What Was Girl Before A Mirror By Pablo Picasso

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

The dark blue left eye and light blue right tells me that Pablo Picasso may have used her actual eye color. Her body is almost as if she had her back to Picasso and turning her torso toward him; such as in most contrapposto art. In the original sketch you can clearly see her arms and the detail of her body. She is not looking back at Picasso, but instead looking toward the opening curtain. The hair of the young lady is also more visible as it drapes down her back. By repositioning her arm and adding the mask he completely changed her appearance, not only in her face but her body as well. Picasso gave her a double point of view, as you look at her nose and the angles it provides. The hand under the chin gives it an almost claw like feature, with what seems to be her fingers going to her eye to her the opposite side of the chin. With the sharp angles and mask and all the distortion it would be difficult to truly see just the young lady. It is almost as if she is shards of glass pieced together to make a

The painting Udney Maria Blakeley (1830), by Thomas Sully, was the first painting that came to mind when assigned the project: the painting has fascinated me both as a child and an adult due to the beauty of both the woman in the painting, but also from my deeper understanding of art now. Thomas Sully used the wet medium of oil on canvas, and included the woman in the foreground of the painting holding a rose in a vase in her right hand. There is a deep contrast between the women dressed in a white gown, and the darker background of the painting. Due to the highlighting along the left side of her face, and the shadowing on the right, it can be assumed that she is facing, or even looking straight at the

I choose the recovered artwork by Samuel Joseph Brown Jr Self-Portrait in ca 1941 using watercolor, charcoal & graphite. The key aspects of subject matter in this piece of artwork is that his hair is a greyish blue and the reflection is black, at least what we can see on the side. The looks like he is looking at himself in the mirror and getting somebody totally different back. His lips are puckered in the reflection and not on the person himself. He doesn’t really show any facial expressions it just is a dark and sad feeling. The man also dresses very nice and keeps himself a clean cut. The setting is in a dark gloomy bathroom or some kind of room. The symbolism of this picture is that a person sees one person when he looks in the mirror

     In 1937, Pablo Picasso painted Guernica, oil on canvas. The Republican Spanish government commissioned the mural for the 1937 World Fair in Paris. Guernica is a large mural, twenty-six feet wide and eleven feet tall, and was placed at the entrance to Spain’s pavilion. Picasso did not do any work after receiving the commission until reading of the bombing of the Basque village of Guernica, in Spain. It was that attack, perpetrated by the German Luftwaffe, that inspired him. Guernica, however, is not a complete depiction of that event. In Guernica, Picasso masterfully conveys the suffering of the Basque people and the tragedy of war. He seeks not to report on every detail of the bombing, but only to

The girl’s expression is sad and her eyes somber; she appears to be assessing herself in the mirror. She is holding a magazine which is open to a picture of an attractive older woman and there are beauty items on the floor next to her. There is an old doll that is carelessly thrown on the floor; it would appear that the doll is not very valuable to the girl. This painting is also very somber and it appears the girl might be comparing herself to the woman in the photo. This could signify her unhappiness with her appearance and her perceived need to look like the models and actresses in magazines and on television. The transition to adolescence is very difficult for young girls and they are very self-conscious about their appearance. The colors in this painting are also very neutral and

Picasso was born on October 25 1881, Nationality: Spanish and the movement of his artwork were Cubism, and Surrealism. Art is an artist’s individual interpretation of the subject. Female nude is a piece of art which makes the viewer think what is the artist trying to express by his painting. I was really confused at first when I looked at the art work and it took me a while to figure out what the art really means to its viewer. In general, the visual elements present in the art work like color, shape, lines, curves, and the subject itself are most remarkable visual features. While viewing this piece of art one thing you will notice is the color shade and the sharpen lines of the artwork attracts the viewers and hold you up for a while. Deep color combination of the background and the bright color frame work makes the piece look more vivid and attractive. I am still not quite sure about what is the artist trying to express from this painting but all in all I really liked this piece of

