What Is The Theme Of War Photographer Poem

In the poem the Cremation of Sam McGee it is written in the form of a ballad. The poem has multiple words that give it a rhythm that sounds like a song. The poem would sound sad and bleak without the melodic tone used. The poem uses a lot of alliteration and has a use of strong figurative language. The use of the figurative language used within the poem helps portray a more vivid and detailed pictured in the readers head. The melodic tone of the poem gives it a very upbeat mood. Without the rhythm in the poem it would sound very bleak. The poem the “Cremation of Sam McGee” is like a story being told in the form of a song. ”And that very night, as we lay packed tight in our robes beneath the snow, And the dogs were fed, and the stars o'erhead were dancing heel and toe”, the figurative language within this piece of the poem “ The Cremation of Sam McGee” it gives the stars such detail as if they are alive. Within the poem the figurative language helps bring some inanimate objects to life and paints a vivid picture using strong language. The imagery used within the poem helps enhance the picture that the author is trying to paint for the reader. The structure of the poem helps draw slowly but steadily into the conflict that main character runs into.

In Midterm Break, Heaney reflects on the memory of his younger brother’s death, and returning home for his funeral. The poem as a whole has an overall

so well.” “They came back from the mouth of hell, all that was left of

The Universal Soldier is less of a man or human and more so the idea of every soldier combined as well as the perspective war personified. Throughout the song, the Universal Soldier is referred to as “him” and the songs depict what he is and what he does. The lines 1 and 4 are both representative of the height and age parameters for soldiers in 1961, which supports the idea that he represents all soldiers in war. The lines 22-24 depict him as the armies both Hitler and Caesar have; without both of their armies, they could not have accomplished what they did.

Over the years, the wars throughout history have provided magical but traumatic contributions to art forms of all types. From the writings of Kurt Vonnegut's "Slaughterhouse Five", to the poetry of Rupert Brooke and Wilfred Owen, they have influenced many of the modern forms of art that we see and study today. These works have been deconstructed and analysed in many different ways, but the work of Brooke and Owen continue to be controversial due to the subject matter. Commonly, popular poets and artists stray away from the topics of death and tragedy, but Brooke and Owen confront it in a realistic, in-your-face fashion. Some of the key differences between these two unique poets is the way that they approach the subjects of war-related death

Larkin uses imagery to convey feelings of death, such as when Larkin says, “he was at the Bodies”, this has connotations of a place for dead people and it emphasizes the deprived and unappealing qualities of Mr. Bleaney’s surroundings. Larkin continues with this theme of the darker side of life when

During times of war, it is inevitable for loss to be experienced by all. In the poems “The Black Rat” and “The Photograph” written by Iris Clayton and Peter Kocan respectively, the idea of loss is explored through an omniscient narrator recalling a soldier’s involvement in warfare. While Clayton writes of a soldier’s abrupt loss of hope and how this experience negatively affects his life, Kocan explores how the loss of a loved one affects a family sixty years later. While both poems incorporate similar techniques in imagery and narration, the time setting for each poem is different as “The Black Rat” is set in Tobruk, Libya during World War 2 and “The Photograph” is set during World War 1.

Edna St. Vincent Millay’s “Thou famished grave” and “Mindful of you” both include the themes of death, however, “Thou famished grave” uses the personification of a grave as a starving beast, diction to add imagery of starvation, and an image of a strong will to live to show the resentfulness and bitterness that the speaker has towards death, while, “Mindful of you” uses the imagery and personification of the four seasons to remember someone close who has died, to express that although death may take people physically, but they live and are remembered through memories.

In this quote the “coffins of black'; symbolize the chimneys (554). Ultimately this all symbolizes the boys’ death because of their terrible life cleaning chimneys at such a young age. In the next stanza an Angel comes “And he opened the coffins and set them all free,'; which symbolizes the boys’ death and escape to heaven. All of these symbols cause feelings of sympathy in the reader, hopefully causing them to want to help these children escape their fate.

Death is an ubiquitous aspect of war; in virtually all wars, the sacrifice of soldiers is necessary for fruition. One of the reasons why Emily Dickinson could be considered a superior war poet to Rupert Brooke would be her method of deftly taking a more holistic approach to death within her poetry. For instance, Dickinson attempts to emphasize with the martyrs who perished in war. She wants to know whether the

Wilfred Owen wrote about the suffering and pity of war from his first -hand experience at the Somme. He was appalled by the overwhelming and senseless waste of life, the “human squander” and detailed its devastating effects on young men. In both ‘Dulce et Decorum Est’ and ‘Mental Cases’ he writes with intense focus on war as anextraordinary human experience. The poems also document other experiences, the living hell of shell-shock in ‘Mental Cases’ and a cruel and grotesque death from mustard gas in

This poignant dichotomy is seen explicitly in two poems in Seamus Heaney’s Field Work. One poem, “The Strand at Lough Beg” is written for “Heaney’s cousin Colum McCartney (ambushed and shot in a sectarian killing)” and is rich with pastoral scenery, dark tones, and religious imagery (Vendler 60). Another poem, “A Postcard from North Antrim” is about “his friend the social worker Sean Armstrong (shot by a ‘pointblank teatime bullet’)” (Vendler 60). These two elegies, both with a strong presence of Heaney’s personal voice, are imbued with a sort of ambiguity as Heaney struggles with the death of two people who were both very close to him. In both poems, Heaney “tries to converse with and question the dead” in an attempt to rationalize, or at least display his sentiments on the untimely deaths (Parker 159). It is interesting to watch Heaney oscillate in imagery, tone and diction as he progresses through both poems. This wavering can be seen as a result of Heaney’s background.

Dog’s Death by John Updike really touched me when I read it for the first time. His use of imagery in this poem is very touching. He makes the reader relate to the death of the dog by showing through his words the emotions of what the dog is going through as well as what his owners are feeling. This paper will show how I think the author was trying to use imagery to show the love between the dog and his owners.

By repeating “O” throughout the elegy, it creates a sense of rhythm throughout the free verse without creating a constant structure. The repetition of “O” emphasizes the importance of the word, and enacts Whitman’s misery on death. The sound “O” also resembles the sound of wails from grief, correlating to Whitman’s first notion of death, questioning his relationship with it. Because it is a pastoral elegy, Whitman incorporates a thematic imagery of death to address his own grief. One important element he uses is the image of the coffin. It is decorated with “Blossoms and branches green” (Whitman 47), which

How is the theme of war portrayed through imagery in the poems Lament by Gillian Clarke and War Photographer by Carol Ann Duffy?