates, Iago’s true nature that he holds prejudice and hatred for Othello by referring to him as a Moor, it proves that he only views him as substandard. Iago will pretend to serve him, but in reality he is only loyal to himself. This foreshadows that Iago will use negative connotations of race to manipulate Othello into thinking he is worthless. Thus, planting in Othello’s mind thoughts of adultery and hypocrisy. Later, resulting in the uprising of jealousy and darkness of Othello’s character. So Rodrigo, can obtain Desdemona’s love. Promotion of racial bias is also, evident when Iago tries to insinuate that Desdemona is unfaithful. He argues that “not to affect many proposed matches of her own clime, complexion, and degree, Where to we see in all things nature tends—Foh! One may smell in such a will most rank, Foul disproportions,

Therefore, even before Othello is physically presented to the audience, the Elizabethan audience would already have an image of Othello being wild and “moorish” since they would have the similar notion as Iago and Rodrigo towards black men. Therefore, Shakespeare establishes the racist concepts from the very beginning of the play to set the base for the tragic downfall of Othello. Racist language is not only limited to the beginning of the play; it is constant throughut the play. Iago uses racist words when he wakes up Brabantio to inform him about Desdemona’s marriage. Iago says an “old black ram” is “tupping” Brabnatio’s “white ewe” which is highly racist and reveals the Elizabethan society’s prejudice against black men. The Elizabethan era believed that black men have animal-like and sexual nature and Iago uses this notion to make Brabantio fear about the mixed marriage and persuade him to stand against Othello. Also, Iago makes use of the racist Elizabethan notion that the colour black meant evilness by calling Othello as “the devil”. This is ironical because in the play, Iago is the one who is playing the role of “the devil” whereas Othello just the biggest victim who is manipulated by Iago. The irony adds on as Iago, white man, is the most evil one in the play where normally according to Elizabethan racist notion, black men are the one who should be the

Shakespeare explores the abuse of supernatural power through manipulation by witches on human nature. This considers how witches dominate through the complexity of control as an attempt to influence fate. In the Jacobean Era, King James was interested in the supernatural with the majority of people believing that witches held supernatural power and were evil representatives of the devil. Hecate informs the witches in relation to Macbeth that “he shall spurn fate, scorn death and bear his hopes ‘bove wisdom, grace and fear…security is mortal’s chiefest enemy”. Tragic foreshadowing emphasises “scorn death” presenting a dark upcoming event. This demonstrates how the witches manipulate Macbeth into thinking that he stands above wisdom, grace and fear, encouraging him to be overly confident. As a loyal friend, Banquo warns Macbeth “to win us to our harm the instruments of darkness tell us

It then hit me that through Iago’s judgments Othello is “the Moor” and should therefore exemplify the common idea of a moor, which is not admiration, self-worth, and fortune; it is one of disconnectedness and dependency. When he says that “nothing can or shall content his soul/ Till he is evened with the Moor, wife for wife” (Act 2: Scene), he means that he is satisfied until Othello’s life is made equal with his involving feelings of inadequacy and jealousy, which are all qualities fitting to a “moor”. Throughout the play Iago repetitively uses derogatory remarks when speaking of Othello so to encourage certain people in the play to endure racism and confirm that it was the norm. Even so, some of Iago’s semantics reveal his own prejudices. For example, Iago only refers to Othello as a “Moor” with the exception of when he refers to Othello as the “black Othello” (Act 2: Scene 3). Iago hates Othello because he is “the Moor” yet does not symbolize the expected role of what is thought of to be a black man in these times. There is neither reason nor logic behind his hatred, but discrimination against one seldom has reason, for it is characteristically irrational thinking. Iago is a clear illustration of what racism is and will justify his irrational thoughts with anything, just as Iago contributes to Brabantio and Rodrigo’s reasoning behind their actions and Othello’s reasons for acting out on