In “The River”, young Bevel’s arrogance in his newfound spirituality is the ultimate cause for his implied death. In most baptismal ceremonies, a holy man or woman must conduct the rites. People of the cloth are considered doing the work of God (or god, or gods) and, therefore, have the unique privilege of blessing laymen. Old Bevel, the preacher, satisfies this role in “The River”, asserting that, “If you ain’t come for Jesus, you ain’t come for me” (165). Young Bevel is fascinated with the baptism and is convinced that he “count[s] now” and that he “didn’t even count before” (168). (When O’Connor eventually describes his family life, it is evident that Bevel does not matter to the people around him, and that he is a neglected child.) However, young Bevel, who is not ordained or “holy” (and who ironically takes …show more content…
This leaves the reader to think that O’Connor did not mean to have divinity play an actual role in the story, but yet another example of humanity’s futile attempts at changing the outcome of one’s life. For example, Old Bevel is not willing to “heal” young Bevel’s alcoholic mother, which is not very Christian and rather hypocritical. (Christ taught love and understanding for even the lowliest of people.) Similarly, the grandmother in “A Good Man is Hard to Find” prays for The Misfit, claiming that he is “one of [her] own children”, much like Christ claims his followers as his own, (132) and that The Misfit must “pray, pray, pray” (#). However, she says these things only for the means of saving her own life, not redeeming his. O’Connor portrays these “holy” and religious people in a way that makes the presence of God in the story doubtful: humans think they have the capacity to do the work of a god, but this attitude is proven absurd as each character meets a devastating moment of enlightenment or
Flannery O' Connor, a native of Georgia was one of the most prolific writers of the twentieth century. As a strict Catholic, O' Connor often displayed a sense of spiritual corruption within the characters in most of her stories. One of O' Connor's famous stories, "A Good Man Is Hard to Find," reveals the image of spiritual deficiency inherent in the characters which foreshadowed a bloody end.
In “A Good Man is Hard to Find”, Flannery O’Connor uses grotesque and flawed characters to reflect her own faith on the Roman Catholic Church. Set in the rural South during the 1950s, O’Connor takes readers on a journey from a satiric family comedy to a brutal cold blooded murder. An analysis of O’Connor’s use of religious symbolism and foreshadowing through characters and setting will be conducted in order to better understand her views and faith of the Catholic Church. This paper will also argue the belief that religious wisdom is the key for moral guidance.
Flannery O’Connor was known for her strong religious background, Catholicism, and used her faith as the underlying message in her works. In the story, “A Good Man is Hard to Find,” there are a couple of things that can be traced directly to Christianity. The little boy, John Wesley, symbolizes the religious denomination of Methodism. John Wesley, along with his brother Charles Wesley, founded the
But our Everyman starts as a truly “fake” Christian and whether or not she deserves any redemption is questionable. Though she perishes like a martyr, as the Misfit confesses when he tuned to perpetrating evil deeds, the Grandmother responds that he should have started praying and that “Jesus would help”. Again, O’Connor’s attempt here is to present, by means of religious motifs, how superficial the faith of Southerners is. Grandmother’s advice comes out of convenience, not of genuine worship of God and is a commentary on how people turn to religion in the event of sickness, deathbed or
O’Connor first expresses her views in her short story, “A Good Man Is Hard to Find” by using the literary element of point of view. Point of view is an important literary element in O’Connor’s short story, because it expresses her views on the grandmother and her “role as grace-bringer” (Bethea 2006). Point of view is expressed in her story by the main character the grandmother, a woman who lives with her son and tries to convince her family to go to Tennessee to avoid the Misfit. Point of view is especially important in this story because it lets the reader know what the grandmother is thinking and her actions that involve the main conflict of the short story. For instance, in “A Good Man Is Hard to Find”, the
Flannery O’Connor has long been criticized for her blatant incorporation of religious symbols into sinister, dark stories. In the short story “A Good Man Is Hard To Find,” the dark and apathetic Misfit is said to portray, in an allegorical sense, a Christ-like figure. However, through the interpretation of the inversions of divine characteristics, his repulsion of Christ’s very existence, and the denial of any powers beyond the observable realm, we find that the Misfit is actually representative of the Anti-Christ.
