What Is The Theme Of Speedy

Sunset Boulevard and Double Indemnity, are just two out of the many incredible films directed by renowned director Billy Wilder. The two films which were released six years apart, (Double Indemnity- 1944, and Sunset Boulevard- 1950) are uniquely similar, in that both films share many of the same aspects, idea’s, and similar in narration, as one another. Both of these extravagantly, directed films are indeed classics. The films, both tell an intriguing story of spiritual loneliness of a female character, and how they use their power, money, and provocativeness, to “lure” the male character. We see the life of a once innocent (male) character, who is being hurtled towards his own self destruction, the character is “supposedly” unaware, of his own self harm through his seemingly ‘good/beneficial’ decisions that he makes.

This film goes in different directions from the setting to iconography. This is an interesting film that is intense and makes the viewer want to know what is going to happen

The individuals who feel that Charlie Chaplin's utilization of straightforward, generally detached camerawork and syntheses originated from poor craftsmanship should ponder the lobby of mirrors scene in the movie producer's The Circus (1928). Chaplin's strategy was intended to discover correctly the correct point to impart the pictorial, scholarly, and enthusiastic estimations of the shot, foregrounding character, acting, topic, and story over true to life components. The film develops around: from street to street, one wagon to another wagon, with a similar round tracks the wheels leave in the tidy and the carnival paper with a star on it. The completion of The Circus is an amplification of the closure of The Tramp, made at extreme years sooner. The character has been supplanted in the young lady's affections by a considerably handsome, more sentimental accomplice, and he comes back to the street. But this time, the torment is all the more genuine and

The playwright was trying to get quite a few messages when he created this play. First of all, I believe he was trying to show social change and the power and potential that an individual has inside of them, despite their circumstances. I think that this play/movie reveals the true messiness of life and how with the right mindset, you can make it through anything you

The scene that I will be discussing for this paper is called “He’s a spy” from the movie Young Guns. In this scene, Billy and his gang are confronted by Murphy’s men. With the mise-en-scene, this helps the viewer identify that the time period being portrayed here is the late 1870’s or the early 1880’s. The mise-en-scene being used for this movie is important in telling the story from a different era as in today’s world, no one dresses this way anymore. Also to include from this scene is the lighting. I will attempt to give an explicit description of the use of the lighting and the sun and how the cinematographer designed for the use of it. Furthermore, I will also discuss the people that are directly involved with the making of Young Guns, the director, the production designer and the art director and their roles and responsibilities.

It didn’t help me to analyze anything from the book or make any good connection with the themes. The movie and the novel share one thing in common, which is the main characters struggle with society. The main character in the movie, Charlie, battles with his love for religion (Catholicism) and his Mafia ambitions. The movie has an abrupt ending with a scene of an ambulance and paramedics arriving to help Charlie and Johnny that have been shot by the man they owe money to. The movies main purpose was to illustrate the cultural and ethnic situation of the time and how it impacted the youth’s

It too tells the story of George Bailey, a person who is about to kill himself, but is then shown what the town he lives in would turn into without him and how the lives of many people would change in a negative way, he decides to be thankful for what he has and keeps living.

Bart Layton built this doc not from one perspective, but from a collection of them. Some stories, like “The Imposter” need a panoptic approach to connect the audience to the film. The themes of manipulation, identity and love are the main themes conveyed by Layton. These themes are communicated through sounds and visual imagery.

The message of the movie is that there are people who are born into life circumstances, others chose life circumstances because they feel there are no other options and then decide they want out

The movie’s main theme tends to contrast two groups of people in the society. One group consists of people who come from the rural areas while the other group is that of people from the urban setting. The social norm of the people in the rural areas is based on simplicity and illiteracy. The story revolves around the murder of one of The Ward Brothers. The death of William occurs and his brother Delbert is accused of killing him. Delbert denies the allegations but before he is set free he is taken into custody and made to sign some forms.

This paper will discuss various elements of mise-en-scene, specifically; character development, lighting, performance, costume, makeup in the film "Casablanca".(Michael Curtiz,1942) The setting of the story sets the tone for the entire film. Shots of tanks and planes show the violence of war that coincides with the cutthroat city that is Casablanca. From there, those sentiments are reinforced when a man is shot in the street while another man pick pockets someone whom is distracted. The mood of the movie stays on the dark side of things when we enter Rick's Café, where we meet our protagonist played by Humphrey Bogart. In this scene we are treated to the jaded portrayal of night club owner. We see his utter disregard for a French woman

Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the

“Sunset Blvd” is not subtle in stating illusion will win out over reality. After all, Norma Desmond, the aged silent movie star who deludes herself into believing that she will be famous again, kills Joe Gillis, our involved narrator and voice of reason. But before we analyze the dramatic pool scene, which dispels any idea that “Sunset Blvd” sides with reality, we must first look at the characters, the embodiments of dreams and of reality in this movie. Norma Desmond, who dreams of rising to greatness again, refuses to believe that time has passed and that she no longer has any fans. Max, her butler and first husband, feeds into this facade by writing her fan mail, encouraging her

What makes for a classic Hollywood film? Increasingly, films have evolved to the point where the standard by which one calls a “classic Hollywood film” has evolved over time. What one calls a classic film by yesterday’s standards is not the same as that of today’s standards. The film Casablanca is no exception to this. Although David Bordwell’s article, “Classical Hollywood Cinema” defines what the classical Hollywood film does, the film Casablanca does not exactly conform to the very definition that Bordwell provides the audience with in his article. It is true that the film capers closely to Bordwell’s definition, but in more ways than not, the film diverges from Bordwell’s definition of the typical Hollywood film.

The theme of this movie suggests mortality, which concerns the distinction of doing bad or good behaviors. Mortality shows us that life is fragile. This idea makes us question our purpose in life. An example is one of the most famous philosophers named Socrates, who had developed a Socratic method to ask questions about our assumptions and to stimulate critical thinking of what is right and wrong. He makes us reason through our opinions and beliefs to narrow down the truth.