What Is The Theme Of Identity In Ordinary People

Based on Conrad’s character in the movie, he could be described as having more of an intuitive grieving style. This style of grieving utilizes more of the affective domain and uses little of the cognitive (Martin & Doka, 2011). For the intuitive griever, grief is characterized by the experience of painful feelings. The feelings of guilt and sadness were those that Conrad experienced the most. After

Regarding psychological functioning, Conrad is under the vicious cycle of depression. His brother’s death led him to adapt a negative explanatory style. This in turn resulted in his depressed mood and cognitive and behavioral changes. He also believes that he has disobeyed his parents and does not deserve their forgiveness or affection (1:09:38). Conrad lives with a sense of guilt, not only for attempting suicide, but for things he had no control over (ex. Karen’s death). From a socio-cultural approach, Conrad depression worsens due to his unstable relationship with his mother, along with other relationships in his life. Throughout the movie, we clearly see that Conrad’s mother does not understand the severity of Conrad’s mental state. She frequently believes that Conrad is fine and wants their lives to ‘get back to normal’ (0:24:37). She believes Conrad’s mental health is a phase that can be fixed by simply being harder on him. The movie also takes place in a time where discussing mental health is taboo. Mental illness was significantly less common and thought to be a touchy subject. Throughout the movie, we can see that people do not know how to approach the Jarretts about Conrad’s state and frequently stumble through conversations or do not understand the situation (0:22:14; 0:31:52; 0:48:05). This plays a part in Conrad’s depression because he feels he can’t talk to or relate to anyone

This ending adds more obscurity to the work as a whole and goes right along with how Conrad wrote the novel in its entirety. This is how he shaped his characters as well. Vague descriptions and details make the readers think and try to process things on their own instead of the narrator telling them. That is why this ending and novel as a whole is one of the hardest to understand and

He is definitely feels guilty for the accident even though he couldn't do anything to try and prevent his brother’s death. He definitely went through the bargain stage before everything and is now going through it once again. Conrad is really hard on himself. He punishes himself because he thinks that if he is punished enough, he won't feel bad. Conrad feels guilty and responsible for the death of his brother even though, there is nothing he could have done better to save him. He is similar to his father in that he feels responsible and

After reading the DSM-5 is was clear to me that Conrad was suffering from persistent depressive disorder. In order to be diagnosed with PDD you must have a depressed mood for most of the day, which in children and adolescents lasts for a year. Conrad’s problems have been going on for just over a year, as his brother died in early summer and the book takes place the next fall. His depressed mood is apparent from the very start of the book, as he mentions not having

The emotional agony that Conrad experienced following the death of his brother almost led to his end. The conflict inside of Conrad is only the beginning of his suffering. The emotions that engulf one's mind can swallow them up and eat them from the inside out. They demand to be felt, but the management of the emotional conflict has been just as important. For example, when the Jannett family is together to take family photos, including the grandparents, the disconnect between Conrad and his mother are clearly visible to the naked eye. After being asked to take a picture with her son, Beth hesitates, violently insisting a different photo to be taken in order to avoid accepting and showing the increasing disconnect between her and her son. Siting and watching, Conrad struggles internally to decode the intentions of the scene depicted in front of him before he burst into an outrage. Initially, Conrad practiced silence in the form of withdrawal. Thus, he situated himself in the isolated window chair. The actions of his mother spoke to him in the sense that she hated him, wishing to have nothing to do with him. The silence remained silent until he burst with rage, projecting the instructions of his father for the camera to be given to his emotionally silent mother. Conrad rested on the assumptions he formed based not only on his mother’s current action, but passed actions as well, to reveal what he

In fact, his mother denies her loss, hoping to maintain her composure and restore her family to what it once was. She appears to have loved her elder son more and because of the suicide attempt, has now grown cold toward Conrad. She is determined to maintain the appearance of perfection and normalcy. When Conrad was in the hospital, Beth never went to see him for the four

