What Is The Theme Of Her Choice Of Life By Richard Dalloway

She feels she has done an inadequate job as a wife and as an author: she wishes fruitlessly that she might live up to society's expectations of being a mother who is not afflicted with illness and a much-celebrated novelist. However, in the day of her life that Cunningham recounts over the course of the novel, she does not fully accept death as the way to end her suffering, because she still bears a sense of optimism about her own capabilities. Initially, she convinces herself that the ordinary housewife, Clarissa, in her novel Mrs. Dalloway will commit suicide to flee her sorrows over being unable to accomplish some extraordinary or applauded feat. Yet, a glimpse at death in nature acts to change her view: ". . . the bird is laid on the grass compactly, its wings folded up against its body. She knows it has died already, in Quentin's palms. It seems to have wanted to make the smallest possibly package of itself" (120). In death, the bird bears less significance, and life perdures all around it in the form of Vanessa's children. Virginia relates herself to the bird, and realizes that she is not yet ready to be so insignificant. She has great hope in the potential for her novel, eagerly anticipating that in its writing, she can integrate herself to a degree back into the life of the thriving society of London. Thus, she chooses to use Clarissa Dalloway to represent the life she aspires to have, and chooses that

At the beginning of the short drama, “Trifles,” Mrs. Peters, the sheriff’s wife, is painted as timid and submissive wife. She willingly submits herself to the responsibilities she has as a wife. As the play unfolds, Mrs. Peter’s submissiveness begins to diminish. Mrs. Peters and Mrs. Hale work together to uncover the murder of Minnie Wright’s husband. When the women find the evidence, they refuse to share it with the men. Mrs. Peter’s character transforms into a more confident individual over the course of the play.

In Mrs. Dalloway Clarissa and Septimus smith have various similarities. Clarissa eventually triumphs over her issues/depression in her life unlike Septimus that eventually loses and commits suicide. Mrs. Dalloway an upper class 50 year old British wife the central character of the novel, struggles constantly to balance her thoughts and world. Her world consists of a fabulous lifestyle such as fine fashion, parties, and aristocratic society, but as she the novel goes on she looks beneath the glamour of her life and searches for a deeper meaning. Looking for privacy, Clarissa has a tendency toward introspection that gives her a capacity for emotion. She is always concerned with appearances around other people and no matter the pressure she keeps herself composed. She uses a lot of useless talking and activity to keep her ideas and emotions safe and locked away, which can make her seem shallow even to those who know her well.

     Finally, in a heated, tearful, and heart-warming debate, Mr. Emerson (George’s father) gives Lucy the last ounce of strength that she needs to complete her transformation from a petty young woman to a subtle heroine. Mr. Emerson sees right through her false excuses for breaking off with Cecil and forces her to realize her genuine feelings of love for George. Lucy succumbs to her passion and overcomes the confining condition of her social class. She tells her family and friends of her love for George Emerson, refusing to hold on to her “distinguished and proper'; behavior, giving into her true desire, and transforming from a petty young woman to a subtle heroine.

On the other hand, it could be articulated that the female characters in both the novels have proved their mental instabilities, individualisms and rebelliousness have disturbed the lives of others. Moreover, it could be analyzed in the novels that both the author in their social context has explained the dark secrets of the life of individuals.

‘Mrs. Dalloway’, by Virginia Woolf is a derivative text of ‘The Hours’, written by Michael Cunningham. The novels both share an important theme of mental health. The circumstances of mental health are commonly sympathetic, and empathetic. The characters Septimus and Clarissa in ‘Mrs. Dalloway’ and Richard, Laura Brown, and Virginia Woolf in ‘The Hours’ show the strongest symbols for this theme. Most of the problems and treatments these characters face are in direct result of the age they live in. Both novels express a relationship between era, illnesses and treatments.

Throughout her life, novelist Virginia Woolf suffered with mental illness, and she ultimately ended her life at age 59. As art often imitates life, it is not surprising that characters in Woolf’s works also struggle with mental illness. One of her novels, Mrs. Dalloway, recounts a day in the life of Clarissa Dalloway, a high society woman living in London, and those who run in her circle. As the novel progresses the reader sees one of the characters, Septimus, struggle with post-traumatic stress disorder brought on by serving in war. At the end of the story, he commits suicide. While there is no explicit articulation of any other character suffering from mental illness in the novel, Septimus is not alone. Through her thoughts and actions, we can deduce that Clarissa also endures mental and emotional suffering. Though Clarissa does not actually attempt to end her life in the novel, her mental and emotional suffering lead her to exhibit suicidal tendencies. To prove this, I will examine Clarissa’s thoughts and actions from a psychological perspective.

Another small but important window scene takes place after Clarissa returns home to discover that her husband has been invited to Millicent Bruton’s lunch party but she has not. After reading the message about the party on a notepad, she begins to retreat upstairs to her private room, “a single figure against the appalling night.” As she lingers before the “open staircase window,” she feels her own aging, “suddenly shriveled, aged, breastless… out of doors, out of the window, out of her body and brain which now failed…” Again, there is a hint of danger as death is portrayed as a somewhat alluring transcendental experience,

However, enforced cultural notions of gender differences prohibit Clarissa from blossoming a lesbian attraction towards Sally Seton. Progressing through the novel, Clarissa asks “had not that, after all, been love?” in regards to her relationship with Sally. She makes it obvious she was stifled in her homosexual love, due to her conservative attitude and society’s standards. Many critics believe that Sally Seton represents Virginia Woolf’s love for Violet Dickinson. To further elaborate, Clarissa feels that a sexual dimension in her life is now irrevocably lost, due to her understanding of her own capacities for bisexuality. Similar to Virginia and Leonard’s relationship, Clarissa and Richard are no longer sharing a bedroom, as sexual relations

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

taxi cabs, of being out, out, far to sea and alone; she always had the

Clarissa is trying to arrange a party to celebrate the fact that Richard has won a literary award, but is getting little help from Richard's ex-lover, Louis. As she labors to help Richard through another day, he wonders if his life is worth the unending struggle. In the end, it is the individual who must determine their own destiny.

The Film follows the character of Joanna, who was a very successful woman, a TV producer, but unfortunately lost her Job. After loosing her job, her husband decides to get out of the city, and moves their family to a town called Stepford. When they get to Stepford, Joanna and Walter get the tour of the perfect suburb by Claire. The houses are all beautiful, the yards are perfect, ect. They are shown the men’s association, and the Stepford day spa. This is where we find out how perfect all the wives are. Joanna and Walter go to a picnic where one of the wives starts to spark, and Joanna tries to call a hospital, but no one will let her. This is also when Joanna meets Roger, and Bobbie, who are not perfect like the other wives. Joanna, Roger, and Bobbie decide to investigate a little. They go

Laura Brown is also a married woman, like both Woolf and Dalloway, but rather than having affairs with women, she, like Clarissa Dalloway, feels bound by her role in society and is greatly unhappy with her situation. For a brief moment, she breaks away from her heteronormative life and seems to truly desire to break free from the gender roles forced upon her while sharing a kiss with her neighbor’s wife, Kitty.

During the time of a young modern society, there were ideals and social standards that led people to feel isolated from their own expressions and thoughts. In Mrs. Dalloway, identity is a significant theme depicted in the novel and is prevalent between the characters portrayed throughout. One character in particular that represents the image and reflection of identity in the British society during the first world war is Clarissa Dalloway. All the attributes such as her love for flowers, her lavish entertaining parties, and the bonds she has between her friends and lovers reveal something about her identity that she discovers about herself at the end of the book. Clarissa’s personality is complex and moving as her emotions and life events are unraveled in the moment as things happen.