What Is The Theme Of Gender In Macbeth

With social and cultural stereotypes in this era, men were viewed as more powerful while women were portrayed as weak. William Shakespeare tries to interpret the roles between genders by having characters of the opposite sex. In the play Macbeth, William Shakespeare uses rhetorical devices to demonstrate Macbeth’s and Lady Macbeth’s switch in traditional gender roles, which arise from the consequences for each character’s actions and speech.

Macbeth by William Shakespeare brings about one of the most controversial topic of the gender portrayal in a play. During Shakespearean times, women were considered as the weaker sex, physically and emotionally. On the other hand, men were seen as the dominant sex that is expected to be the head of their households and a strong figure. Unlike this stereotypical representation of men and women, Shakespeare introduces the reversal of gender roles in his play. Shakespeare’s portrayal of the relationship and characteristics of Macbeth and Lady Macbeth diverged from the stereotypical representation of both men and women. The author, William Shakespeare’s use of reverse gender roles which contradicted with the traditional gender roles, is what

A prominent and permeating theme in Macbeth is the roles and characteristics of masculinity and femininity. Throughout the play Shakespeare presents the audience with strong and sometimes conflicting views of these gender roles. What exactly defines being a man or a woman? How does an individual’s grasp of these roles effect their actions? Shakespeare shows that a clear and accurate understanding of the concept of masculinity is of critical importance in the success of a ruler. In particular, he illustrates how Macbeth’s acceptance of a perverted, violent view of masculinity leads his kingdom into chaos and turmoil, and leads Macbeth to his inevitable demise. Moral order can only be restored

The conformity to gender roles that Macbeth and Lady follow leads to the destruction of their relationship. At the beginning of the play, Lady Macbeth is more masculine than Macbeth and holds the power in their relationship. Lady Macbeth is aware that she is the assertive one in their relationship and uses that to manipulate Macbeth. In act 1, scene 7, Lady Macbeth questions Macbeth’s masculinity saying, “When you durst do it, then you were a man; / And, to be more than what you were, you would / Be so much more the man.”(54-56) in saying this, she is using Macbeth’s fragile masculinity against him because she knows Macbeth will prove his masculinity by killing Duncan. After they succeed and get away with the murder, Macbeth becomes more assertive and decisive. Macbeth begins to hide things from Lady Macbeth, like his plan to kill Banquo, this causes a strain on their relationship. In act 3, scene 2, lines 50 and 51, Macbeth says to Lady Macbeth, “Be innocent of the knowledge, dearest chuck, / Till thou applaud the deed.” about his plan to kill Banquo because he doesn’t want her involved. This furthers the strain in their relationship because Macbeth thinks he, a man, should handle these kinds of things where Lady Macbeth, a woman, should not concern herself with such problems. Furthermore, by excluding Lady Macbeth he has pushed a wedge between them by keeping secrets from her, losing her trust and leading to the downfall of their relationship. Closer to the end of the play, Macbeth assumes his role as a hypermasculine man and becomes violent, killing any possible threat to him. In becoming king, Macbeth becomes obsessed with having power because of the lack of control he had in his relationship with his wife. To Macbeth Macduff appeared as a threat,

The struggle for power is encountered through the interactions between Lady Macbeth and Macbeth. When initially introduced to the character of Lady Macbeth, she reads a letter addressed to her from Macbeth in which he states his plans to kill King Duncan and assume the throne. Lady Macbeth responds with a speech signifying her agreeance and calls for the strength to carry on with the plan: “Come, you spirits/ That tend on mortal thoughts, unsex me here,/ And fill me from the crown to the top-full/ of direst cruelty” (1.5.47-50). Here, she is denouncing her femininity to take on a more masculine role and to be filled with nothing but motivation for the cruel crime. Shakespeare uses this scene to foreshadow the event in which the crime will be committed. While Macbeth begins to have second thoughts and uneasiness towards the situation, Lady Macbeth tells him: “What beast was ’t,/ then, / That made you break this enterprise to me?/ When you durst do it, then you were a man;/ And to be more than what you were, you would/ Be so much more the man” (1.7.53-58). Lady Macbeth is emasculating her husband her by questioning his ability to be a man and how he hesitates to make the move towards power while she is confident in her decision. Shakespeare makes a choice to have a woman be the one to urge the death of Duncan to show the reversal of gender roles and to expose Lady Macbeth’s character. The playwright

By the end of the play, it is notable how hyper masculinity deteriorates the main characters of the play. The characters of Macbeth inhabit a world of darkness and uncertainty as hyper-masculine ideologies are introduced to them. As one reads throughout the play, it’s easy to pick up on Macbeth and Lady Macbeth's excellent job at portraying the personification of humanity’s identity crisis with gender. Without proper gender roles, humanity begins to deteriorate, so the struggle that takes place in this play is of significant concern. With the creation of the Macbeths, Shakespeare diminishes everything that what was considered to be human nature. Macbeth becomes unstable because he cannot please such an unsatisfied woman, so he feels the need to take on an artificial hyper-masculine role but because of this is too torn to

The traditional gender role for men and women is a strict set of expectations one must face and either choose to follow or defy it. In the Shakespearian era women portray as the weaker sex because they display as needing protection as the more fragile, innocent, and dependent sex, whereas men have authority as strong, capable, and honourable beings. However, the traditional gender roles play in reversal in Macbeth by William Shakespeare by having Lady Macbeth, the Three Witches (weird sisters), and Macbeth defy the gender roles that allow women and men to portray in a unique way in society. First, Lady Macbeth is defiant to her role as a woman because she is able to take initiative, deceive others, and commit violent acts. Secondly, the three Witches are in fact sisters which avid them to follow their role as women, however they defy their roles because they manipulate others, have the capability to make independent decisions, and kill without hesitation. Finally, Macbeth defies his roles as a man in the Shakespearian era because he acts cowardly, isn’t able to carry out duties himself, and is disloyal to his companions.

