Analysis Of Hamlet Act 3 Scene 1

During Act III, scene 1, when Ophelia is returning all of her old letters to Hamlet, he becomes furious and sends insults back at her. Hamlet tells Ophelia that she should not of believe that he loved her because humans are all naturally rotten at the core. Hamlet says to Ophelia, “You should not have believed me, for virtue cannot so (inoculate) our old stock but we shall relish of it. I loved you not” (III. 1, 127-129). In this scene Hamlet expresses false feelings only to upset Ophelia. By telling her that all humans have a naturally horrible nature, no matter how hard they try to be virtuous, he gets her to admit that she was deceived, thus proving her weak mental state. Due to Ophelia’s weakness and the fact that she lets people walk all over her, Hamlet is also able to tell Ophelia that he never really loved her. These comments made by Hamlet cause Ophelia to become upset proving the feminine stereotype of weakness. Due to the fact that Ophelia listens to Hamlet’s opinion in which he says that he never loved her, Ophelia does not get angry at him, showing that she is indecisive over how she feels about

Hamlet also shows anger towards the female character, Ophelia as they interact with each other on a daily basis. He tells her that he has “heard of [her] paintings too, well enough; God hath given [her] one face, and [she] make[s] [herself] another. [She] jig[s] and amble[s], and [she] lisp[s], and nickname[s] God’s creature, and make[s] [her] wantonness [her] ignorance…to a nunnery, go” (3.1.153-157,161). As a result of this quote, Hamlet demonstrates strong anger as he insults Ophelia for her cosmetics and tells her that her flirtatious affections is her excuse for her stupid behaviour. Not only does Hamlet insult her because of his anger, but she does not defend herself either, which makes the situation worse. In addition, Hamlet not only undergoes his father’s death, but no one seems to grief over the death which is surprising, as he was the King of Denmark. The new King, Claudius asks Hamlet, “How is it that the clouds still hang on you?” (1.2.67). This quote shows King Claudius’ lack of grief towards King Hamlet’s death, oppose to when Polonius dies, he immediately tells Laertes, Polonius’ son, “I must commune with your grief” (4.5.213), Which again leads for Hamlet through the anger stage.

At one point in time, Ophelia was one who Hamlet truly loved and trusted. Ophelia comes and speaks to hamlet to return his gifts from her but Hamlet immediately realizes that something is wrong and finds out that Ophelia is being used by Claudius and Polonius to spy on him to find out the real reason of Hamlet’s facade of madness. After realizing this, Hamlet is incensed and acts as if he is truly insane. Hamlet is clearly hurt because of the fact that Ophelia has been as a pawn in Claudius’ game. The effects of the matter cause him to verbally abuse Ophelia and rejects her love by saying that they will never get married and also degrades women. At this point Hamlet is raged and does not understand how harsh his words can be to a woman, especially a human being in general. In conclusion, the death of Hamlet’s father had looked like as if it has not even affected his mother which he so dearly loved and the one true love he thought he had, seems to him as deceiving and just a pawn for his enemies. These factors continue to diminish the subordinate attitude that Hamlet has towards

In another scene, Polonius orders Ophelia to return the gifts that Hamlet gave her, and to make her rejection of him unmistakable and absolute. Polonius believes that if she is the cause of Hamlet’s madness, this would be the proof. “That Hamlet loses his mental stability is arguable from his behavior toward Ophelia…” (Foster, par.16) In Branagh’s version, we see how terribly this tears Ophelia’s heart. When Hamlet sees her, he walks up to her, telling her how much he loves her. After Hamlet kisses her, she returns the love letters that he wrote back to him. She sees how crushed he is, which makes her feel even worse; but she also believes she has to do this because her father ordered her to. Hamlet tells her “Get thee to a nunnery” (William

There are hundreds of literary devices that are constantly used in books, magazines, articles, etc. Now within books, there are endless ways to insert as many devices as the author pleases. The most common literary devices used in Hamlet are: metaphors, similes, and anaphoras. These literary devices are used to emphasize emotions, help its’ audience interpret, and correlate events that happen in Hamlet.

Hamlet’s relationship with Ophelia suddenly becomes complicated, after Hamlet’s encounter with the Ghost. It all starts when Hamlet first appears in Ophelia’s chamber pale and dishevelled, after receiving news from the Ghost that King Claudius had poured poison into his ear, and it was Hamlet’s duty to avenge the death of his father. Hamlet’s condition frightens Ophelia, as she runs off to tell Polonius about the encounter;” My lord, as I was sewing in my closet/ Lord Hamlet, with his doublet all unbraced/… speak of horrors—he comes before me” (2.1 87-94). Hamlet may express that he does not love Ophelia anymore, but his ill treatment towards her comes at the price of testing her loyalties towards him or her father Polonius, who is the eyes and ears of Claudius. As Ophelia runs off to Polonius, it is clear to Hamlet that he cannot trust Ophelia with such a deadly task at his hands. Behind all this phony madness, it breaks Hamlet’s heart to jeopardize his relationship with Ophelia for his own motivations, but it is an intricate decision he has to make. This is again evident in Act 3, scene 1, when Hamlet instructs Ophelia; “To a nunnery, go, and/ Quickly too. Farewell” (3.1 151-152). The only reason Hamlet would utter such bitter words to Ophelia, is because he trusts Ophelia will be kept safer there than anywhere near the kingdom. In doing so, Hamlet proves that he still cares for Ophelia and what they had, but he cannot manage their relationship at the same time getting revenge, because he’s too caught up in pursuing his own motives. Eventually, as Ophelia goes mad and dies,

