What Was Jackie's First Confession

The character, Delia Jones, in Sweat and the narrator in The Yellow Wallpaper are personalities that are significantly persuaded by what their societies considered to be acceptable roles and behaviors for married women. However, throughout both works, both personalities opposed these norms to overcome the obstacles in their respective lives. Delia in Sweat was a washwoman, which made her the sole financial provider of her household. Her husband, Sykes, did not work at all and also challenged the era’s social standards by carelessly spending Delia’s hard earned money. Delia wanted to wash her clothes when she came back from church on Sunday. Although it was

She writes characters that are realistic and also relatable to a younger audience. The audience views the story from Delphine’s first person perspective. In the beginning of the book Delphine describes herself as tall for her age, having a plain face, and someone who uses plain words (Williams-Garcia, 2010). From the beginning, the audience gets a sense of who Delphine is through descriptions and dialogue. Delphine is someone that many children between the ages of nine and twelve can relate to. Delphine is still a kid who wants to have fun, but she is almost becoming a teenager. She wants to have fun, but realizes she has to be the responsible one for her sisters. She is a realistic character because she has many other character traits besides being plain. Later the audience discovers that Delphine can be stubbornly independent and defiant, and these very traits lead her to consider the new ideas she confronts (Stevenson, 2010). Through the conflict, Delphine is exposed to new situations and environments. Her journey to discover the truth about The Black Panthers and her mother lead her to take risks and try new things. Delphine’s character development, and that of her sisters, alludes to theme of looking at things from a different

From the very beginning, the reader notices the psychological and verbal abuse that Sykes puts on Delia. It was a Sunday and Delia decided to get ahead on her work for the week by separating piles of clothes by color. Fear then came

Delia represents the good in the story. She remains calm, level-headed, and spiritually in tune despite her husband‘s determination to make her miserable. Once a "right pretty li'l trick," Delia is now worn and dried out like sugar cane that's been chewed to no end (“Sweat” 43). However her soul remains strong as she turns to her spirituality for comfort and hope. She has smarts although uneducated and the fact that she built her own house and now supports her and her husband by washing white

Delia is a hard working woman who uses her faith in God to guide and protect her from her husband’s physical and emotional abuse. She, as a protagonist, is physically weak but yet spiritually strong. Sykes, in the story, tormented Delia in many ways throughout the story. One incident was with the bull horn when he tried to scare Delia while she was sorting

Not only does he drain her financially, but he has also abused her mentally and emotionally for the most of their marriage. Delia reminds Sykes that all she does is "Sweat, sweat, sweat! Work and Sweat, cry and sweat, pray and sweat!" from the fifteen years she has been washing laundry and laments (Hurston 278). However, despite all the cruelty that is happening, the author still portrays her persona with great compassion. Delia has enormous love, but soon discovers that she has the capacity to hate as much as she loves which has developed from her long-suffering life with Sykes. The author creates Delia based off her own life of being a Christian woman, therefore, in the story "Sykes is clearly wrong throughout the story, and Delia is right in living out the principles of Christian love, tolerance, and humility" (Banks). The importance of this quote is that it puts Delia's character into perspective and reveals why the way she is. The author's beliefs and practices are demonstrated through Delia and explain her actions in the story.

Delia was physically abused many times by her husband, Sykes. He was also mentally and verbally abusive to her by calling her names and constantly teasing her. This can be seen when he pretends to scare Delia with a snake, and then calls her names for being scared. In Zora’s life, this is seen where she also grew up as an abused child from her father. Her father did not like her very much because her sassy attitude. He said that she “was too spirited and too mouthy for her own good” which hurt her feelings and made her very aware that she was not his favorite child in the family (Boyd 27). Her father would also physically abuse her by threatening and spanking her as a child. In the story, Sykes represents Zora’s father because they were both abusive towards women. Zora included this detail in her story to explain her life as a child. The story is put in the perspective of a grown woman who had been abused, but how she would feel the same pain a child would feel who had been abused. No matter the person’s age, anyone

Delia was a hard-working woman, who was the sole provider for both her and her unemployed husband Sykes, and was also forced to work to pay for Sykes mistress, Bertha, who lived over

First, Delia had to stand up to her husband by expressing her true feelings to him and to show that she was no longer afraid to stand up for herself, “she seized the iron skillet from the stove and struck a defensive pose, which act surprised him greatly, coming from her. It cowed his and he did not strike her as he usually did.” (Hurston 350). I believe that the snake represented her fear and her feeling of helplessness. But rather than letting it consume her, she let it, literally, consume her husband. Despite a rather gruesome ending, the story ends in a place of empowerment and the character is now in control of her own

In “Sweat” adoration and hatred continuously go back and forth and Delia even “attempted friendliness, but she was repulsed each time” (1092). The despair and isolation Delia felt in the end of the story, perhaps even more than the straightforward and steadily building anger, is what caused her to allow him to die in the end.

3. Identify each of the following characters below by (1) their relationship to one another and (2) what can be inferred about their personalities thus far.

His whole world has been turned upside down, and he has gone from being clean and well dressed to being dirty and almost naked. He believes that Michele is an angel, come to take him to heaven, out of his grave/hole.

2. I: How was Desdemona? O: She was a Venetian girl, a faithful woman, independent, loyal, and she was in love with Othello. 3.

Escaping from his entrapment, Jackie believes in himself with confidence and starts to see and hear the world around him. Jackie thinks to himself, “ …. barring the one bad business of my grandmother it didn't seem so bad”(180). Jackie has almost fully escaped from his own entrapment by accepting and realizing that his sins towards his grandmother aren't so bad. Jackie then reaches his enlightenment when “he steps outside the church and waves of sunlight come down upon him”(182). There was brutal detail that showed us Jackie’s fear of confession by comparing it to walking into hell, and now that he is free of sins and has a new friend he has the ability to hear and see the world around him. He finally realizes that the world around him isn't so bad. We know that Jackie’s world isn't so bad but it is far from paradise. We know this because on page (182) it says “I heard the screech of trams on the road and my heart soared.” Jackie is glad his world isn't perfect but he can now realize how great the world around him is and he embraces it. Jackie being able to see the world also shows us how this confession has changed Nora. Jackie also has his fourth and final examine of conscience to finally clear his mind of everything bad because of all his confessed sins brought up by Nora. “And he only gave you three Hail Marys”(182)? Nora realizes that even though Jackie has committed very bad sins; the priest realized that he was truly sorry for his sins

CAREFULLY READ THE FOLLOWING PASSAGE FROM THE WORK OF THE ROMAN HISTORIAN CASSIUS DIO. IN THIS PASSAGE, HOW DOES CASSIUS DIO CHARACTERISE CLEOPATRA? HOW DOES THIS COMPARE WITH THE OTHER ANCIENT WRITTEN SOURCES YOU HAVE MET IN THE CHAPTER?