What is the definition of manhood? Importantly, what characteristics make a true man? From The Tragedy of Macbeth by William Shakespeare in Acts 1 through Act 4 answers these prior questions. It seems that the theme of manhood is thoroughly discussed in this tragedy. The Tragedy of Macbeth is about a soldier named Macbeth who defeats a traitor, the present Thane of Cawdor, in a battle, in the outskirts of Scotland. However, on Macbeth’s journey home he encounters three strange women, witches, who prophesize three things about his future life. After the first prophecy comes true Macbeth embarks on an ambitious quest for power. Consequently, Macbeth does all to receive his three prophecies. Later Macbeth becomes paranoid and visits the three strange women again. This time they give Macbeth three apparitions and he is pleased with them; though, in the end Macbeth loses all he intemperately gains. Ultimately, after analyzing the discussion of the theme, manhood, in The Tragedy of Macbeth William Shakespeare defines what a true man is comprised of in Acts 1 through 4.

Upon this realization, Lady Macbeth indicates a newfound desire to be rid of her feminine qualities, seeking instead to replace them with masculine counterparts. Crying out, Lady Macbeth declares, “Come, you spirits. That tend on mortal thought! Unsex me here, and fill me from the crown to the toe top full of direst cruelty” (1. 5. 38-41). Her abstinence towards the limitations of gender thus set her down the road to madness.

In Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As Macbeth begins to contemplate his decision regarding the killing of Duncan, his marriage becomes the primary driving force behind his action and thoughts in this matter. Although in some cases, male and female roles in this play remain static, the

At the very beginning of the play, Lady Macbeth is provoked by the letter she receives by Macbeth and starts plotting the murder of Duncan. She also wishes she were a man such that she could commit the murder all by herself saying so in Act 1 Scene 5, “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty” (Macbeth 1.5.36-52). She appeals to these spirits to remove all aspects of her femininity and seeks to gain power through the prophecy of the witches. Her fear about the ability of her husband to commit the murder is subdued in her designated gender. Lady Macbeth manages her feminine power through her sensuality and pretended weakness through her fainting streak at the notice of Duncan’s death. Manipulation, usually through sexuality is often depicted as the source of women’s power still Lady Macbeth uses this power of hers to commit murder, a masculine demonstration of power. Lady Macbeth in her soliloquy about the planning of Duncan’s death refers to her husband as an individual who plays honestly and does not engage in wrongdoing.

With the visit to King Duncan, the King announces that his son Malcolm will be heir to the throne. In Macbeth’s mind, all he can think about is murdering the King and all that will come along with it. Macbeth sends a letter to his wife telling of all that has happened and to prepare for the King’s visit. In order to keep the murder in her mind she doesn’t want anything to get in her way, so she even goes to the point of seeking evil and not wanting to be a women-afraid of the feminine ways which will interfere in the murder. When Lady Macbeth says, “Come, you spirits/ That tend on mortal thoughts, unsex me here, / And fill me, from the crown to the toe, top-full/ Of direst cruelty! Make thick my blood; (I v ll. 44-47) it shows how far Lady Macbeth is willing to go to make sure her husband and herself gets to the top. She even goes to the point to call upon the spirits to unsex her and fill her with cruelty to make sure that here feminine ways don’t cause the plan to go wrong.

In the play “Macbeth” written by William Shakespeare, several characters become very selfish and their behaviors end up destroying their loyalty to their own country, friends, and family. The unity needed between a king and his colleagues is very important to ones country for not only the present but also far in the future. Typically if the king has a son for a child than he shall be king after the father dies, but there are several characters that believe that they should be king or that their families should be higher up in society. The country of Scotland needs a new king who is well rounded in the traits of love, faith, courage and strength. A noble leader is presented but does he have the willpower to deserve this royalty?

Lady Macbeth wants the spirits to “unsex [her] here” not because she wants to be transformed into a man, but rather she desires the same male characteristics as her husband which are associated with violence. Alfar claims, “If she does indeed transgress her gender to become more manly, therefore, it is because she must do so to reflect—as conduct manuals demand—the bloody desire of her husband (181).

Lady Macbeth’s burning ambition to be queen drives her to the point of insanity. She stops at nothing to gain power and uses Macbeth as the enforcer for her plans. This power is clearly illustrated as her husband follows her command to kill the king of Scotland, she constantly taunts Macbeth bringing him even further under her control. She is quite the opposite of how we generally assume feminine characters to act, and even begs the gods to remove her femininity at one point, “...Come, you spirits that tend on mortal thoughts, unsex me here...Come to my woman’s breasts, and take my milk for gall, you murd’ring ministers...” (Shakespeare 12). As Lady Macbeth expresses her desire to become unsexed, we see the link that clearly exists between masculinity and murder. She believes that since she is a woman she cannot be capable of committing such evil deeds, and her reference to her breasts which is generally linked to the idea of nurture, is called upon in reference to her desire to do quite the opposite. Lady Macbeth presents a very strong character throughout the play, and through her actions a very clear picture of a manipulative wife is painted. Though Macbeth is the one to carry out many of the deviant plans, Lady Macbeth’s role is clearly portrayed as the evil mastermind behind the murders.