What Is The Theme Of The Sorrow Of War

In this world, there is no individual more tragic than the one who gazes into their future and is only able to see a perpetual cycle of despair and agony. War, in particular, has this incomprehensibly dark power—the ability to drive even the most cheerful among us into the oppressive void of depression. Indeed, the total and complete loss of hope is among the most destructive consequences of war on the human psyche. An expression of this phenomenon is visible in Paul Baumer’s statement regarding the true psychological state of soldiers. When reflecting upon the experience of being in the military, Baumer says “We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out...Our only comfort is the steady breathing of our comrades asleep, and thus we

Krebs “felt the need to talk but no one wanted to hear about it. His town had heard too many atrocity stories to be thrilled by actualities.” Krebs own family lacks support for his yearning to talk to someone about what he has done and gone through. “She [Krebs’ mother] often came in when he was in bed and asked him to tell her about the war, but her attention always wandered. His father was non-committal.” It is obvious why Krebs decided to sleep all day and lock himself in his room, his town and his family have locked him in there with nothing but his thoughts. Krebs cannot leave the room because he is unable to let out all that he carries from the war.

The rambunctious behavior of the soldier’s triumphant victory is a strong message visually for the viewer. These soldiers struggle to find their identity and once the war ends, the identity they’ve build at war vanishes, (McCutcheon, 2007). As a result, they essentially lose a part of them selves, (McCutcheon, 2007). When they return home, many soldiers struggle with psychological issues that prevent them from resuming their once regular lives, (McCutcheon, 2007). The images of soldiers celebrating at the end of war give the viewer a taste of this problem. This also allows the viewer insight to the deeper issues surrounding an American soldier’s mental stability and mentality. Through this image, along with many others throughout the film, the viewer is able to dig deeper and truly analyze what they are seeing.

In the fictional novel The Things They Carried, Tim O’Brien vividly explains the fear and trauma the soldiers encountered during the Vietnam War. Many of these soldiers are very young and inexperienced. They begin to witness their acquaintances’ tragic demise, and kill other innocent lives on their own. Many people have a background knowledge on the basis of what soldiers face each day, but they don’t have a clear understanding of what goes through these individual’s minds when they’re at war. O’Brien gives descriptive details on the soldiers’ true character by appealing to emotions, using antithesis and imagery.

Generals Die in Bed certainly demonstrates that war is futile and the soldiers suffer both emotionally and physically. Charles Yale Harrison presents a distressing account of the soldiers fighting in the Western front, constantly suffering and eventually abandoning hope for an end to the horrors that they experience daily. The ‘boys’ who went to war became ‘sunk in misery’. We view the war from the perspective of a young soldier who remains nameless. The narrator’s experience displays the futility and horror of war and the despair the soldiers suffered. There is no glory in

Some of the soldiers were such cowards that they injured themselves just to be taken away in a helicopter and extracted from the war scene. The soldiers “spoke bitterly about guys who had found release by shooting off their own toes or fingers. Pussies, they’d say. Candy-asses” (22). However, deep down inside, the soldiers who did all the mocking “imagined the quick, sweet pain, then the evacuation to Japan, then a hospital with warm beds and cute geisha nurses” (22). The soldiers even dreamt at night about freedom birds. The men were flying on a “real bird, a big sleek silver bird with feathers and talons and high screeching… The weights fell off; there was nothing to bear” (22). The soldiers did not want to be at war, they imagined to themselves “It’s (the war) over, I’m gone!—they were naked, they were light and free” (22).

The psychological effects, the mentality of fighting and killing another human, and the sheer decimation of human values is what makes war atrocious. War is not only fought on the battlefield though. This book also describes the feelings of a soldier fighting his own demons that war has brought on. The battle that the soldier has with himself, is almost if not more damaging than the physical battle of war. He will never forget his experience with battle, no matter how hard he tries the memories of artillery, blood, and death cannot be erased. “I prayed like you to survive, but look at me now. It is over for us who are dead, but you must struggle, and will carry the memories all your life. People back home will wonder why you can't forget.” (Sledge). This struggle still happens to soldiers today. Sledge’s words of the struggles still captures the effects of warfare that lingers today. The other effects that war has on the men is the instability that surrounds them at every hour of the day. They are either engaged in battle having bullets and artillery fired at them, or waiting for battle just so they can be deposited back in the pressure cooker of survival. “Lying in a foxhole sweating out an enemy artillery or mortar barrage or waiting to dash across open ground under machine-gun or artillery fire defied any concept of time.”

