What Role Did The Art Of Sculpture Play In Romanesque Church

The Hagia Sophia was built in Constantinople in A.D. 532 by the emperor Justinian, who hired the renowned architects Anthemius and Isidorus to build it. It was built over an existing building built by Constantine himself. The Hagia Sophia was a very significant building of its time and one that drew attention and respect. At this time in history the Byzantines, specifically Justinian, wanted to make one message clear, that message being that the emperor of the byzantines empire,

of people and the major beliefs of the society. Hagia Sophia and the Dome of the Rock are two

All the same, the Hagia Sophia was a Greek orthodox Christian patriarchal basilica which was later change into an imperial mosque after Turkey was conquered, and now a museum

Gothic Cathedral, while most notable for its pointed arches, stained-glass windows, slendered piers, and flying buttresses, is also recognized by its lancets, rose windows, and triforiums, as well as other identifiers. Although most Gothic architects of the great cathedrals are unknown, those that we do know have a sense of fame attached to them and all those who worked on these grand projects. In reference, unlike “Romanesque”, whose name derives from modern architectural historians, the term Gothic was originally used in a derogatory manner by 16th Century Italian architect, Giorgio Vasari who viewed the style as “monstrous and barbarous,” accrediting its ugliness to the barbaric Goths, who are held accountable for the collapse of Rome and the break in classical art and architecture. However, during the 12th and 13th century the term “Gothic” was never used to describe the style of the time, instead it was quickly referred to as “opus francigenum” meaning “French work” or simply “opus modernum” meaning “modern work.” While Giorgio’s view resembles that of renaissance artist Lorenzo Ghiberti, of the previous century, most late medieval and modern views consider the Gothic era a high point in history for Western art and architecture.

The lower level and the second level are divided by the cornis in the ratio of a square root of 2 to 1. Exterior walls are divided into two zones by the cornis but no correspondence with the height of the interior cornis. The hemispherical dome has the skylight oculus of 8.9m in diameter. The second level is the re-design in 1747, which consists of a row of blind windows alternating with square designs. The real columns and pilasters of lower level are repeated again on the upper walls as graphic images. This kind of design technique, the repeat and the superimpose are frequently used in high Renaissance, Mannerism, Baroque and of course in modern age. Hagia Sophia Hagia Sophia was built by Emperor Constantius, son of Emperor Constantinos I, and was opened for services in 360 AD. Although very little is known about this church, it is assumed that it was a basilica-type structure with a rectangular floor plan, circular apse and timbered roof. It was similar to St. Studios, a basilica in Istanbul, the ruins of which still exist. Ancient sources emphasize that the eastern wall was circular. Constantius donated gold and silver as well as religious objects to his church, but these were vandalized by Arians during the Council of 381 AD. Hagia Sophia was first named "Megale Ekklesia" (The Great Church) as it was the largest church in Constantinople. The historian Socrates indicated that the church was named Sophia during the reign of Emperor

Defining characteristics which began to create the line between Romanesque and Gothic architecture was the use of flying buttresses, this allowed for more light, bigger windows, and of course the use of a pointed arch rather than the rounded arches. Other characters which were developed and characterized as Gothic were the inclusion of large vertical towers, flamboyant spires, plate tracery windows, emphasis on windows, the reintroduction of sculptures, glass stained windows.

One of these achievements is the Hagia Sophia; a piece of architectural genius. The Hagia Sophia was a

Gothic art flourished from the 12th century to the 16th century in Europe in response of the Byzantine and Romanesque tradition. Although Gothic is associated with arts, its most prominent use is in architecture, mainly for its pointed arch and flying buttress. To this day, the Gothic style is taken as a ‘label’ for visual arts such as concept art designs, yet the meaning stray from the original context, thus becoming rarely accurate.

While the Hagia Sophia and the Pantheon were built in and represent two different time periods and locations, they have some similar structural features as well as some resembling circumstances surrounding their prospective histories. Both of their unique construction is related to their different purposes and the symbolism behind the buildings. The Pantheon represents a time in which the Roman empire was booming with trade and commerce. There was a growing interest in art and sculpture as well as religion. There was also an emphasis on imperialism and the strength and power of the emperor. The transition from the Roman to the Byzantine empire took place under the emperor, Constantine and it happened around 330 C.E. He moved the capital from Rome to Byzantion and renamed the city Constantinople meaning the city of Constantine, which is modern day Istanbul. This was also a huge intersection in the east-west trade. He then changed the official religion of the empire to Christianity which created a major shift in structures, works of art, and lifestyle dynamics. The emperor was now seen as the head of the church, and in 391 C.E. all temples and forms of the pagan cult that dominated the Roman Empire were closed and banned.

Much of the architecture in the Romanesque era evolved into Gothic architecture. The Gothic era ran from the 12th century into the 16th century. There wasn’t necessarily a clean break from Romanesque to Gothic styles of architecture, but rather a gradual shift in design. The main characteristics of Gothic architecture are the pointed ribbed vaults and arches, flying buttresses and, in place of solid walls, a cluster of columns. Due to the vertical emphasis of the design, the archways could be redesigned and stretched or pointed. Four main Figure 5 – The depressed arch supported by fan vaulting at King’s College Chapel, England.

The Gothic style was an over exaggerated, awe-inspiring attempt to become closer to God. The worshipper was not only drawn to the altar, but experienced an ascent to heaven at the same time.1 These artistic gems are a grand testament to historical technology and the imaginative approach and vision of skilled craftsmen. The gothic style is one of the most

Consequently, a sculpture

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

Some of those main characteristics of the Gothic Architecture are the pointed arcs, ribbed vaults and flying buttress, stained glass windows, complex decoration, towers and some other details. The origins of the pointed arcs used in gothic Architecture come from the pre-Islamic and Islamic Architecture. Two-barrel vaults intersecting in a perpendicular way compose the ribbed vaults; this would give more strength to the building allowing for more windows at higher places. Flying buttress has to purpose to resist horizontal forces, by redirecting to force to the ground. The stained glass windows were ecclesiastic windows that allow light from the highest points of the building. Some of the complex decoration refers to the amount of detail such as statues, paints, and scripts on the walls.

When Abbot Suger created the Gothic style he had in mind to create a church to pay respects to God by illuminating light with stained glass.