The grandmother feels that God provides the answer to any underlying problems, and the Misfit knows and feels that all of the horrible things he has done are truly not considered morally wrong from his perspective. Towards the end, when the grandmother experienced an epiphany before the Misfit shot her in the chest she stated, “Why you’re one of my babies. You’re one of my own children” (11). This made the grandmother realize that she was expressing the true Christian belief that we are all seen as equal in the eyes of God, no matter how murderous someone may be. O’Connor’s use of spiritual insight stripped away the grandmothers self-centeredness, and helped her discover the ability to see others with compassion and understanding. Nonetheless, within “A Good Man is Hard to Find” O’Connor provides great amount of spiritual insight in her short stories mainly as a way to connect her characters with God and to make them recognize the true meaning of individual equality.
O’connor is from the south and is catholic. The grandmother in the story is a big believer in god, and talks about him a lot throughout. John Desmond says how the title reminds him of a story in the Bible when Christ rebukes Peter when he tried to call him “good”, and Jesus says that no one should be called good, and how in the story the grandmother continues to call the misfit “good” (Desmond). “Nome, I ain’t a good man”(191) He knew he wasn’t the worst in the world, but he knew he wasn’t good. I feel like the misfit wasn’t a good man. He brutally murdered this entire family for no reason, other than that they recognized him as the escapee.
Brutality, humor, religion, and violence are a few themes portrayed throughout many of Flannery O’Connor’s short stories. In many of her short stories, O’Connor exposes the dark side of human nature and implements violent and brutal elements in order to emphasize her religious viewpoints. In the short stores “A Good Man Is Hard to Find” and “Revelation”, O’Connor explicitly depicts this violence to highlight the presence and action of holy grace that is given to a protagonist who exudes hypocritical qualities.
In "A Good Man Is Hard to Find," Flannery O'Connor represents her style of writing very accurately. She includes her "themes and methods - comedy, violence, theological concern - and thus makes them quickly and unmistakably available" (Asals 177). In the beginning of the story O'Connor represents the theme of comedy by describing the typical grandmother. Then O'Connor moves on to include the violent aspect by bringing the Misfit into the story. At the end of the story the theme changes to theological concern as the attention is directed towards the grandmother's witnessing. As the themes change throughout the story, the reader's perception of the grandmother also changes.
Flannery O’Connor’s philosophy of writing was directly related to her life and roots as a Southerner, a Catholic, and a woman. One of the Southern traditions that O’Connor used most in her writing was local customs and manners which make people laughable. “Exaggeration of characteristics and of incidents is one cause of our laughter in O’Connor’s stories” (Grimshaw 89). She would regularly expose the hypocrisy of character’s thoughts by exaggerating their ridiculous actions in moments of distress causing readers to feel both horror and humor at the same time. Also present in most of O’Connor’s work, is her Catholic faith with regards to her vision of grace and the devil. Her view of faith was complete in the sense that it had a beginning, middle, and end, but she wrestled with Protestantism and depicted hypocrisy and intolerance when she found them (Grimshaw
Exploring the idea that all men are born sinners, O’Connor demonstrates immoral indulgences entertained by various characters. Readers are introduced to grandmother, an elderly woman whose consistent unscrupulous behavior exhibits her inner motives. Grandmother uses subtle, indirect confrontation to get her way until she is faced with The Misfit, a runaway criminal who believes that crime is a justifiable. In “A Good Man Is Hard To Find,” Flannery O’Connor uses characterization to display a loss of morals, imagery to portray evil in society, and symbolism to emphasize the struggle of obtaining grace to prove how life is nihilistic without religion.
Flannery O’Connor was an American author who often wrote about characters who face violent situations. These situations force the characters into a moment of crisis that awakens or alters their fate. Her short stories reflect her Roman Catholic faith and frequently discuss questions of morality and ethics. O’Connor’s Catholic upbringing influenced most of her short stories, often accumulating criticism because of her harsh portrayal of religion. O’Connor incorporates the experience of a moment of grace in her short stories to contribute to the meaning of her works and to represent her faith.
While writing “A Good Man is Hard to Find”, Flannery O’Connor uses a modernist lens to fully flesh out the characters and theme of her story. One of the most visible examples of Modernism in the story, is when the Grandmother, staring down the barrel of a gun, tells the Misfit “To pray so that Jesus will help him,” (O’Connor, 306) which the Misfit replies with “I’m fine on my own.” (O’Connor, 307) The interaction between these two characters near the end of the short story exemplifies modernism, as it departs from long time, set, orthodox religious thought and defies tradition. Another example of modernism in this story, is the misfit himself. Established in the beginning of the story, the stereotypical, religious, traditional
One way Flannery O’Connor uses biblical references in her short story “A Good Man Is Hard to Find” is by characterizing The Misfit to seem like a couple of different major