What Is The Theme Of Patriarchy In Snow White

The film “Snow White and the Huntsman” depicts the journey between the two main characters Snow White and Ravenna the evil Queen. Snow White, who is played by Kristen Stewart for majority of the film, has been locked in her slain father's castle for years. The character is imprisoned by her father’s evil second wife played by Charlize Theron, whose now queen. The Queen also lives in fear of losing of her young appearance and uses the blood of virgins to restore it. She tests the success of this with the well-known mirror on the wall. When the magic mirror reveals that Snow White is the source of her immortality, the queen seeks to kill Snow White. In “Snow White and the Huntsman” many patterns are used like the camera shots of the film, lighting and color. The pattern of camera shots is seen throughout the movie using close ups shots and wide range shots. For example, when Snow White fled from the castle and is chased by the Queen’s horsemen into the Dark Forest, there are close up shots of medieval like armor enforcing the idea that the film is not in modern day and the action of the film will be done with weapons like swords and axes. Close up shots of Snow White and Ravenna dictates who is in power and who is not. The shots show Snow White wearing peasant’s clothing, whereas the Queen wears jewelry, expensive clothes and a crown. Wide range shots are shown in film with vast plains, castles and battles’ giving a sense of realism to the setting. Lighting is another pattern

Disney’s Cinderella demonstrates that, whatever the intention of its makers, modern day fairy tales function in our society as hidden instructions for morals and behaviors that we give children. On the surface, it seems to be a simple story about a young woman whose wishes come true. However, the story also reflects cultural expectations of women’s behaviors and goals and defines expectations of “goodness” for women. Power belongs to men in “Cinderella”, and it is depicted as a female ambition and goal. The storyline describes the rise of the submissive haracter to becoming a Princess; she is portrayed as a passive character who waits for the Prince to come for her. While waiting for her Prince Charming she also bears the mistreatment from her stepmother and stepsisters. While masculine power is taken for granted in the figure of the Prince, becoming his wife is the only way women have to share this power. The

However, as those who are familiar with the story know, this was not the end of Snow White. When the Queen finds out Snow White escapes death from the huntsman and ends up living with seven dwarfs, she still considered Snow White a

In her article, “Cinderella: Not So Morally Superior,” Elisabeth Panttaja illustrates the important role of parents in a childhood. She talks about the importance the mother plays in all versions of Cinderella as well as evidence showing what lack of parenthood does to children. Panttaja claims by way of the Grimms Brothers version of Cinderella and how each mother wants to guarantee a bright and happy future for their daughters by marrying them off to the prince. The similarities between the wanting of Cinderella and the stepsisters married- and doing anything to get it- contradicts the idea that Cinderella and her mother were morally superior, or different at all, from the stepmother and sisters.

Though this could be explained away by luck or coincidence seems magical since most cannot simply request a child possess specific features. Then when the dear child is seven years old she begins to outshine the beauty of her stepmother who employs a hunter to kill the child. This huntsman though reluctant almost kills the young girl until she speaks; overcome by her beauty and innocence the huntsman cannot kill her and lets her escape (84). This again could be explained away as him simply having a soft spot for the beautiful child. Next she meets the seven dwarfs whose house she invades, whose food she steals, and whose beds she uninvited sleeps in, yet after seeing her face they invite to live with and by supported by them in exchange for some simple housework (85). Finally, after being poisoned by an apple and lane to rest in a glass coffin, Snow White is spotted by a traveling prince who is so enchanted by her beauty that he convinces the dwarfs to let him take her with him so that he might look upon her face always. And when the apple is jostled from her throat he professes his love to a girl he has only ever seen (89). Not only is her birth enchanted but her beauty appears to be as well. The older she gets the more people follow and obey her simply by looking at her. She enchants them. Her beauty is so magical that she, maybe unintentionally, controls the actions of those around her. This means that she not only saves herself from the

Snow White is a fairy-tale known by many generations; it is a beloved Disney movie, and a princess favoured by many kids. But did you know the fairy-tale was made to teach young children, especially little girls, their duties in life? It also values beauty over knowledge, portrays women to be naive and incompetent, and assumes that women cannot understand anything other than common household chores. Throughout this criticism, I will be using the feminist lens to analyze the fairy-tale, Snow White, through the perspective of a feminist.

By analyzing the construction of gender roles and transformation within the poetic retelling of Snow White by Anne Sexton, we are able to think about these topics in a more honest way that reveals their troublesome nature. First, by connecting presents themes and elements in this modern day version that don’t appear in more classical versions, we are immediately given a more vivid depiction of how characters function. Descriptions of cheeks as fragile as cigarette paper, dwarfs being described as little hot dogs and czars, and the queen eating the boar's heart like a piece of cube steak, are just a few examples of the vivid descriptions that lace this poem. These descriptions pull meaning from more modern day topics, they objectify characters,

Snow White is a story that can be viewed by from many different viewpoints, with different mindsets. It is clear though, while examining "Snow White" from an archetypal perspective, that the story is heavily influenced by several archetypal aspects, the most evident ones are: The use of the "lucky" numbers (3 & 7), the use of associated colours (white, black, & red), and the correlation between seasons.

