What Was Cubism And Fauvism?

Cubism is a new and so far highly influential art style created by two incredibly talented artists Pablo Picasso and Georges Braque. They came up with the style initially three years ago (1907) and have been developing the idea ever since. Cubism’s style represents the flat, two-dimensional surface of an image, disregarding traditional methods such as view, chiaroscuro, modelling and foreshortening.

Bauhaus reformed design culture by presenting a cross-disciplinary curriculum and incorporated the juncture of modernization and vision. The Bauhaus movement arose in 1919 when Walter Gropius established a school with a concept of bridging the gap amongst art and industry by joining crafts and fine arts. Preceding the Bauhaus movement, fine arts like architecture and design were viewed in more regard than craftsmanship, but Gropius stressed that all trades, involving art, architecture and geometric design, could be jointed and manufactured. The Bauhaus movement stresses “truth to materials” as the main idea, which means that material ought to be used in its most suitable and “honest” form, and its nature mustn’t be changed. While Bauhaus has influences in art, commerce and technology, it has been most instrumental in modern-day furniture design. Overall, the Bauhaus movement bridged the gap amid art, industry, design and functionality.

It is composed of geometrical shapes, abstraction and time. There are no specific colors or objects used. Cubists were looking for a different way to express human form as well as art in general. They provided what we could almost call a God's-eye view of reality: every aspect of the whole subject, seen simultaneously in a single dimension. According to Fiero, the Cubist image, conceived as if one were moving around, above, and below the subject and even perceiving it from within, appropriated the fourth dimension-time itself. In a sense, Cubism is four-dimensional: depth, height, breath, and time, but seen all at once. It displays different viewpoints from different aspects. The object is taken and looked at in many perspectives and is represented that way on the canvas.

Le Bonheur de vivre, or The Joy of Life, is a composition painted by Henri Matisse. Created in the years between 1905 and 1906, Le Bonheur de vivre is a well known painting today, and is one of the building blocks of early modernism. The Fauves, which translates into “Wild beasts”, were a group of French painters who were apart of the first 20th century movement in modern art, called Fauvism.1 These painters shared similar interests and aspirations. Fauvism derived from the exemplary works from Post-Impressionist painters like Vincent Van Gogh, Georges Seurat, Paul Cezanne and Paul Gaughuin. Among these well renowned artists was Henri Matisse, who really took the forefront of the Fauvism movement. Matisse and the other Fauves used intense color in their works, to describe light and space while also communicating the emotions and inner thought of the artists behind the compositions. Matisse, as the dominant figure of the fauve group, believed that color could be the primary element in conveying the meaning to a work of art, and practiced this notion throughout his career. Matisse described his theory, “ What characterized fauvism was that we rejected imitative

On the other hand, Vincent van Gogh did not do any cubism work during his time as an artist, however, had more of an interest in drawing. Pablo Picasso had an interest in drawing too, but unlike his work, Vincent van Gogh’s drawings are appreciated without the need for bright colours, drawings such as his depiction of figures, light and landscape. Van Gogh drew using a lot of different media, such as chalks, red pen and charcoal, although he often mixed mediums as well when it came to drawing. He drew on not just paper, but a variety of paper types, and materials. However, Van Gogh’s methods of ‘drawing’ are very different to Pablo Picasso’s.

About 1909 the implications of Cézanne's highly organized yet revolutionary spatial structures were expanded by Picasso and Braque, who invented an abstract art of still lives converted into shifting volumes and planes. Cubism, developed by the artists of the school of Paris, went through several stages and had an enormous influence on European and American painting and sculpture. In sculpture its notable exponents included Picasso, Duchamp-Villon, Lipchitz, González, and Archipenko, who began to realize the possibilities of convex and concave volumes. Cubism was absorbed in Italy by the exponents of futurism and in Germany by the Blaue Reiter group; both these movements were cut short by the advent of World War I. Fauvism and cubism were introduced by members of the Eight to a generally shocked American audience in

