2Pac Shakur landed in the top ten again this week with ‘Changes’, and so it appears that he is enjoying more success posthumously than when he lived. Has his iconic status increased because of his death, or could it be that his lyrics have struck a chord with African-Americans across the nation. Rolling Stone hit the streets of 2Pac’s old neighborhood in Marin City, asking young African-Americans how the lyrics of ‘Changes’ made them feel. “Here’s a brotha’ who understands brotha’s,” answered one high school student, who seemed to capture the sentiments of many in the area. Where, though, in the lyrics do young African Americans identify with 2Pac’s message?
At first glance, ‘Changes’ sounds quite pessimistic. It opens with the lines, “I'm
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When asked what “hold ya own” means, many young African Americans explained: they must refuse to become victims of the hardships that 2Pac so poignantly describes in his lyrics. This call to social responsibility might just be the main theme of the song, which he suggest in the lines, “I got love for my brother but we can never go nowhere unless we share with each other.” He calls on African Americans to stop dealing drugs to each other and stealing from each …show more content…
First of all, as the saying goes, ‘it takes one to know one.’ 2Pac’s criminal past and time in prison have earned him respect among troubled, black youth. But what’s more, he speaks to them in their language, a lyrical, almost sophisticated form of Ebonics or African American Vernacular English (AAVE). The rhythm and rhyme of the lyrics is engaging and compelling, which we see in the afore mentioned lines, “jack you up, back you up / crack you up and pimp smack you up.” The verb, ‘to pimp smack one up’ exemplifies the poetic style of street speech. Finally he addresses his audience as his “brothers”, he uses the word “nigga” in a permissible context and alludes casually to “Huey”, a.k.a. Huey P. Lewis, co-founder of the Black Panthers. These are all ‘in-group’ markers, which help establish his credit and rapport among African Americans in general and black gangsters specifically. It is for these reasons that he has earned the right to speak to them about these complex issues.
In the midst of the many depressing scenarios that 2Pac sketches from children dying of drug abuse to the constant fear of being killed by an old enemy (“I never get to lay back / 'Cause I always got to worry 'bout the pay backs”), his spoken words cast a ray of light and call for
2pac (Tupac Shakur) is known as one of the most influential rappers of all time and his music expresses transcendentalism. In the song Changes he raps about how the world needs change and that its corrupt. People need to change and treat others with respect instead of with hate. In the song it says "It's time for us as a people to start makin' some changes.-Let's change the way we eat, let's change the way we live-and let's change the way we treat each other." 2pac wants the people to become something better and make an effort to help and treat others with respect. He is advocating a movement. A movement that is dedicated to peace. He had a hard life in New York with a drug dealing father and a missing mother. Although he had an awful life he was optimistic and hopeful this is shown in all of his music. In the song "Keep Your Head up" 2pac raps about being yourself and doing what you believe is right. He wants to start a movement that influence people to act for themselves. A movement where people will be influenced to change and treat others better like his song
copies, and I want that so badly, but I can't do that. I would be wrong to do that, knowing what I know and having the brain that I have, for me to even go and write some simple *censored* would be wrong even though I would get paid and I would get more people's money." (Patrick, Tony, n.p.) This means that Tupac has a strong will and values. He resisted the temptation to write some easy rhyming words and get peoples money. He instead followed his values and worked
Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.
Changes - Tupac Shakur Changes by Tupac, is a song about the struggles and racial issues of African American people living in the poverty stricken areas or ‘Ghetto’s’ of America. Tupac sings about the injustices for his people living in poverty and how people need to stand up and make a change for the better, as the way things are going are not helping to
Tupac’s America was a nation terrified of changes. He wrote, “It’s time to fight back, that’s what Huey said, 2 shots in the dark, now Huey’s dead” (2PAC LYRICS). He believed the government assassinated Huey Newton, the Black Panther leader, a militant group that employed violent means to protect black people from the police. In verse number three, Tupac compared the America’s war in Iraq to the violence in the high poverty neighborhoods (2PAC LYRICS). He then described government policies relating to “war on drugs," which resulted in mandatory arrest policies, harsh drug laws on crack cocaine, and the explosion of the African American population in penitentiaries. Tupac tried to convey to the listeners the society must change, but it will most likely change for the worst.
Throughout the song, Tupac gives an inside look on the social problems affecting African-Americans and suggests possible solutions. In the first stanza of the song, Tupac first talks about how certain social issues are linked together; he makes a correlation between his skin color and being poor. Tupac says “I'm tired of bein' poor and even worse I'm black.” Then he explains how poverty causes crime by saying “My stomach hurts, so I'm lookin' for a purse to snatch.” And finally, he demonstrates the relationship between police brutality and race by saying “Cops give a damn about a negro? Pull the trigger, kill a nigga, he's a hero.”
Tupac uses repetition, alliteration, consonance, and certain forms of archetypes to express his emotional thoughts. This “2” can be viewed as a form of alliteration; it is constantly being repeated
The song ¨Changes” is written and performed by Tupac Shakur who was born June 16, 1971 and was shot down September 13, 1996. Tupac was quite successful and was known to be a gangsta rapper as well as a poetic rapper at the same time. Changes seeks the best out of both these worlds and addresses the issue of poverty and poor treatment by police that the African American community face often on a day to day basis.
Thesis: the paper’s focus on hip-hop as a music genre that has changed the lives of the black Americans
The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings
To gaze into the lyrics of both Notorious B.I.G. and Tupac Shakur is like living in the ghettos of New York City where violence never stops. Both of these artists grew up seeing and living a life filled with violence. Gunshots and drive-byes, death and murder were a daily occurrence. Although the lyrics of both artists are simply telling their life stories and how hard it was to grow up in their “hoods” they contain vulgar, hateful, and sexual verses that send the wrong message to their listeners. Whether these listeners are teens or adults, white or black, they are continually sending notions of hatred and fear through their lyrics and actions. Ultimately,
Tupac Shakur released the song “Keep Ya Head Up” first in 1993 on his album “Strictly for my N.I.G.G.A.Z.”, then as a single in 1994. Tupac’s “Keep Ya Head Up”, one of his most notable and recognizable singles, received acclaim upon its release and continues to do so. The record centers on the social climate in the 90’s, and Tupac’s own experiences from his youth. Around the time of the song’s release, Tupac’s indictment in a rape case colored the reception of the song although it remained mainly positive. Tupac speaks on multiple issues through his lyrics, making it effective as a critique of society; moreover, the other creative devices he uses – phrasing, rhythm changes, and samples – make the song effective as an artistic project and back up his social message.
We can surmise, then, that Obama’s image is directly related to the notion of the “post-racial” through his failure to explicitly discuss racism, which in turn, affects how notions of race and raciality are conceived and discussed in the American socio-political landscape as a whole; in contrast, hip hop is in a position to deal more explicitly with race and racism. As Jeffries argues, “Poverty, disorder, and ghetto culture are central to analyses of hip-hop meaning, thanks to the symbolic importance of the ghetto as an element of hip-hop authenticity and the historical importance of neglected urban space as the birthplace of hip-hop culture” (Thug Life 28). Thus, hip hop remains firmly rooted in traditionally Black spaces and experiences which lends hip hop and rap artists the
When most people hear the name Tupac, they think of a tattooed thug, a gangsta rapper killed in a tragic shooting who only got what was coming to him, a man who lived by the gun, and who died by the gun. However, those people probably have never taken a chance to look beyond what their eyes tell them, past the ignorance and into the depths of the man who really was Tupac.
With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.