The queen had a magical mirror that always told her she was the fairest of the land until her stepdaughter turned seven. This made the queen envy Snow White, as she was just above her in the noble classes, and therefore refused to be below her in any shape or form. Furthermore, colonialist work is noticed when Snow White lived with the seven dwarfs and was continually visited by her evil stepmother. The dwarfs lived alone in the words clearly separated form society, and as an act of western domination, the queen often trespassed on their land in attempt to kill Snow White. In addition, problematic post-colonial identity is presented in the queens disguise as it pulled on Snow Whites heart strings forcing her to open the door, putting herself in harms way. This shows social classes and ones appearance is strongly regarded when one decides if someone nearby is of aid or misfortune.

Everyone knows that when the queen discovers that Snow White’s beauty is greater than hers, she asks the huntsman to kill her. Finally, we all know that the dwarves take care of her until her death, at which point the prince comes to the rescue and awakens her with a kiss. These are all elements of the story that we come to expect when we hear the name Snow White.

“Through the cheerful music, funny characters, and happy ending, the character of Snow White starts the Disney trend of a domestic woman who becomes a damsel-in-distress relying on a prince to come and save her” (Barber, 2015). The original 1812 tale of Little Snow White by the Brothers Grimm portrays Snow White as a small, naive, self centered little girl who can’t seem to listen to anything she is told, and who has to rely a prince she doesn’t even know to wake her up from the dead. Two hundred years later, in the 2012 movie version Snow White and the Huntsman, the director Rupert Sanders revisits the original tale of Snow White, but decides to change it up a bit. In this version of the tale, Snow White is a strong, independent young woman who seems to be able to do anything she decides to do. In Sander’s version, Snow White not only conquers the cruel queen, but she conquers the labels society often places on women. Unlike the Grimms Brothers, Sanders develops his Snow White's character in a way that fits with women’s empowerment that the current generation now fights for everyday.

Remarkably throughout all of history, females have encountered the issue of oppression while any form of power is ripped away from them. The concept is plainly indicated within countless fairytales, much like Cinderella as it is narrated from the female perspective. When examining and using the feminist lens for the folk tale of Cinderella, numerous power relationships were clearly viewed. In other words, the relationships correspond with both gender, and how the individual is portrayed. At the beginning of the story’s context, the power connection between Cinderella and her step-mother is rather obvious. In addition, the constant power relationships among male and females within the general public greatly influences Cinderella. Therefore every

Men rule the world, but women rule the men. This has become glaringly obvious when deciding how to analyse critically, patriarchy in Shakespeare’s play The Winter’s Tale. There is little doubt that this play represents English patriarchal society in the Jacobean Era, and how the men in power, or authority, treated the ‘fairer sex’: their wives, daughters, and women in general. In this essay, elements examined will surround King Leontes and his relationships, such as with his old friend King Polixenes of Bohemia, his young son Mamillius, and finally with the women in his life, Queen Hermione, and Lady Paulina. Leontes is not only head of his household; he is also King of Sicilia, thus head of all households in the country, an incredibly pressurised

Once upon a time in a land not so far away, the society of man created the idea that it was a woman’s job to conform to the ideologies generated in fairy tales. From women depending on their prince charmings all the way to romanticized sexual abuse and lack of consent, stories like Cinderella and Snow White radiate sexism within an array of scenes of the stories and films. Not only does this affect the way that men view women, but it has had a relatively negative effect on the ways that many women view themselves. Many fairy tales have made their way into mainstream culture, and today many young girls and boys grow up hearing and seeing the subliminal messages in fairy tales. As more and more fairy tales make their way onto the big screen, it can be seen that all princesses seem to share a common feature other than their crowns and lack of self worth without a man by their side; their tiny waists. In recent years during the 21st century more and more people in the media have been calling out fairy tales for their anti-feminist attitudes with sexism, body standards as well as societal comments about women being dependent on men.

Despite gender, living conditions or cultural backgrounds most people grow up reading or hearing stories of heroism and damsel in distress scenarios. Anne Sexton turns stereotypes on their head in her satirical poems of classic fairy tales, including Snow White and The Seven Dwarves and Cinderella. Snow White and the Seven Dwarves tells the tale of a young princess with hair as black as coal and skin as pale as snow, whose life is thrown into turmoil at the hands of her overbearing stepmother. Cinderella tells the story of a young girl who she spends her life is yearning for the prince’s ball, and similar to Snow White, Cinderella’s stepmother is influencing her life, however she is a positive character throughout the story. This sheds light on the stepmother in Snow White’s piece as despite the fact that Snow White’s stepmother clearly does inherently evil things, a re-reading demands a re-examination of why. It is throughout these tales’ where stepmothers are only trying to protect their children from the world around them, however in Snow White an outside motive, the beauty provided by the mirror and the pride manifested by poison, creates a barrier between the queen and her stepdaughter, thus giving her the title “Evil”.