What Makes A Book Great?

For a book to appeal to its readers, it needs to have a strong, universal theme. Although many people may have not specifically experienced Blanche’s

A terrific book is a piece of writing that is immensely riveting and interesting, that it draws the reader into the emotions and drama of the story, and makes them turn the page to see what will happen. (Correct Use of Modifier) An excellent book also incorporates action and dilemmas which give the reader choices about how they think the characters should respond or behave in certain instances. The key elements of a great book are its characters, the challenges they face and the development of the protagonist or antagonist as the story progresses. (Capitalization of Title) In City of Thieves, by David Benioff the book has all of these elements and a great story line. The reasons why this book is so great is because of the character development,

There is no simple way to describe the term, “literary merit.” In order for any piece of literature to justify itself as full of merit, it must have a specific set of complex attributes. There are four primary attributes that must be incorporated into any piece of literature: symbolism, emotional appeal, conflict, and effective character development. With the absence of these four crucial elements, the term “literary merit” ceases to exist. The book, All the Light We Cannot See by Anthony Doerr perfectly embodies the epitome of “literary merit.” It incorporates all of the significant elements that define literary merit in unison; thus, making the book flow effectively.

Our group established 5 criterions to state what makes great literature. Our first criterion was “A great book must contain a message that applies to not only those who have experienced situations in the book, but provide perspective to those who have not.” A message that can be understood by numerous groups of people is vital to a great piece of literature. Our second criterion is that in order to teach a lesson it must expose a fault in human nature or in society. Our society is just as flawed as humanity is. Acknowledging these flaws is the first step in overcoming the trials of society and man. Our third criterion is centered around the craftsmanship of the literary work. This can apply to a groundbreaking new approach to narration. Or even complex characters and a unique and individual style (Faulkner.) In summary, the 3rd criterion tries to move past just the message itself, and to focus on

Beautiful imagery laced amidst a wondrous storyline, accompanied by memorable and lovable characters are all elements pertaining to enjoyable works of fiction. Tales that keep one up late into the night forever reading just “one more page” forever propelling the intrinsic imagination for a novel enthusiast. Yet, at times there are deeper meanings hidden between the lines. Symbols, analogies, and latent parallels all connecting to real life events and situations being portrayed by the author. Using literary theory can bring a more profound understanding of the reading material at hand, as well as unique insight as to what the author was feeling or intending to portray at the time of writing.

To truly understand a great novel and its author, the reader must dig deep inside the life

Thomas Foster’s How to Read Literature Like a Professor begins with an introduction that provides a framework for the next five chapters. The author explains that any story can fit into a general, archetypical theme, and he spends the first five chapters of his book speaking on these critically prevalent themes.

When a novel is revealing, witty and whimsical it unlocks the hidden truths about literature as discussed in the book How To Read Literature Like a Professor by Thomas Foster. This book is written in second person so the reader can experience Foster’s personality that is directed towards them. A reader is given a fresh and clear perception on literature to understand what is being read. Foster clarifies the way writers uses symbols and themes. He believes by analyzing the deeper meaning in literature will help foster a better reader.

There are different forms and examples of exemplary and classic literature which have been deemed as significant works that are highly esteemed worldwide. These examples of literature would awe the world with how much literary skill they entailed when they were composed and written: attention to details as to formation of characters, the most crafty of plots, the most eloquent speeches and lines, the most astounding of twists of scenes, and most of all, the most universal and meaningful of themes. The theme of any literary work is what makes it great as it should be able to encompass the immense diversity of the world and as it would be able to transcend the boundaries of religion, age, race, gender, etc. Two examples of this great and

As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As

What constitutes a riveting piece of literature? Is it the development of heartwarming relationships between two unlikely characters? Or is it a bildungsroman tale that ends with a perfectly tied bow on top? The list could go on. Although these characteristics are encompassed in rather notable pieces of literature, sometimes great works of literature disengages these characteristics. Norwegian Wood by Haruki Murakami, My Brilliant Friend by Elena Ferrante, and Elizbeth Costello by J. M. Coetzee are three novels that bring their own unique features to the literature realm. Each if these books have their own noteworthy aspects, but one book stands out as the best among the three. Norwegian Wood is a methodically crafted book that supersedes the

What makes a book good? What about bad? Is it too much action? Not enough? WHat about too much dialogue? Not enough sense? Everyone has an idea of what makes a book good or bad. To many people might think a book is bad, simply because it is a book. Of course, more book aficionados tend think a book should have certain written way. How do you decide whether a book is good or bad? Books such as The Delany Sister’s First 100 Years by Annie Delany, Sarah Delany, featuring Amy Hill, An Enemy of the People by Henrik Ibsen, and To Kill A Mockingbird by Harper Lee are books that exemplify a ‘good’ books. Books such as Great Expectations by Charles Dickens and Macbeth by William Shakespeare are ‘bad’ books. Why are these books put into categories like

The ability of a classic book is to be reinterpreted. A classic is something that is ‘Judged over a period to be of the highest quality and outstanding of its kind’ (kimsunjin, 2013). A classic book is a book accepted as being paradigmatic or prominent, for instance, books like Pride and Prejudice, To Kill a Mockingbird, Of Mice and Men and so forth, are listed in a list of great books. Either through an imprimatur or a reader’s opinion. Per Henrik Blidal, Casper Sylvest and Perter Wilson in ‘Classics of international Relations: Essays in criticism and appreciation’ they define a classic in five key ways; ‘the acknowledged or undisputed classic”, “the archetypal classic”, “the classic in the making”,” the overlooked classic” and lastly the “Alternative format classic”. Kenneth Waltz’s neo-realist ‘Theory of International Politics’ is arguably the utmost significant book in International relations, as Jack Donnelly argues it is “causing a fundamental discursive transformation and conveying the notion of anarchy to the forefront” (Donnelly, n.d.). Similarly, Keohane and Nye’s ‘Power and Interdependence’ re-examined the military and economic interests of state and non-state actors. The authors widened the dominant realist worldview of the time and contributed to many of the advances in our modern era of globalization.

The disciplinary area of Arts deals with a wide variety of topics. Some typical examples include paintings, sculptures, music, and literature. This paper most directly deals with the literature aspect as it compares the themes featured in the two novels that were introduced in the HC 100 class. While both Robert Kurson’s Pirate Hunters and A.G. Riddle’s The Atlantis Gene contain similar themes such as choices, fear, persistence, and exploration, they differ due to the fact that Pirate Hunters focuses mainly on personal discovery, whereas The Atlantis Gene emphasizes on more generalized and important themes like power, secrets, and making sacrifices to help others.

Jane Austen: one of the most famous authors of British literature. Her numerous literary devices and complex novels made dozens of critics consider her as one of the most important authors of her era. Additionally, I also support his claim thoroughly. "A master of her craft on her time period", Austen helped to define her era with her novel Persuasion. An ever-changing plot, dozens of complex characters and indirect characterization make this novel a great representation of the literature of the period of time. The ingredients needed for the recipe of a great novel are present in Persuasion.