What Role Does Nature Play In Frankenstein

Shelley creates suspense in the book by using techniques, throughout the book to catch the reader’s attention. She uses very dramatic words, for the reader to sympathize more against the monster. A technique she used all the way through the book is ‘Pathetic Fallacy’. This is when the writer uses the weather to describe the mood of the current scene. An example of this is in chapter 5 when Frankenstein is gathering the parts for his monster and he quotes ‘It was one in the morning, the rain pattering dismally against the panes, and my candle was nearly burnt out’.

Nature (our genes) and nurture (our environment) affect our individual differences in behavior and personality. In the novel Frankenstein, Mary Shelley addresses the conflict of nature vs. nurture. Victor Frankenstein creates a "child" whom he abandons upon birth. This brings up questions such as, was the creature genetically inclined to be evil, or did the hostility he encountered turn him evil? Are one's surroundings determined by who they become later in life? Does nurture form one's characteristics that will determine who someone is later in life? Mary Shelley used these questions as an approach to show that the monster is intelligent, but destructive, and had guilt due to his environment and isolation. The monster’s guilt due to its

Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirth incidents, troubled childhood, and scandalous courtship, many of Shelley’s life experiences can be seen reflected in the novel. When discussing the character and development of the monster, Shelley launches an extensive discussion on the

Mary Shelley’s Frankenstein was published in 1818, and is now famous as one of the pioneering science fiction novels. Mary Shelley herself is sometimes even referred to as the mother of science fiction. While her work has been scrutinized numerous times by feminists and moral critics, in recent times ecologists have also been examining her novel. Ecocriticism, while still a relatively new field of criticism, is highly interested in how weather and natural events effected both the writing and plot of the novel. Ecocriticism of Mary Shelley’s Frankenstein focuses on the weather in the novel itself, the eruption of the Tambora Volcano in 1815, and the monster as symbolism for weather in the early 1800s.

The monster, for example, is devastated after he loses his only connection to humanity: Felix and Agatha. After observing them for months, learning how to speak, being their secret helper by stocking their shed with food or shoveling snow, and after dreaming of how he would introduce himself to them someday, his connection with them was lost after Felix found him speaking to his blind grandfather in the cottage. When they all leave, the monster burns down the cottage and sets out to find Victor, in hopes of asking him to create another specimen; one that the monster can spend his life with in perfect harmony. When he finds Victor and tells him about his life and journey, he tells him, when the earth finally started to warm up, “I even raised my humid eyes with thankfulness towards the blessed sun which bestowed such joy upon me” (Shelly 125). Although the monster was terribly depressed, the sun (which is associated with spring and summer; it is meant to bring happiness and tranquility) lit up the Earth, bringing back its beauty after winter, which had caused the monster to feel “gall and bitterness…rage and misery’ (Shelly 124). The beauty that the sun bestows on the Earth offers as a distraction for the monster—rather than dwelling upon his gruesome appearance, he admires the world around him. As Foster explained, winter in literature brings with it misery, and summer brings happiness,

Mary Shelley’s Frankenstein has undoubtedly withstood the test of time. Frankenstein’s direct association with fundamental Gothic literature is extremely renowned. However, the novel’s originality is derived from the foundational thematic values found within the relationship (or lack there of) between Victor Frankenstein and the monster he had created, in combination with a fascinatingly captivating plot. Understandably, Frankenstein can often be associated with a multitude of concepts; however, in this particular instance, the circumstances in the book seemed remarkably coherent with Shelley’s Romantic beliefs in preserving the natural world, and one’s natural existence. These values present themselves as metaphorical symbols that

Ambition and the thirst for knowledge leads Victor to fabricate the Creature. By doing so, he defies nature, fate, and destiny. Victor goes against the natural realm and creates life, rebelling against nature. As Victor tediously worked on his creation, he lost sight of nature, “Winter, spring, and summer passed away during my labours; but I did not watch the blossom or the expanding leaves- sights which before always

Shelley depicts the romantic’s love for nature and the desire to understand and acquire nature’s power. Frankenstein finds comfort when he is at his lowest, but at the same time, he is horrified by his creation and its quest for revenge.