Concerning color, there is a stark contrast between the figure on the painting and the background. More specifically, the figure of the woman is predominantly delineated in white color, especially pale, ashen white, as far her apparel and facial complexion are concerned, while there are also various hues of grey, with respect to her hair and accessory feather. These white and grey shades are vividly contrasted with the prevailing red and crimson hues of the background (viz. the drape, armchair, and table). Moreover, one can detect colors of dark green (jewelry), some beige on the left (pillar), and darker or lighter shades of blue on the right side of the canvas (sky), which all in concert and in addition to the subtle purple hue forming the sun or moon exude a certain dramatic sentiment. Also, there is brown, which often easily segues into gold (viz. books and attire details respectively). The main contrast of colors between white and red would be interpreted as serving the purpose of rendering the figure of the woman, and especially her face, the focal point of the work, despite, paradoxically enough, the lush red shades at the background. Bearing that in mind, the significance of the woman’s face will be enlarged upon later, when discussing aspects of her identity.

The background has areas of dark and light that may be representing a dark part of this woman's life and the light area showing awakening in this woman's soul. To me the woman in the painting is staring out into the world and realizing that there is so much out there for her. That she can walk out of there and not be lost any more. Mrs. Mallard felt the same way. In the room she realized that she can now live her life on her own the way she wants to. She walked out of the room with a sense of

The piece I chose is Pablo Picasso’s “Nude combing her hair”. I first saw it at the Kimbell Art Museum and remember admiring it. It was finished in 1906 and is oil paint on canvas. The main (only) figure in this painting is a nude woman, standing, who appears to be combing through her hair with her fingers after bathing. Although abstract, Picasso creates a very elegant, raw, and naturalistic form using color, space, and his depiction of figure.

Woman and Bicycle is an abstract expressionist painting created by Willem de Kooning in 1952-53 as part of his collection of Women paintings. It roughly measures 6ft. by 4ft. in size and is an oil painting on canvas. The image can be understood to be figurative, however the figure is difficult to decipher on account of the haphazard style in which it was created. It appears that the picture has been altered a great many times, as if it is just one picture deposited upon the remains of or intentions of ones prior. It is easy to decipher a pair of large jaunty eyes with their gaze intently directed back towards the viewer over a pair of particularly large breasts. The

This painting was created in 1513, it portrays a hideous italian woman with wrinkled skin and beast like features. At first glance, I noticed her facial features, to resemble of a old woman, yet her clothing reveals that her status may be upperclass. This could indicate that beauty could have base off of intellectual values instead of physical appearances, which this woman was lacking. This woman could have been highly intelligent or her personality brought pleasure to the people who were attracted towards her. Furthermore, her beauty is put into question as time has past and with society

Self-portraits have been used by artists for centuries to explore aspects of the self. They are the subjects they know best and artists have reflected this through their treatment of media, subject matter and techniques. Two artists who explore aspects of their personality and life experiences in their self-portraits are Frida Kahlo and Ben Quilty. Many of their artistic techniques can be derived from the same origins. Whilst there are similarities in self-portraits by any artist usually, you will find differences the norm. After all, this is what makes art and art form.

The painting "Girl before the Mirror" was drawn in the principle of cubism that describes the different moods and faiths of a woman. The painting is in unity with colors and expressions as well as in variety with angles of viewer. Some part of the image reveals the secret desire of a women as well as her nature given biological quality, while other amazingly explains the "Vanity" of a person in an asymmetrical balanced form. The right half section of the painting is slightly lower than the left half and more complexity and diversity is given to the right half in an asymmetrical principle. Despite these facts and changes in different fraction of the reflection of the girl, the painting is in accordance with the proportionality scale.

The composition is divided into half due to the symmetrical base; Picasso tried many times to connect the two halves together. When we look at the girl, her hand reaches out to the far edge of the mirror. This gesture is linking the girl and her mirror image together. A red-striped shape begins on the girl’s chest and goes all the way to her fingertips. This creates a pendulum motion. This means our eyes will swing rhythmically back and forth from one side to the other as we look at the painting. The application of rhythm in this painting sets a good example showing that space on a picture is not that flat and