The stages of grief are demonstrated in Conrad’s relationships with his family and friends. Conrad has experienced depression and a suicide attempt in response to his brother’s death. At the beginning of the book, Conrad is going through the first stage of grief, which is shock and denial. Conrad’s father, Cal, worries about Conrad’s mental health and gives him the name of a therapist. However, Conrad does not call him. Cal believes that Conrad, “ ought to stick with the plan --’” (13) However, Conrad “can’t [because he] is swimming every night…[He doesn’t] need to see anybody. [He] feels fine’ (13). Conrad is uncomfortable talking about the death, and seeing a therapist would require him to talk. Conrad is afraid to feel his emotions. He thinks if he just avoids thinking about his brother’s death, he will be okay. The second

The relationship between Calvin and his wife Beth is also extremely strained. Calvin, a kind and loving father and husband, spends a large part of the film playing the role of referee between Conrad and his mother. Calvin tries so desperately to mend their relationship but Beth makes it very clear that she is unable and unwilling to forgive Conrad and refuses to talk about it. It is no secret that Calvin cares vary deeply for both his wife and his son however, Beth's cold and emotionless attitude and behavior begins to change his feelings about their marriage and the love he once had for his wife. Beth's refusal and or inability to express any emotions/feelings makes her unapproachable and to some

Berger, "She loved my brother, too.  It's just me"(120).  He concluded that Beth could not love him because there was something wrong with him.  After the big fight that Conrad had with his parents, he revealed to his father his opinion of Beth's feelings for him. Conrad tells him, "All right, then.  She hates me"(114).  Because Conrad felt that there was something wrong with him, he did not know how to react to situations nor did he know when to express his feelings.  For his Christmas present, Conrad's parents and grandparents bought him a car.  His response to this extravagant present was, "Yeah, okay… Thank you both, it's beautiful really.  It's terrific"(126).  He was not overly excited, as one should be, on receiving such an extraordinary gift.  He was not quite sure how to act, so he repressed all of his feelings.  In an early conversation with Berger, Conrad said, "What I'm doing here is that I had to come"(41).  This proves that Conrad was in denial of his psychological state and foreshadows Conrad's severe state of depression.  Conrad repressed all of his feelings and emotions.  He told Berger, "I don't feel anything"(98). Later on in the conversation, Berger told Conrad that the "Only way you're ever gonna get to know him [the guy in the closet] is to let him out now and then."(100)  This alludes to the fact that Conrad repressed his feelings and was extremely depressed.  All of these factors led to

Conrad's father does most of the worrying because he blames himself for Conrad's suicide attempt. Though the logical part of Cal's brain tells him it wasn't his fault he still believes that he should have paid more attention to Conrad. Conrad's mother, Beth, on the other hand thinks that Cal worries too much about Conrad. Beth thinks that Conrad is just trying to hurt her. Conrad tells Beth that he would tell her more about him if he thought she "gave a damn." Conrad tells Beth that he thinks she is the one trying to hurt him. Conrad finally releases all of his emotions when his mother confronts him about his quitting the swimming team. Conrad tells Beth how what he thinks of her visiting other countries instead of visiting him at the mental institution. After the fight, Conrad tells his father "She hates me. There's nothing I can do about it." Beth is a very unforgiving person, and Conrad doesn't think that she will ever forgive him for his suicide attempt.

Chalk-faced, hair-hacked Conrad seems hell bent on continuing the family myth that all is well in the world. Their initial sessions together frustrate Dr. Berger because of Conrad's inability to express his feelings.

An identity is the state of being oneself. Your character is comprised of your past, present, and future. Some individuals are ashamed of who they really are and try to change themselves, or mask their identities. One of the dominant themes that is conveyed throughout The Namesake is the theme of identity. In the novels, everybody is a little lost, or a lot lost, frankly. Practically every individual struggles with his or her identity, because every person feels the tug and pull of different cultures, different traditions, and different dreams. The Namesake is about this perpetual dilemma faced by immigrants as they fight to maintain their identities while trying to shake them off at the same time while The Great Gatsby is about people

Berger also helped reduce Conrad’s feelings of remorse. Conrad felt a lot of guilt for attempting suicide because he felt his mother, Beth would never forgive him. They had a very rocky relationship due

It is not the differentness that worries Conrad but the lurking hint of kinship, of common