What Is The Theme Of Sexualism In The Eve Of St Agnes By John Keats
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Pre-Raphaelite art was a movement was born of poetry, English Romanti cism texts inspired the young artists of the Brotherhood. The first of these texts The Eve of St Agnes, a poem by John Keats and key text from Romanticism that served as inspiration for John Everett Millais and William Holman Hunt and spawned the dawn of the Pre-Raphaelite Brotherhood. A romantic tale of elopement and awakening sexuality, young Porphyro hides in Madeline’s bed chamber,
Even to Madeline's chamber, and there hide Him in a closet, of such privacy that he might see her beauty unespied,
And win perhaps that night a peerless bride,
While legion'd faires pac'd the coverlet,
And pale enchantment held her sleepy-eyed.
Another version of this tale by…show more content… The name Pre-Raphaelite came from their opposition of the academy’s promotion of the Renaissance painter Raphael. Other inspirations came from art critic John Ruskin’s encouragement to ‘go to nature’, believing art to be a serious subject that should be treated with maximum realism and truth.
The principal philosophies of their movement were primarily religious, but would often draw inspiration from texts and literature, particularly those associated with death and love. In their paintings, the Brotherhood created an entirely new manner of presenting human anatomy by imbuing their depictions of men and women with medieval and spiritual ideas in which they were so captivated. Its original members; John Everett Millais, William Holman Hunt and Dante Gabriel Rosetti’s work became heavily influential after great opposition at the beginning, and a second phase of the movement occurred at around 1860 with particular works ¬¬¬¬majorly influencing the succeeding Symbolism movement.
After a 1984 exhibition of the Pre-Raphaelite’s works at the Tate Gallery, a shift in the interpretation of their work took place. Instead, analysis grew upon the subject of gender and sexuality when it came to light the relationships between the artistic work and the circumstances of its creation. Priorities over the attitudes concerning women that thought of them as either ‘devilish femme-fatale’s or virtuous illuminated the limited