How Does Elliot Present The Rapid Change In The Wasteland

The book, American Wasteland: How American Throw Away Nearly Half of Its Food, written by Jonathan Bloom, deeply describes the situation of food waste in America. The author, Bloom, starts off the book by mentioning that each day America squanders enough food tone fill up the Rose Bowl, the football stadium in Pasadena, California (xi). Bloom even brings out a specific number to prove that how much food were wasted in the United States, which is 160 billion pounds annually (xii). From that description and figure, we can see that food waste problem is really serious today.

In "Vast Wasteland," Newton Minow gave a forewarning speech about television and the public interest. Minow is correct in his statement for these reasons: the influence of viewers, public interest, and the future impact of television.

     Elliot also presents a theme of regeneration and fertility, which symbolizes a longing for the past. In the opening of The Wasteland, April is shown as a time of revival after the bleak winter. Regeneration is portrayed as painful, because the new spring can’t measure up to the springs of the past. This is portrayed by Marie’s experiences from the past, which become painful when she considers that the time she lives in now is one of great political and cultural consequences.

Elliot’s “The Waste Land.” Each author highlights the meaning of rivers; Crane begins with the East River, which then grows into the Hudson and onto the Mississippi and Eliot with the River Thames. To each author the river has a distinct meaning. To Eliot, the River Thames is symbolic of the collapse of western civilization, which doesn’t factor into Crane’s piece. In “The Waste Land,” Eliot-like most British poets-immortalize the Thames. Despite how he depicts this, in the modern world it is just a dirty river. Eliot’s background causes him to symbolize the Thames differently than a reader would in the U.S. Similarly, a reader outside of the U.S. will symbolize the East, Hudson, and Mississippi Rivers completely different than Crane and other Americans. Foster believes that the connection in how one interprets a symbol, and their personal background goes hand in hand. Otherwise, everyone would connect the Thames to Eliot’s beliefs, or the Mississippi and Hudson according to Crane’s ideas. Rather Foster believes that it is important for a reader to have the freedom to interpret the text

The question must be asked, when did food waste become an issue? Jonathan Bloom writer of, Jonathan Bloom’s American Wasteland: How America Throws Away Nearly Half of Its Food (and What We Can Do About It) explored this question. Bloom’s book, discussed in Stacy Slate’s article “Who's To Blame for All We Waste? We Are. A Review of American Wasteland,” describes how our change in respect for food happened over many centuries. In the 1700s people were just starting to make settlements, so their goal was to live as simply as they could. They only grew food that was needed. In the 1900s, the Great Depression and World War II resulted in non-existent food waste. Waste was considered unpatriotic. By the end of World War II, food was cheaper because

For years, post-modern writers have foreshadowed what the end of the world would look like through dramatic representations in literary works. Cormac McCarthy’s The Road and Margaret Atwood’s novel, Oryx & Crake, are no exception to this. Delving into the complexities that underlie man’s existence on Earth, these authors use their novels as vehicles to depict a post-apocalyptic world, in which all that once was is reduced to an inconceivable wasteland, both figuratively and literally.

The poetry of T.S Elliot portrays the nature of human conditions through the use of experiences such as alienation and how this leads to spiritual vacancy and paralysis which allow his poems to retain an enduring value. In Both the ‘The Love song of J.Alfred Prufrock’ (Prufrock, 1915) and Prelude (1917), poetic language convey the loneliness of humankind in a physical and moral way. Through a study of Eliot’s poetic forms, features and critical reception, we can better understand the message portrayed.

Message of Hope in Eliot's The Waste Land, Gerontion, and The Love Song of J. Alfred Prufrock

Cooperation is the key to human survival, and over time humans have been known to group together to survive. This strategy has allowed humans to develop massive cities and countries of immense power. Without the natural instinct to cling to one another, humans would not be as advanced as they are today, and may not have even made it out of the caves. Many authors display our natural instinct to cooperate in their works, allowing the characters to become more real to the readers.

T.S. Eliot in the twentieth-century wrote what is today widely-regarded as one of the most important text of modernist poems, “The Waste Land.” This poem evaluates many aspects of ancient and contemporary culture and customs, and how the contemporary culture has degraded into a wasteland. In “The Waste Land,” Eliot conjures, through allusions to multiple religions and works of literature in five separate sections, a fragmented and seemingly disjointed poem. Eliot repeatedly alludes to western and eastern cultural foundation blocks to illustrate the cultural degradation prevalent in the modern era of England. One specific eastern example is brought up in the third section of the poem, which T.S. Eliot names “Fire Sermon,” an allusion to

T. S. Eliot’s “The Wasteland” depicts a definitive landscape of desolation, reflecting the damaged psyche of humanity after World War I. Relationships between men and women have been reduced to meaningless social rituals, in which sex has replaced love and physical interaction has replaced genuine emotional connection. Eliot’s “The Love Song of J. Alfred Prufrock” goes a step further in depicting these relationships: the speaker reveals a deep sexual frustration along with an awareness of morality, in which he is conscious of his inability to develop a connection with women yet cannot break free from his silence to ask “an overwhelming question” (line 10). “The Wasteland” and “The Love Song of J. Alfred Prufrock” together illustrate that

In part one 'The Burial of the dead', Eliot opens with a scene of isolation and desolation. 'April is the cruellest month…'which is an inversion of what spring represents, this being new life and hope. It is seen here as cruel because, for Marie, it stirs memories, which are no longer there and have led nowhere. He follows this image of isolation with an image of togetherness, 'Winter kept us warm, covering Earth in forgetful snow…' She recalls being free in the mountains, but freedom involves taking risks and she hesitates and goes 'south in the winter'. Marie's memories portray the shallowness of the aristocracy and in many ways we are reminded of the ladies in Prufrock who 'come and go talking of Michael Angelo'. There talking leads nowhere and so by implication their lives are meaningless and dead, as dead as the wasteland.

In this discussion of Eliot’s poem I will examine the content through the optic of eco-poetics. Eco- poetics is a literary theory which favours the rhizomatic over the arborescent approach to critical analysis. The characteristics of the rhizome will provide the overarching structure for this essay. Firstly rhizomes can map in any direction from any starting point. This will guide the study of significant motifs in ‘The Waste Land.’ Secondly they grow and spread, via experimentation within a context. This will be reflected in the study of the voice and the language with which the poem opens. Thirdly rhizomes grow and spread regardless of breakage. This will allow for an

A common interpretation of the poem is that Elliot wrote about his experiences in converting to Christianity and put them into the context and mind frame of one of the Magi. This interpretation seems to fit very well.

In T.S. Eliot’s most famous poem The Wasteland, a bleak picture of post-war London civilization is illuminated. The inhabitants of Eliot’s wasteland are living in a morally bankrupt and spiritually lost society. Through fragmented narration, Eliot recalls tales of lost love, misplaced lust, forgone spirituality, fruitless pilgrimages, and the “living dead”- those who shuffle through life without a care. These tales are the personal attempts of each person to fulfill the desires which plague them, though none ever stop to consider that what they want may not be what they need, nor do they consider why it is they feel they must do these things. Through studies in Sigmund Freud’s psychoanalytic perspective