In the novel Frankenstein by Mary Shelley, man tries to tamper with nature. This is an enormous mistake, because his experiences prove that man should respect the omnipotent power of nature so man can be happy. Man should respect nature because if man goes beyond his limits, then nature lets man creates all types of consequences for himself which proves Shelley’s point to respect nature’s powers.When people look at nature, they are automatically healed just by its looks. This is a much more powerful force than anything man is capable of doing, thus nature is all powerful. Nature is constant, unlike man who is constantly changing, which shows that nature is always in control.

Humans are known for bestowing their judgment irrationally and based on the “book cover” of a person, they may degrade their fellow human into the worst positions of the social ladder. Mary Shelley, in her novel Frankenstein, expands on this perspective by using mood and tone to parallel with the circumstances of an event occurring in her novel with shifts throughout the context of the book, symbolized by the changes in nature and seasons. This shift is made frequently between the agonized, desperate, frightful, maybe even suicidal mood and tone with the occurrence of dreadful acts of murder and execution, to the more calming, soothing, optimistic and life-full during a physical and spiritual recovery.

In 1818 Frankenstein was written by Mary Shelley. In Frankenstein, Victor Frankenstein brings a creature to life. The creature kills William, Henry Clerval, and Elizabeth. Victor had promised to make a female creature for the creature, but he did not fulfill his promise. This makes the creature enraged. The creature runs away and Victor follows him. Victor gets on a boat with Walton. Victor dies and the creature comes and is very sad that his creator has died. The creature says that he must end his suffering and he jumps into the ocean. In the novel Frankenstein, Shelley uses the theme of nature to show how it is like the characters of the story and how it affects the characters.

First, she uses the weather to describe Victors appearances and actions. When Victor is growing up, he appreciates and admires nature in its natural beauty; however, when he lives in his isolated tower, he ignores nature. Because of this, he becomes ill and his family thinks he is dead. Frankenstein claims that during the process of finding success, “no one can conceive the variety of feelings which bore me onwards, like a hurricane…the summer months passed while I was thus engaged…in one pursuit. It was a most beautiful season; never did the fields bestow a more plentiful harvest…but my eyes were insensible to the charms of nature” (Shelley 81). Frankenstein compares his drive for success to the intensity of a hurricane. Hurricanes ultimately end in demolition and therefore Shelley uses nature to symbolize destruction. Also, Frankenstein states that his eyes have become “insensible” to the “charms of nature.” Nature is passing him by in the surroundings,though eyes are supposed to adjust to their surroundings and notice things around them however, his eyes no longer function well enough for him to notice or admire nature. After working like this for years, he inevitably becomes ill and stays away from society. Hence proving the common theme that Mary Shelley is trying to convince the readers of : Nature must not be ignored and

In the novel Frankenstein, the author Mary Shelley reinforced the role of female nature in a book that is predominantly male-oriented. The female character is an underlying feature throughout the whole novel. For example, when Victor Frankenstein created his Monster from dead body parts, he disregarded the laws of female reproduction. Both Anne K. Mellor and Jonathon Bate argue that Victor defiled the feminine nature when he created his Monster from unnatural means. Mellor argued in her essay, “Possessing Nature: The Female in Frankenstein,” that Victor eliminated the necessity to have females at all (355). There will not be a need for females if new beings are created in a laboratory. The disruption of mother nature is one of the novel’s original sins (479). In Bate’s essay, “Frankenstein and the State of Nature,” he argued that Victor Frankenstein broke the balance between female principles of maternity and mother nature (477). Frankenstein broke nature and undermined the role of females. The argument of Mellor was more persuasive than the discussion of Bate because she was able to provide more evidence that Victor Frankenstein dishonored the role of female nature.

The environment has a lot to say in Marry Shelly's Frankenstein. It seems to reflect somewhat what is going on emotionally with Victor in the story. Victor finds solace in solitude with nature, and appears to use it as a coping mechanism to escape from the horrors of his life. Nature also ties into how the monster Victor has created feels, but in a much different way than it does for him.

“Here we find nature to be the circumstance which[…] judges like a god all men that come to her.” is one of the first statements by Ralph Waldo Emerson in his essay “Nature”, referring to nature’s role in romanticism. Nature, as well as science, are one of the main topics depicted in writings of the romantic period. Mary Shelley’s Frankenstein can be attached to these writings. Her novel implies many natural and scientific characteristics that approach throughout the novel and finally clash by Victor Frankenstein’s creation of the monster. The following essay states the importance of nature and science in Frankenstein and argues that Frankenstein’s monster is a personalization of the danger involved in connecting both nature and science.