Midway through Hamlet, Ophelia is well under the control of Polonius and Hamlet. They are both manipulating and using her as a pawn as to get what they want and she has little to no say about it. Act 2, scene 1 serves as a turning point, as it is when Ophelia begins to realize the manipulation she faces at the hands of both her father and Hamlet, and that she can only truly gain her freedom when she herself descends into madness. Polonius’ manipulation, Hamlet’s control and Ophelia’s own thoughts and actions demonstrate her descent, and the aftermath.

Before she knows it, she is placed in a predicament where she has to chose between her loyalty to her father, or her own feelings. She chose to lie to Hamlet rather than reveal her father. This is her fatal flaw. Hamlet, knowing she is lying to him, gets very angry and not only denys his feelings for her, he questions her integrity and refers to her as an impure woman. Hamlet is rude in his own day by asking Ophelia "Lady, shall I lie in your lap?" (Act 3, Scene II, Line 109) Ophelia had deserved the treatment she received from him. Hamlet was fed up with Ophelia ignoring him and always trying to stay away from him. From her betraying Hamlet and the denouncing of his love, this confrontation begins Ophelia true fall into insanity.

   Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.

She means a lot to him, but now she has rejected him (by returning his

Ophelia is Hamlet’s love interest throughout the entire play. However, in an attempt to be strategic, Hamlet feigns insanity in order to be deceiving and in turn breaks Ophelia's heart. His sudden disinterest towards her coupled with her father Polonius and brother Laertes’ commands to stay away from Hamlet composes a dire internal conflict within Ophelia's mind. She is torn between her undying love for Hamlet versus her desire to be an obedient daughter and sister. In addition, Hamlet unintentionally murders Polonius rather than Claudius, which also adds to Ophelia's insanity. To make matter worse, Ophelia has no mother figure within her life. So taken all together, she is stuck in a constant battle within herself with nobody who is there for her. “I hope all will be well. We must be patient/ but I cannot choose but weep/ to think they would lay him/ i' th' cold ground” (Hamlet v, iv). This quote from Ophelia demonstrates her deep sorrow towards her father's death, as well as the start of her path to insanity. Her lack of a maternal figure leaves her with nobody to discuss her feelings and troubles with. Because of this constant battle within her life, Ophelia finds herself in a confrontation with her emotions, which ends in her official decision of suicide. Which one could argue makes her decisive in the end which may be true, but her internal struggle leading to her choice of suicide is what makes her a great example of a character struggling with uncertainty during times of

Then, in Act III, Scene I, Claudius and Polonius listen in on the conversation between Hamlet and Ophelia for the purpose of establishing whether or not Hamlet’s madness originates from his obsession over Ophelia. However, before we, the audience, witness this encounter, we already think we know more than Claudius does since we know, by Hamlet’s own word, that he is only acting crazy, and that he is doing it to disguise the fact that he is actively studying and plotting against his murderous uncle. In light of this, we the audience believe that Hamlet’s love for Ophelia cannot be the source of his madness. Yet, Hamlet’s vindictive attitude toward her throws everything we think we know into question. Does Hamlet mean what he says to Ophelia? To be sure, it is another question for a later date.

In the first scene of Act II, Polonius and Ophelia discuss the meaning of Hamlet's odd behavior. Though the two characters agree his actions arise out of the torment of spurned love,

     In this play, the way others interpret Hamlets behavior is that he is insane. With Hamlet acting this way, he is driving everyone else insane because they cant figure out what is wrong with him. The way his mother interprets his behavior, at first, is that he is holding a grudge against her for what he has done. As the play progresses, Polonius tells Gertrude “Tell him his pranks have been too broad to bear with…” which proves that Hamlet’s condition is worsening in the eyes of everyone. As she speaks to Hamlet, she feels that her life is in danger due to the way that Hamlet is speaking to her. “These words like daggers enter mind ears…” is what Gertrude says to Hamlet because of the utter disrespect and the manner in which he is acting. The way Ophelia views Hamlet is that he turned into a different person. In Act II, scene i, she believes that if he really loved her, he wouldn’t have grabbed her by the wrists, held her hard, stared at her,

Act 2 scene 1 of Hamlet, page 18 to 19 in Someday and the poem share the common theme of everything is not what it seems. Polonius believe that Hamlet is mad for Ophelia’s love. This is because Hamlet barged into Ophelia’s room with “No hat upon his head, his stockings fouled,/ Ungartered, and down-gyved to his ankle/ Pale as his shirt, his knees knocking each other”. Even though Hamlet appeared to Polonius as being madly in love with Ophelia, in reality it was because the ghost of his Father had told him claudius had murdered him in an earlier scene. Comparatively Barb gets angry at Rodney because she believes that he never keeps his Christmas commitments because he is a wimp. But in truth Rodney does not like Christmas “the once-a-year generosity