There is no doubt that when war occurs, every single human being is affected by it even if it is just a little. In the novel, “All Quiet on the Western Front” written by Erich Maria Remarque, a group of teenage men, who also appear to by classmates, are in the German army of World War I because they have chosen to leave their adolescence at home and school for grown up work at the army. Throughout this fictional novel, they face many challenges that result in them not seeing each other ever again because of death. War affects individuals by leaving behind necessities such as education or jobs, not being able to watch over others such as their health, and injuries that soldiers receive while they are at war.

The soldiers didn't even have to have gone home to begin to feel the effects of the war. Rat Kiley, a young medic in Vietnam started to feel the effects right then and there, and it resulted in him shooting himself in order to escape the war. The conditions of the war, the long night time treks, the silence, broken only by the sounds of ghosts, the constant darkness. It could drive anyone crazy. The constant death too, ‘… too many body bags… too much gore…'. Sometimes this paranoia-based insanity would embody itself in the form of something randomly chosen yet relevant, something for the person to obsess about in order to temporarily distance themselves from what was actually occurring around them. At times the obsessing would involve their immediate surrounds, like Rat Kiley who began to those around him as nothing more than bodies, and began to imagine how they would look without an arm, or a leg, or even ‘… what it would feel like to pick up the head and carry it over to a chopper and dump it in…'. It could even take form as self obsession, Rat Kiley began to envision his own death, parts of his own body being removed and eaten by the insects in Vietnam. Kiley's constant visions led to his self-harming in order to be taken away to Japan, some kind of a haven after the

“They were tough. They carried all the emotional baggage of men who might die. Grief, terror, love, longing--...They carried their reputations. … carried the soldier 's greatest fear,which was the fear of blushing. It

The troops had little food, lick grass for water, had to bear the sight of other’s deaths, as well as live under the thought that they could

Bao Ninh’s The Sorrow of War is a novel that is a personal view of the Vietnam War from the perspective of a Vietnamese soldier. Like the American novel “The things they carried”, this novel brings about the effects of war on people, and especially how it defeats the human capacity for things such as love and hope. Bao Ninh offers this realistic picture of the Vietnam War’s impact on the individual Vietnamese soldier through use of a series of reminiscences or flashbacks, jumping backwards and forwards in time between the events most salient in memory, events which take on a different theme each time they are examined. His main protagonist Kien, who is basically Bao himself, looks back not just at his ten years at

The Viet Nam War has been the most reviled conflict in United States history for many reasons, but it has produced some great literature. For some reason the emotion and depredation of war kindle in some people the ability to express themselves in a way that they may not have been able to do otherwise. Movies of the time period are great, but they are not able to elicit, seeing the extremely limited time crunch, the same images and charge that a well-written book can. In writing of this war, Tim O'Brien put himself and his memories in the forefront of the experiences his characters go through, and his writing is better for it. He produced a great work of art not only because he experienced the war first hand, but because he is able to convey the lives around him in such vivid detail. He writes a group of fictional works that have a great deal of truth mixed in with them. This style of writing and certain aspects of the book are the topics of this reflective paper.

   Bao Ninh's The Sorrow of War is a contrapuntal reading to American literature on the Vietnam War. But rather than stand in stark contrast to Tim O' Brien's The Things They Carried, The Sorrow of War is strangely similar, yet different at the same time. From a post-colonialist standpoint, one must take in account both works to get an accurate image of the war. The Sorrow of War is an excellent counterpoint because it is truthful. Tim O' Brien writes: ". . . you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil." (O' Brien, 42) Bao Ninh succeeds in this respect. And it was for this reason that the Vietnamese

Bao Ninh’s novel The Sorrow of War tells a very realistic and explicit story of Kien, a North Vietnamese soldier and writer, during the Vietnam War. Kien manages to survive, usually by luck, through battles and