“In Cubism paintings, objects are broken apart and reassembled in an abstracted form, highlighting their composite geometric shapes and depicting them from multiple, simultaneous viewpoints in order to create physics defying, collage- like effects” (Biography.com Editors). This innovative art form was very diverse from any other and he was able to create an unseen theme resulting in the new style, Cubism. As said in this article, “Pablo Picasso is most known for instruction of cubism, and modern approach to painting. Which set forth the movements to follow in the twentieth century” (Pablo Picasso and His Paintings). They were two different forms of cubism that were created, analytical and collage, by Picasso and Baroque. Each type focused on the composition of different ideas combined into one piece of artwork. Analytical, the first form of cubism, was the breaking down but put together form of Pablo’s new art style (Pablo Picasso). An example of this division of art would be “Break and Fruit Dish on a Table”, which shows the new perspective being shown with the fruit dish. The simplicity of the geometrical shapes coming together to form a complex image was repeatedly the case for analytical

Great artists of the world were also creating some of their most brilliant work during this decade. Henri Matisse fought to find the artistic freedom he needed by creating the Fauvist movement in the early 1900’s(Pioch 2). Fauvism led to the larger movement called Expressionism, a term used to describe any art that raises subjective feelings above objective observations (Pioch 4). Georges Rouault was another pioneer of the Expressionist movement; he was a Frenchman who linked the decorative effects of Fauvism in France with the symbolic color of German Expressionism (Pioch 6). Another leading artist of the time period was Ernst Ludwig Kirchner, a German who wanted his art to be a bridge to the future (Pioch 6). These men were very important artists, but

Cubism was one of the most influential visual art styles of the early twentieth century. It was created by Pablo Picasso and George Braque. It was easier for them to invent something new that no one has not seen before and both had a common interest. It was one of the first movements led by Pablo Picasso during 1907. The movement began in 1907. Cubism was very popular during the early twentieth centuries. There were two most important people to Cubism art movement Pablo Picasso and George Braque.

While his art appeared not that difficult to duplicate, it was unique and had a different style that made Pablo Picasso famous. Picasso was the first artist known to use the form of art “cubism.” In this quote he is referring to his different technique and style of painting and how he creates his work of arts. Many of the earlier artists of Picasso’s time, painted what they saw. They tried to convey emotions by just simply showing a scene. For example, a happy painting would be a man smiling. As for Pablo Picasso, he painted how he thought the objects appeared in his mind, not how they appeared in person. Essentially he is referring to how he disobeys the norm but simply does not care that he does. Picasso paints how he feels and what he visualizes in his head, not what most traditional artist do, and create. This is what I feel made Pablo Picasso famous, different, and a memorable artist of his

Demoiselles d'Avignon" was created in 1907 and exhibited for the first time in 1916.WRITTEN ASSIGNMENT UNIT 7

(#8) Cubism was started by Picasso. Here is a painting by Picasso. This became popular in the 20th century. Cubist works are recognizable due to their flattened, nearly two-dimensional appearance. It is not meant to be realistic.

Literally, in French the word fauve means “wild animal”, which denotes the recklessness, and colorfulness that characterizes this style. Fauvists made color the subject of their paintings, thus it was not just a way of describing reality, and rather the color became the reality. Basically, they gave color the ability to stand by itself. It was never a coherent movement as each artist had a personal, unique approach. Many artists looked at non-European art, especially African Art, and were influenced by it. This is not to be read in an undermining way, but Fauvism is a movement in which painters experimented colors and their interaction. The founder of Fauvism is Henri Matisse, who studied in the studio of Gustave Moreau, where he met Georges

Cubism is a style of modern art that was influenced originally by Pablo Picasso in the early twentieth

Impressionism art can be considered the first distinctly modern movement in painting, it was developed in Paris in the 1860’s but wasn’t first exhibited until 1874. Impressionist art turned away from the fine finish and detail that artist during the same time aspired to create. Impressionist captured or at least tried to capture momentary, and sensory effect of a scene. Impressionist didn’t rely heavily on realistic depictions of an object or scene, they loosed the brushwork and lightened their palettes to include intense pure colors. They didn’t follow the traditional linear perspective and clarity that previous art forms depicted to lesser ones. Many critics during the time faulted the impressionist paintings because of that