What Is The Simplicity Of The Crumbling Wall In The Great Gatsby

Gatsby’s stubbornness to rekindle his past love causes his to spiral out of control. He would constantly try to put his needs aside in order to fulfill hers. Gatsby is blind to the fact that Daisy does not have the same feelings towards him. Daisy was only going with Gatsby in order to get back at Tom for having multiple affairs. Gatsby is still not in the same social circle because Daisy is a part of West Egg, which is old money; inherited money, while Gatsby is a part of East Egg, which is new money. This naivety from Gatsby causes him to be blatantly unaware of everything that is happening around him. “Gatsby, just like the brand new monstrosity he inhabits, is ‘flashy’: he wears pink suits, gaudy shirts, and drives an extravagant Rolls Royce. Despite all of their obvious wealth, the nouveau riche are imposters—cheap materialistic imitations of the American Dream. They can never possess the Buchanans's old-wealth taste, epitomized by their "cheerful red and white Georgian Colonial mansion, overlooking the bay" (4). On Long Island, aristocratic grace and elegance cannot be purchased, only inherited. Try as they may, the inhabitants of West Egg will never be able to acquire true opulence. Daisy Buchanan's white roadster and "spotless" flowing gowns,

The Great Gatsby is considered to be a great American novel full of hope, deceit, wealth, and love. Daisy Buchanan is a beautiful and charming young woman who can steal a man’s attention through a mere glance. Throughout the novel, she is placed on a pedestal, as if her every wish were Gatsby’s command. Her inner beauty and grace are short-lived, however, as Scott Fitzgerald reveals her materialistic character. Her reprehensible activities lead to devastating consequences that affect the lives of every character. I intend to show that Daisy, careless and self-absorbed, was never worthy of Jay Gatsby’s love, for she was the very cause of his death.

As a society, America has created certain ideas and stereotypes of each class including the citizens within them. In The Great Gatsby, F. Scott Fitzgerald focuses around the superficial communities of West and East Egg, and their misconceptions of one another. The citizens of East Egg, such as Daisy and Tom Buchanan, frown upon the up-and-coming men of West Egg. This includes Gatsby, who dreams of the riches they take for granted. Gatsby, who obtains his money through dishonest means appears villainous, unsuccessfully attempting to join the wealthy and elite society of East egg. However, there may be more to Gatsby's story. As Nick, the narrator, says he is “worth the whole damn bunch put together”(154). Through his descriptions and comparison of Tom’s house and Gatsby’s house, Fitzgerald reveals the true nature of the two men. While Gatsby appears to be morally corrupt, in the end he actually has pure intentions, instead it is Tom who emits negativity and is ungrateful for his life.

Daisy’s prejudice towards females make her a despicable character because she judges people on shallow criterias such as their gender and wealth. Shallowness is once again identified in Daisy through her bias of the people in West Egg. When Daisy attends Gatsby’s party, “she was appalled... this unprecedented “place”... short-cut from nothing to nothing” (Fitzgerald 107). This highlights the juxtaposition between the West and East Egg which is a recurring motif throughout the novel. The motif indicates the internal conflict between the Old wealth who discriminates against West Egg, claiming that the New wealth are futilely trying to become part of the upper-class.

Daisy sacrifices love and happiness for being wealthy. Nick believes “that the thing for Daisy to do was to rush out of [her] house, child in arms-but apparently there were no such intentions in her head” (25). In making this comment, Nick argues that Daisy refuses to break off her marriage to Tom because she will lose her “membership” to the East Egg social class. Not even Gatsby, who is one of the wealthiest men in the Northeast, can convince her to leave him. In Roberts’ literary criticism, she describes the aspects of Gatsby that Daisy disapproves. Roberts claims that Gatsby “Misread[s] the signs of American gentility … [by moving] to West Egg, instead of the more elegant East Egg (Fahey 74), [and throwing parties that] attract theatre people and gate crashers rather than a social elite” (Roberts) which repulses Daisy. In making this remark, Roberts claims that Gatsby is not everything Daisy could want. His mansion’s location and guests at his party ultimately is not enough to motivate Daisy to leave Tom. Close states that “we can’t be happy without at least one meaningful, close relationship.” Her claim that a close relationship brings happiness rests upon the questionable assumption that people in close relationships are always happy. In fact, some close relationships can bring more despair than joy. Hence, the cause of unhappiness for wealthy people, like Daisy, can be avoided if they choose their overall wellbeing over the amount of money they

“Her voice is full of money.” Jay Gatsby said this while talking to Nick about Daisy. Daisy is a prime example of what people call a “gold digger.” She proves the theme, once the world reveals some of its riches; people tend to forget their values. Throughout the entire book, The Great Gatsby by F. Scott Fitzgerald, we see over and over people turning their backs to love for money. They are shown money and never look back; a deep and powerful lusts controls them. While reading this book it conjures up many emotions such as sadness, anger, and depression. At the end of the book, the realization of the true human condition shows its true colors, and leaves the book full of depression.

