What Is The Theme Of A Fasting Artist

Art is not always pleasant, but neither is society. Art and society have a reflective relationship with one another. During social, religious, and political controversy, artists such as Frida Kahlo incorporated imagery into their portraits of society which are often disturbing to the viewer. The role of an artist often includes acting as a social critic, to show us aspects of our cultural landscape that are unpleasant. In this manner, the art acts as a commentary on the negative aspects of Western civilisation. During the thirties and forties, Kahlo incorporated the hidden realities of economic and social depression into her works.

Franz Kafka’s trademark is ridiculing his and the society’s blatant stories in subtle manner. With the help of paradigms what can be seen is that Franz Kafka’s use of humour in oddly places to clarify the asymmetry of the organized world and heightens the tension. It was also used to create even greater gaps both in scene and story line, to further stress the blackness felt in many of his stories. Studying his works it’s evident that Franz Kafka saw humor not only as a defence against the pain and anguish he felt inflicted upon him by the outside world, but also against the pain he rained upon himself. This technique was used to stress on the horrors of the big bad world. Although there have been resemblances of the protagonists’ character traits to his own self, he has brought out not only his own problems but on how people magnify and in

The choreographic intention of “Emergence” was the exploration of merging diverse elements together to see what comes from it, like the emergence in relation to arrangements and structures made in nature. The choreographic intention expanded from the idea of concealment. This was clearly identified in the beginning trio where the female dancer is shown trying to escape from her hiding place. In appraisal, the choreographic intention of “Image” was a more simplistic interpretation, one that explored identity and how it is made up of personal experiences we endure and that along the way we are influenced and sometimes inveigled, which can make revealing who we really are at the core oppressive. In comparison to “Emergence”, the movement in “Image” was more vague and indefinite in relation to linking movement to the choreographic intention. Through manipulation of structural devices such as groupings, stillness, tempo and dynamics, the

* Explain ways in which the artist has become the subject of the work. What issues does this raise about the, role of the artist, Subject

Art itself is a symbol of both freedom and failure.  In her attempt to become an artist, Edna reaches the zenith of her awakening.  She begins to truly understand pure art as a means of self-expression as well as self-assertion.  In a similar way, Mlle. Reisz sees the path to

The engulfing size of the painting (250.5 x 159.5 cm) drives the audiences mind into a hypnotic frenzy as they are overwhelmed by bright and sensual colours, which, have the ability to evoke deep emotions and realisations. Kandinsky has portrayed this through the disorientation of his own personal visions of society during the industrial revolution. The rough yet expressive outline of buildings, a rainbow and the sun gives reference to realism as it allows viewers to connect and understand underlying motifs and shapes yet is painted abstractly to move away from the oppressive and consumerist society. Thus, Kandinsky breaks boundaries through his innovative approach to his art-making practise concluded from his personal belief of ‘art for arts sake’. He believed that art should mainly convey the artist’s personal views and self-expressionism that translated a constant individuality throughout his work from an inner intentional emotive drive. This broke traditional boundaries as art in the renaissance period was meant to be a ‘narration’ or an artwork where an audience could learn and benefit from. This is evidently shown in Composition IV as it exemplifies Kandinsky’s inner feelings towards the industrialised society

In Kafka's " A Hunger Artist," art is not used in its conventional context. Kafka illustrates the interdependency of the audience and the hunger artist, and especially his need for attention. It is through the audience that the hunger artist is fulfilled, but because he cannot communicate the sincerity of his performance he is always left dissatisfied.

In his short story “The Hunger Artist,” Franz Kafka illustrates this prideful individual, who strives to starve himself to a disturbing and gruesome extent, losing his humanity. Kafka uses symbolism in order to fully create this idea of an individual’s, in this case the starving artist, estrangement from society.

