What Is The Status Of Women In The Bell Jar

Throughout The Bell Jar, Sylvia Plath explores a number of themes, particularly regarding the gender roles, and subsequently, the mental health care system for women. Her 19-year-old protagonist, Esther Greenwood, is the vessel through which Plath poses many probing questions about these topics to the reader. In the 1950s when the novel was set, women were held to a high standard: to be attractive but pure, intelligent but submissive, and to generally accept the notion of bettering oneself only in order to make life more comfortable for the significant male in her life. Esther not only deals with the typical problems faced by women in her time, but she has to experience those things through the lens of mental illness though it is up for

In Sylvia Plath's novel The Bell Jar, Esther Greenwood seems incapable of healthy relationships with other women. She is trapped in a patriarchal society with rigid expectations of womanhood. The cost of transgressing social norms is isolation, institutionalization and a lost identity as woman. The struggle for an individual identity under this regime is enough to drive a person to the verge of suicide. Given the oppressive system under which she must operate, Esther Greenwood's problems with women stem from her conflict between individuality and conformity.

The pain and trauma that stem from Esther’s illness have warped her view of the world around her. However, this symbol also represents the pressures put on women in the 1950s to be what was considered ideal for women during this era. The bell jar “suggests more than Esther’s inner alienated world”, it also “signifies society which destroys Esther” and “symbolizes ‘scientific punishment’ for non-conformists” (Evans 105). She “must combat the additional alienation of being an aspiring woman in an era of strict limitations for women” which only hinders her further from her goals in life (Axelrod). While many women at the time planned on marrying and settling down, Esther does not view these expectations for women in the same way and instead wishes to be her own independent person. While working as the guest editor of Mademoiselle, a fashion magazine, Esther “suffocates under the bell jar forced on her by a competitive, male-oriented society”(Evans 105). During the fifties women were not expected to have successful careers in general and the male dominant world held a high level of competition; while trying to come out on top in this society Esther ends up cracking under the intense pressure. Representing both the stifling social limits set on women and the protagonist’s dismal mental state, the bell jar is a robust symbol in this novel.

How would one feel if they had to drop all of their dreams and goals in order to look good for the neighbors? How would one feel if all they were used for was to conceive their spouses child? Those instances don’t sound too good, well a woman's role in the 1950’s was just that. In the dark novel written by Sylvia Plath, Esther Greenwood is constantly battling an inner conflict of listening to society which leads her to battling depression. Plath shows the women’s roles and the challenges of how women must sacrifice their dreams to become wives and mothers through Esther’s accountings.

In The Bell Jar by Sylvia Plath, protagonist Esther Greenwood is greatly affected by societal morays which placed enormous pressure on conforming to social standards. This pressure to conform resulted in the suppression of her individuality. People who did not conform were often portrayed as unfeeling, and the distinction between the mentally ill and “normal” people was often artificial. Esther's feelings of being confined under a bell jar not only describes her depression, but also serves as a general metaphor for a society muffled by its own

Women haven’t always had the freedom that they have today. Women were supposed to live a certain life even though sometimes they didn’t want to. They had to tend to their husbands at all time, stay home and do housework while still taking care of their children or being pregnant. Women were abused physically, emotionally, and psychologically. Although women were perceived to act and present themselves in a certain way, some young women went against the cult of the true woman hood not only to be different, but to escape he physical, emotional, and psychological abuse that they will or have encountered. In novels, The Bell Jar, by Sylvia Path and Lucy, by Jamaica Kincaid both young women have the similarity to rebel against the cult of true

Shirley Jackson’s novel, The Haunting of Hill House, explores the cultural anxieties in the mid 20th century. Specifically, men use womanhood (societal norms) as purposely infantilizing women in order to confine the female mind. Jackson utilizes symbolism, metaphor, and anaphora in her novel in order to convey the message for men to stop infantilizing women. Moreover, Jackson spreads awareness that women are being confined by a system that men developed: womanhood. Hence, in effect, the novel serves as an informal protest against male repression through a medium that can be read by a wider audience —more importantly an indirect challenge to male readers. According to Krolokke, Second Wave Feminism became prominent due to cultural discontent with patriarchy during the mid 20th century. Moreover, Krolokke informs the readers that Second Wave Feminism influenced women to challenge traditional family roles and male ideologies about women not belonging in the workplace (11-12). Mid 20th century is also when Jackson published The Haunting of Hill House. So, with these historical and cultural contexts in mind, Jackson’s The Haunting of Hill House ends the novel with Eleanor killing herself because she wants women to challenge the ideas of patriarchy into effect. Hence, Second Wave Feminism has a connection to Eleanor having a childlike personality (can not think for herself) because she wants women (especially young and single women) to explore their rights (their choices) and