One of the major topics explored in The Great Gatsby is the sociology of wealth, specifically, how the newly minted millionaires of the 1920s differ from and relate to the old aristocracy of the country’s richest families. In the novel, West Egg and its denizens represent the newly rich, while East Egg and its denizens, especially Daisy and Tom, represent the old aristocracy. Fitzgerald portrays the newly rich as being vulgar, gaudy, ostentatious, and lacking in social graces and taste. Gatsby, for example, lives in a monstrously ornate mansion, wears a pink suit, drives a Rolls-Royce,

Although The Great Gatsby was not he’s first novel, it is often considered to be his most credited and recognised works. Despite The Great Gatsby not as successful during the Fitzgerald life, it gained recognition after his death due to the novel's depiction on the “Jazz Age” 1920’s. The Great Gatsby is written as somewhat of a social commentary about the disparity between social classes as well as addressing themes such as power, greed and betrayal. The narrative is told through Nick Carraway a first-person narrator, although the narrative is told through him he's not the centre of the story. By doing this the author has made him a bordering narrator, someone who's always on the outside looking in and observing everyone else. The author illustrates social commentary in the way he portrays the characters and the setting, such as the locations of West Egg, East Egg. Although both locations are wealthy one is considered to have a higher standard due to the people that live there. Social classes are categorised as old money (Tom, Daisy and Jordan), new money( Jay Gatsby), and no money. By creating distinct social classes Fitzgerald sends strong messages about the hypocrisy that runs throughout

The moment Daisy parted with Gatsby, she flew towards her house and threw open the massive, Dalbergia door. As she floated up the grand staircase, everything seemed to be out of focus and out of reach. Nothing seemed real – not the spotless floors, not the aged portraits of her family on hanging on the walls, not even herself.

Daisy, like her husband, is a girl of material and class at heart, and Gatsby being her escape from a hierarchist world. Daisy has just grown up knowing wealth, so in her greedy pursuit of happiness and the “American Dream” Myrtle Wilson died, Gatsby's heart and life were compromised, without claiming responsibility on her part. Daisy was “by far the most popular of all the young girls in Louisville...” (116) Jordan says, describing early affections between Daisy and Gatsby. She goes on to say, “...all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night.” (116) . Daisy was a fancied girl who has Gatsby tied around her finger, Jordan explains that he was looking at Daisy “...in a way that every young girl wants to be looked at some time...” (117). Daisy, abusing Gatsby’s love for her uses it to create security and protection, greedily and selfishly allowing him to take the fault. While Daisy’s beautiful, alluring traits turn her into an innocent, naive flower, she plays the ultimate villain.

Daisy, Tom’s wife and the object of Gatsby’s romantic quest, for example, possesses a voice “full of money,” (144) which blatantly associates her character with wealth. Fitzgerald makes Daisy seem desirable, but never describes her physical features, which is odd considering she is the force behind the profound obsession of Jay Gatsby. Perhaps Fitzgerald chooses to ignore Daisy’s physical description to purposefully display her as a bare character. In essence, he dehumanizes her to better reveal her shallowness. One of the few times a physical description of Daisy appears comes in conjunction with Miss Baker, another character under the spell of wealth, when Nick comments on their white dresses with “their impersonal eyes in the absence of all desire” (17). With

In The Great Gatsby, Fitzgerald’s use of exposition to illustrate the superficiality and flaws within Gatsby and Daisy conveys his disapproval with classism, and the letter to his daughter extends his hope for societal reform. When Gatsby insists that Daisy leave Tom to marry him, Daisy firmly postulates, “Rich girls don’t marry poor boys” (Coppola). Fitzgerald elucidates the social stratification in West Egg through Daisy’s love for materialistic items and her reluctance to marry Gatsby. Daisy is a token of the social trend to gain material and represents the twentieth century misconception

Gatsby does not belong to his own class and he is not accepted by the upper class, therefore he becomes an exception. Because of disappointment of being looked down upon and impossibility of accept by the upper class, he has nothing left except his love, which is also his “love dream”. Gatsby’s love for Daisy has been the sole drive and motive of his living. Gatsby’s great love is also the root of his great tragedy, because he is desperately in love with a woman who is not worthy of his deep love. Fitzgerald offers Gatsby with the spirit of sincerity, generosity, nobility, perseverance, and loyalty. All his good natures can be seen

Daisy grew up spoiled due to the vast wealth she obtained from being ‘old money’, which caused her to become selfish and self-centred. Daisy had become selfish to the point that she has an expensive and materialistic desire or want. When Gatsby shows Daisy his mansion, she gazed in awe as “she admired […] the gardens, the sparkling odor of jonquils […] and the pale gold odor of kiss-me-at-the-gate.”(Fitzgerald,97) Daisy, all along, does not have feelings for Gatsby, but more for his money and expensive possessions, as she revealed her true self during Tom and Gatsby’s argument. Daisy is selfish even if money was not involved, as she does not feel grateful for Gatsby taking the blame for her killing Myrtle Wilson. For instance, when Nick tells Gatsby about Mrytle dying, Gatsby replies “’Yes,’ he said after the moment, ‘but of course I’ll say I was.’” (Fitzgerald, 154) When Daisy cried in Gatsby’s mansion, she was crying about her actions in killing Myrtle, meanwhile she does not care about Gatsby’s act of chivalry. Furthermore, Daisy takes advantage of Gatsby by taking Tom along to Gatsby’s party, when Daisy was personally invited to essentially go alone. When Gatsby saw Tom appearing to his party, Gastby with a light temper has a conversation with Tom. He says “I know your wife’, continued Gatsby, almost aggressively.”

This passage located at the falling action of Scott Fitzgerald’s The Great Gatsby, after Jay Gatsby and Tom Buchanan’s argument (page 128-129) focuses on Gatsby recounting his initial courting of Daisy Buchanan. It contributes to the development of the novel, for it is the first time that Gatsby confronts his past and reveals his desperation to preserve his dream of attaining Daisy, which, the reader senses through Fitzgerald’s ominous tone, is coming to a hopeless end. Through Fitzgerald’s portrayal of Gatsby and Daisy’s relationship and Gatsby’s unconscious illusions, the passage addresses the themes regarding the arrogance of the rich, and the illusionary nature of the American Dream.