The Metamorphosis (Die Verwandlung 1912), Franz Kafka’s best known short story, is a master work of incredible psychological, sociological and existential malaise. Although his points are simple and straightforward, this richly layered and textured story is open to many interpreta-tions, making it complex, yet critical to decipher. There is an incredible amount of theories based off of what this story could possibly symbolize or represent, but it is of the autobiographical in-terpretation that is undeniably the most enlightening. This interpretation allows the reader to gen-uinely understand the tale on an intense level that would not be able to be reached, otherwise. In order to gain true insight on the autobiographical approach to The Metamorphosis, a brief examination of his life is required; his thoughts, his beliefs, the acknowledgment of the cruel circumstances of his life, especially his home life, must be made clear that the anguish of his own world is the model for the themes in his stories.

Various painters use their works of art as a representation of feelings. They include symbols, figures, and expression to reveal their emotions through the form of art. Philip Evergood’s painting Dance Marathon illustrates the desperate times surrounding the Great Depression. In the scene, dancers compete for a cash prize as they see who can dance the longest. He portrays the cruelty of the time through this vulgar setting. The painting easily captures the viewer’s attention mostly from the use of color, figure, spatial effects, and other techniques created by the artist.

There are many parallels and differences between Franz Kafka’s “The Metamorphosis” and "A Hunger Artist". Kafka portrays these differences and similarities very effectively through his utilization of elements such as transformation, dehumanization, and dedication to work. Through his works, Kafka communicates with the reader in such a way that almost provokes and challenges one’s imagination and creativity.

Finally, the depiction of figure is perhaps the most interesting and intellectually challenging element in this piece. The figure, while emotionally withdrawn from the viewer, is physically imposing. She is looking down and away from the viewer, as if the isn’t aware that she is being watched. Her mask-like facial features also do little in the way of conveying emotion. Her body, however, is quite different. The dark thick lines shaping her muscles and limbs, the detail in the curls of her hair, the placement of her fingers, and her exposed breast all demand the attention of the viewers’ eye. The bold lines that define her legs, waist, and hip, make her seem intrusively part of our space. The awkward placement of her

The hunger artist, which is how the nameless main character is referred to as throughout the story, traveled around Europe with his impresario. As the artist traveled through Europe, he would stay in each city for only forty days to avoid losing the interest of the fans. In each town, the hunger artist would choose a public landmark where locals could easily watch him display his “talent” of starvation. Kafka illustrated the artist as a frail, but strong minded man with pride living in a cage with a selfish purpose. The artist did not mind paying the price of comfort and dignity for the possibility of being acknowledged as someone legendary. With a strong passion for displaying this art of fasting, it was illustrated in “The Hunger Artist” that there was a deeper rooted reason for this choice of talent that the artist chose. As stated in “The Biography of Franz Kafka, HCCS.edu/ Library/ EBSCO” ,the author Franz Kafka, had a strange relationship with his parents, because they did not understand his passion in wanting to become a writer and lacked appreciation for Kafka’s work of art. Kafka took “The Hunger Artist” and emerged the factual past of his neglected acceptance from his family with the fictional character to retail his own personal story.

Behavioral art is a creative process of art making informed by the devotional habits of the artist, be it habits rooted in the traditional practices of Buddhism or the conceptual ideas of contemporary art; they infuses the work with a sense of intention meant to open a viewer to what they can discover rather than what they merely see. In its simplest form, it comes from an awareness of the tendency towards ritualistic activity in the everyday. These rituals are at the heart of devotional practices, and for the artists rooted in devotional habits, the works they create are inseparable from that behavior. For a Buddhist, the deeply rooted devotional behavior that might significantly impact the creative process is meditation. This practice, whether in the strictest religious sense or in a conceptual sense, is a devotional behavior that informs and structures the artists actions and relationship to his or hers work.

The Panther, written by Rainer Maria Rilke, is a brief poem that describes the visions of a panther and his life spent in an enclosure. The images of bars, cramped circles, and the curtains of the panther’s pupils help create the depressed mood of this poem.