What Is The Theme Of The Moon Lady By Amy Tan Summary

As Desmond Tutu once said, “Hope is being able to see that there is light despite all of the darkness.” In “Hunger Moon” by Jane Cooper, the speaker is showing that everyone during the Hunger Moon has hope and wants to make through it. The Hunger Moon was the name of the last moon in February when there was a lot of snow. The Hunger Moon rises and sets like any other type of moon, has a negative connotation, but when it ends it brings happiness.

Ji-Li successfully argues that in a time of despair, families can overcome their sadness and rise up again; Ji-Li is able to prove this point effectively by providing her own detailed story and including not only her perspective, but also the perspectives of different people such as her classmates and teachers.

In the novel, Ying-Ying states, “I kept my mouth closed so selfish desires would not fall out. And because I remained quiet for so long now my daughter does not hear me” (67). Usually in Chinese culture, “selfish desires” are expected to be kept away, especially if you are a woman. After all of the hurtful events that occurred in Ying-Ying’s life, such as the departure of her first husband and the deaths of her two sons, she “remained quiet for so long.” This is most likely because she felt as if she was unworthy to want something in life: she wanted her tiger spirit to return. Her daughter fails to “hear” her because she does not keep her “selfish desires” from escaping her “mouth.” For example, Ying-Ying states, “She sits by her fancy swimming pool and hears only her Sony Walkman, her cordless phone, her big, important husband asking her why they have charcoal and no lighter fluid”

This guidance is shown especially in the story of Lena St. Clair and her mother Ying-Ying. When Ying-Ying visits Lena and her husband at their new home, she senses the uneasy and precarious nature of their marriage, and tries to warn her daughter of this through subtle comments during her stay. One of these comments, “’You put something else on top, everything else fall down. Chunwang chihan” (163), leads Lena to recognize how fragile and superficial her relationship with Harold is, and that realization allows her finally stand up to him. Ying-Ying’s experiences in her first marriage taught her this lesson the hard way, when the buildup of her husband’s cruelty led her to an inability to carry his child. Although Lena’s circumstances are far less drastic than her mother’s, the same “last straw” mentality can be applied to both situations. Ying-Ying’s wisdom from her past helps Lena to save her future before that straw falls, in addition to showing her the cracks in a foundation that she thought was unflawed. In this action, Ying-Ying’s past in China aids her in guiding Lena towards a better life than she had, the ultimate goal of motherhood that is reinforced throughout the

Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.

“You may not control all the events that happen to you, but you can decide not to be reduced by them”, says Maya Angelou, an American poet, memoirist, and civil rights activist. This quote reflects to Sarah’s journey in the novel Sarah’s Key by Tatiana De Rosnay, since the main character, Sarah, faces events that affect her well being, as they make her both weaker and stronger. These events causes her to lose her innocence, makes her persistent, and then eventually drives her to be pessimistic. Sarah experiences traumatic events through her journey, which leads her to change both in a positive and negative way.

“Here is how I came to love my mother.  How I saw her my own true nature.  What was beneath my skin.  Inside my bones.” (Tan 40)

All of the woman who migrated from China all have a curtain pride for their own mothers and cultures cultures respectively. Major acts of pride go into what these woman do while raising their daughters, as they want to push their daughters for success. “What will I say? What can I tell them about my mother? I don’t know anything. . . .” The aunties are looking at me as if I had become crazy right before their eyes. . . . And then it occurs to me. They are frightened. In me, they see their own daughters, just as ignorant. . . . They see daughters who grow impatient when their mothers talk in Chinese . . . who will bear grandchildren born without any connecting hope passed from generation to generation.” The other mothers are flabbergasted that June does not know that much about her mother. The mothers also have their own pride in their daughters, and all the daughters have been together, so this phrase from June scares the other mothers of what their own daughters might think about them. In Chinese tradition, respecting your mother is very important, due to June being raised in America, she does not realise what she has just proclaimed as bad until the other mothers react to it.

The person who she once was is almost entirely lost and she knows that her life will never be the

In Six Records of a Floating Life, Shen Fu writes of his wife, “Yün came to this world a woman, but she had the feelings and abilities of a man.” (Fu: 89) Shen Fu and Yün considered each other to be intellectual equals. However, their relationship was still constrained within the gender roles set by their society. They lived during the Qing dynasty, which was a prosperous time for China (“The Manchus”: 266) but also a time when, as Professor Scarlett states in the lecture Daily Life in Imperial China, “the outside world was for men and the inside world was for women.” Shen Fu and Yün’s relationship was pushing the bounds of their culture, but they still kept (mostly) within the lines of social acceptability.

I think to myself what if I had a fight with my mother? What if, the fight, I was in trouble? What would I do? After the chapter “ Rules of the Game ”, I think that I have a good idea on what Waverly will do next.

I think that the author included Parker in the story because it was a great way to show that these people were actually people and that they had emotions, they cared for others, and someone from a European descent found them to be better than ‘civilized’ society. However, there were also many instances of them being truly terrible to some people specially to older women (Gwynne, 106). Parker was also the mother of “the last chief of Comanches”, Quanah. She eventually married and had children with an Indian reported in a paper that surprised many people (Gwynne, 116). This is why when she was finally found by her brother she did not want to leave her family (Gwynne, 126). However eventually Parker was taken back to her white family with her daughter, and they both eventually died; Quanah

Important Settings for Sal “... I am a country girl at heart… and brave.” (Creech pg 1 and 12) This is how Sharon Creech, author of Walk Two Moons develops her main character, Sal. The protagonist in the story resists, travels, and returns to bybanks. With all of this, this helps Sal to grow throughout the novel.

The story Two Kinds By Amy Tan was about a young Chinese girl and her mother who had just moved to the United States. The mother had moved to America because she had lost everything her husband, mom,dad, and children. Even in spite of all this loss she never looked back and never regretted her decision. One day Ni kan’s mother had the idea of Ni kan becoming a child prodigy because to Ni kan's mother you could do anything in America.

Cathy Songs poem Lost Sister explores the lives of two generations of Chinese women. One generation chooses to leave China and begin a new life in America. the other chose to remain in China and experience her culture the way it was meant to be. This is a comparison of the two generations of women and how they are linked by culture and seperated by lifestyle.