The themes in The Bell Jar, by Sylvia Plath, are portrayed through Esther’s unique characteristics. Sylvia’s life experiences and personality contribute to these themes: growth through pain, the emptiness of conventional expectations, and the restricted role of women during the 1950’s. Esther must battle through several obstacles in order to move on with her life. She also feels like she does not fit in with society. Women’s role in society during this time also contributes to Esther’s qualities. In order to understand the themes of the novel, one must learn who Sylvia Plath is.

Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.

According to the data from the Center for American Progress and Elle Magazine, “Nearly 30 percent of women report experiencing discrimination in the workplace.” However, this report is only based on the environment in employment settings. Women experience and visually see gender roles and inequity against females in everyday surroundings, and they are often accepted and practiced without difficulty. Similarly, in the novel, The Bell Jar by Sylvia Plath, Esther experiences different societal expectations throughout her life in hometown and New York, which helps her realize that she does not fit into either of the society; moreover, she grows weary as she loses her identity and passion, in search for who she is.

One’s inner metamorphosis begins with the general disillusionment with one’s surrounding environment. Such a disillusionment can come in quick succession, as with that of Esther Greenwood in The Bell Jar, or more gradually, as that of Antoine Roquentin in Nausea. The Bell Jar begins with the reader experiencing this subconscious disappointment along with Esther as she struggles along her dream internship at a fashion magazine in New York City. “I was supposed to be having the time of my life,” (Plath 2) she quips at one point. Her ideal cosmopolitan life began to reveal its rotten insides to her as she spends her summer in the fashion sphere of New York. Her disdain for this lifestyle begins as she witnesses her fellow interns’ gratuitous exploits, “When I woke up… I think I still expected to see Doreen’s body lying there in the pool of vomit like an ugly, concrete testimony to my own dirty nature,” (24) continues with her sexual experiences that fall far short of her expectations, “…he just stood there in front of me and I kept on staring at

The works of Sylvia Plath have always been at least slightly controversial; most of them have themes of feminism, suicide, or depression. Plath was born in 1932 in Boston, Massachusetts, and by the age of twelve she was reported to have had an IQ of about 160 (Kelly). Growing up in an age in which women were expected to be nothing more than conservative housemaids, Plath stood defiant against the views of society, choosing to expose any misogynistic prejudices or hateful prospects against mental illness through her writings (Allen).

Although Esther seems normal on the outside, she is trapped in the bell jar of society. It is important to realize that a bell jar is a bell-shaped glass cover used to preserve delicate objects. The bell jar that encloses around Esther is society’s ideals of a young woman. She was raised in a household where women are to live to expectations of a career based on gender, prospects of marriage, and life duties. Esther is trapped within these expectations of a distorted glass wall. The deformed walls of the metaphorical bell jar twist Esther’s perception of reality. Furthermore, Esther is the delicate object trapped in an environment that is isolated from the rest of the world.

Throughout the story “The Bell Jar” by Sylvia Plath, Esther’s mental health deteriorates overtime due to various factors in her social environment such as double standards. The novel begins with Esther’s internship at the Ladies’ Day magazine in New York City. Despite living the life every girl wishes to live, Esther is dejected and feels disengaged with the environment around her; thus resulting in the beginning of an identity crisis. Through the events of the story, gender double roles in the areas of education, careers, virginity and marriage affect Esther’s life significantly and it consequently leading to Esther’s confusion with her identity within the society. During the 50s, women were seen to be inferior to and dependent on men as

Sylvia Plath, the author of The Bell Jar, writes in a very simple and ordinary but exceptionally unique way. She put her whole young genuine heart and soul into this semi-autobiography. Her first person point of view allows the reader to really engage with the characters thoughts, specifically Esther Greenwood and her perspective on everything. In The Bell Jar, Esther Greenwood encounters the coming of many things, including age and mental illness. While the coming of age is normal for the majority of society, the coming of mental illness is abnormal. With that being said, many may classify Esther Greenwood as abnormal and deviant but in all reality,