What Is Transgressive Virtue

Since its publication, Wuthering Heights has intrigued its readers; a love story gone wrong, twisted by vengeance and heartbreak. Many important factors of the novel are displayed in the portion of the novel narrated by Ellen. The passage in Wuthering Heights in which Catherine Linton’s funeral is described is vital in explaining important relationships in the novel, particularly the relationship between Heathcliff and Edgar Linton.

The culture of set societal rules and conventions urges Catherine to be with Edgar, compelling her to be ‘the greatest woman of the neighbourhood’ due to them being relatively firm in their gentry’s status. This suggests the importance of her social status against the nature of her love for Heathcliff stating, ‘we would be beggars’, through employing the word ‘beggars’ the reader crafts the idea of her belief that she won’t survive without her status. Catherine admits ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him’ Thus implying a swelling sense of her vanity and pride; enough to enjoy the position she gains from being married to Edgar despite her admiration for Heathcliff, being ‘more than (herself) than (she is)’and

To begin, Heathcliff uses Isabella as a means of exacting revenge on Edgar Linton, whom he despises. When Heathcliff finds out Isabella is in love with him, he is delighted. His pleasure comes not from a mutual like for Isabella, but rather a vision for revenging Edgar. After Catherine lets slip that Isabella is in love with him, Heathcliff says to her, “...and if you fancy I’ll suffer unrevenged, I’ll convince you of the contrary, in a very little while! Meantime, thank you for telling me your sister-in-law’s secret: I swear I’ll make the most of it. And stand you aside!”(112). Heathcliff’s comment

Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a

As a consequence of Heathcliff's visit to the Grange, Edgar's sister Isabella falls in love with him, and her feelings seem to be sincere. In this one-sided love affair Heathcliff takes advantage of the innocent girl's infatuation to foster his obsession for revenge. (Isabella is her brother's heir). Catherine's reaction is very hard to interpret. It is natural that she is jealous, if she still feels the same for him as before, and that may be the reason why she dissuades Isabella from marrying Heathcliff. But the words she uses, telling her what an abominable creature Heathcliff is, are not the sort you expect to hear from someone talking of a sweetheart. Later on when her husband and Heathcliff are having a quarrel, she stops Edgar from hurting her friend . There is an excess of emotion, and her explanation to this behaviour is that she wants them both, Edgar and Heathcliff: "Well, if I cannot keep Heathcliff for my friend - if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own" (109).Her love for Heathcliff has not cooled down, instead it seems to be a stronger obsession than ever considering the torments she goes through, when she becomes seriously ill.The last time Catherine and Heathcliff see each other is a very heart-rending meeting. Their love for each other is as strong as ever, and Heathcliff

Heathcliff is abused; his only source of love is his dearest Catherine, yet even that love cannot thrive in Heathcliff’s environment. The problem is not that his love is unrequited, but rather that Catherine believes she would fall to ruin if she were to be with Heathcliff “It would degrade me to marry Heathcliff now; so he shall never know how I love him---because he's more

During his early years Heathcliff didn’t deceive those as much, but towards his teenager years his adopted sister Catherine shows how deceitful she can be. Catherine is attacked by a dog and is required to stay at this family called the Lintons for five weeks. While she is there she meets a young man named Edgar and hides her “wild side” to impress Edgar. “Catherine

Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.

When evaluating the family problems of a typical middle class American you may find deaths in the family, divorces, money problems, sibling rivalries, and more. In Emily Bronte’s Wuthering Heights, all of the above is seen with a topping of vengeance and selfishness. This interesting conflict is caused by the abusive actions of the characters. From relationship to relationship, one character abuses another to get to their way or to get back at another character for their own wrongdoing. Having this occur frequently throughout the novel creates a dumbfounded sort of tone and leaves the reader on the edge of their seat. Throughout the novel Wuthering heights, Emily Bronte emphasizes the characters ' abusive and unhealthy relationships; this is exemplified through repeated vengeant duality, internal and external conflict, and irrational thinking.

Because of Faust’s manipulation and deceit, the relationship between him and Gretchen lead to an destructive ending with her eventually killing their child and falling into a state of depression and delusion. At the end , Faust eventually is confined to never experiencing the genuine light of love and peace as he is so desperately searching

Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton’s hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.

Gretchen begins to change when Faust tries to convince he that he also believes and worships God, but she does not quite believe him. Faust convinces her to allow him to give her mother a sleeping potion, and they consummate their relationship.  Under Faust’s temptation, Gretchen uses the sleeping potion killed her mother. Then when Faust comes to Gretchen's house to see her and meets Gretchen's brother, Valentine. He plunges a dagger into Valentine’s heart.

This leads to him running away from the heights entirely, leaving Catherine to marry Edgar. “He had listened till he heard Catherine say it would degrade her to marry him.” (81). Upon his return (two years later), Heathcliff marries Isabella to get back at Catherine, and her speech about how marrying him would degrade her. Isabella is also taken against her and her family’s will. Heathcliff kidnaps her and locks her away at the heights. In a letter written to Nelly, Isabella confirms that it was truly against her will for her leaving, and that she cannot return in the time of crisis in her brother’s life. “… an entreaty for kind remembrance and reconciliation, if her proceeding offended him: asserting that she could not help it then, and being done, no power to repeal it.” (140). In the act of kidnapping Isabella, Heathcliff’s intent is to hurt Catherine. Catherine would develop almost a jealous-like temper towards the whole situation, as Heathcliff knew it would. Even on Catherine’s deathbed, there is a constant push and pull (in almost a literal sense) of the cruelty that goes on between the two of them. Between the crying, the vexing, and the constant apologies, comes the brutal cruelty of the words Catherine speaks to Heathcliff. “I shall not pity you, not I. You have killed me – and thriven on it, I think.” (164)

The confinement that characters within the texts experience can be translated into modern values based on equality. In the novel, Catherine Earnshaw is constantly controlled by the circumstances that control her; she’s ruled by her father and Hindley throughout her childhood, restricted by her injury at Thrushcross Grange, and forced to marry Edgar because of her isolation from the rest of the world. Even in her passionate relationship with Heathcliff, which reflects the spontaneous, exciting nature of the Romantic period, Heathcliff

This essay will analyse how gender roles are represented in Bronte’s ‘Wuthering Height’s by looking at the characters of Cathy and Heathcliff. By analysing these two characters it will be clear that the protagonists challenge social conformity during the Victorian period in England. To fully realise this it is important to first understand what the prescribed roles were that they were challenging. This will be achieved through close readings of the text and references made to secondary sources to provide evidence that this opinion has been fully investigated. It will be clear by the end to see that the characters challenge the roles expected of their sex during this time and together they challenge social norms. This essay will answer ‘yes’