What Was The Dada Movement

Before the war, art commonly featured the Victorian era. The paintings look very realistic before the war. After the war, the Dada movement swung in. Introducing styles of art like cubism, surrealism, and abstract art. A common theme between surrealism and cubism is that both types of art are about distorted reality. This is an effect that World War 1 had on art and people. World War 1 made people question many things (a reason why they called themselves “The Lost Generation”) about their life and what was real. Their reality became distorted, which transferred to their art. This is a major difference between before the war and after. Because before the war, ballets and new innovations were being created. During the war, people were dying or getting amputations. As the war continued lives were ended for no particular cause. Another death was another statistic. This really messed people up, twisting their sense of reality and sanity. Because art is a form of expression, artwork had a drastic change due to the events of World War

The largest downfall in the lives a century ago was the spanish flu that started during the november of 1918. It infected one in every five people of u.s during the calamity and took the lives of 675,000 people, close to 10 times as many lives as from ww1, leaving a deep wound on to the history of U.S. the next difficulties faced by the people of U.S was their work difficulties. 85% of adult men were working for labors in many factories for an average of 55 hours a week. And they were not working in good A.C conditions. Instead their fatality rate at work was 30 times higher than present day. And you would think that they would get a bad for it right? Indeed they did get a bad pay for it. They had to spend half of their pay for feeding themselves.yeah. It was not good. Now unlike men who had to work hard, women were treated differently coz women.. Working… let's move on…. Ok im not being a feminist. Contrary to popular belief, i treat women and men equally.. Coz i beat people no matter their what their gender is. Next up is Art…. the tool to find yourself and lose yourself at the same time. Now there is only one thing i want to talk about in art and that is the rise in expressionism, or like I call it, the start of a disaster.*rage*. If there is one thing the future generation will make fun of, it is the fact that people buy these. Let's get to the conclusion before i kill all the expressionists in the world*tear the paper.*. In

Though this Pop Art movement happened in a few other countries other than the United States and Britain; the movement was also reflected in the country, France. Though in France their movement was known as “Nouveau Réalisme, which is the equivalent to the Pop art movement” (The Art Story Foundation ). This movement reflected the Pop art movement both focused on commercial culture, the Nouveau Réalisme and its artists focused more on their “concerned with objects than with painting” (The Art Story Foundation ).Another movement that the pop art movement was link to in a way was its counterpart in Germany known as Capitalist Realism. Though this movement was a “movement that focused on subjects taken from commodity culture and utilized an aesthetic based in the mass media” (The Art Story Foundation ).The artist within this movement wanted to “expose consumerism and superficiality of contemporary capitalist society by using the imagery and aesthetic of popular art and advertising within their work” (The Art Story Foundation ). These two movements were two movement that were linked to the Pop Art movement.

About 1909 the implications of Cézanne's highly organized yet revolutionary spatial structures were expanded by Picasso and Braque, who invented an abstract art of still lives converted into shifting volumes and planes. Cubism, developed by the artists of the school of Paris, went through several stages and had an enormous influence on European and American painting and sculpture. In sculpture its notable exponents included Picasso, Duchamp-Villon, Lipchitz, González, and Archipenko, who began to realize the possibilities of convex and concave volumes. Cubism was absorbed in Italy by the exponents of futurism and in Germany by the Blaue Reiter group; both these movements were cut short by the advent of World War I. Fauvism and cubism were introduced by members of the Eight to a generally shocked American audience in

After World War I, tensions between countries around the world remained high causing many people to struggle with the stress and worries of a post war society. In fact, according to author Kimberly Elliot, “[t]he unprecedented carnage and destruction of the war stripped this generation of their illusions about democracy, peace, and prosperity, and many expressed doubt and cynicism in their artistic endeavors”. Music became a coping mechanism and distraction during this difficult period of time. For many musicians and entertainers, “...the desire for escapism and the introduction in 1915 of leave for the troops at the Front encouraged ever more elaborate entertainment, a phenomenon which continued in the immediate postwar era…” (Hewitt). Although the war brought pain to many people, it also served as inspiration for what would become some of the most popular music of the 1920’s. People sought after music not only because it helped them to cope, but because it allowed them heal: “...[T]he healing power of the blues is not so

In the early twentieth century Post-Impressionism was the avant-garde art movement in the world, with its central city Paris, France. Artists from different religious backgrounds, cultures, and societal hierarchies migrated to Paris to take their art in new directions. France was a city of tolerance during both Pre and Post WWI; therefore, it was a beacon for those who wanted to convey their emotions and ideas visually. Paul Cezanne, Pablo Picasso, Georges Braque, Marcel Duchamp, Henri Matisse, Marc Chagall, Amedeo Modigliani, Chaim Soutine, and Robert Delaunay came to Paris and sought to create art with a personal aesthetic and to capture the essence of the modern era.

The advent of the Great War however led to the changing of many these attitudes; the fall in prominence of Art Nouveau and the rise of avant-garde movements such as De Stijl, Dutch Rationalism, the Amsterdam School, the Bauhaus, Dada and Russian Constructivism are clear signs of that.

Yet, European modernism was the mainstream for the most advanced American Art. Venues in New York for seeing avant-garde art from Europe had huge influences on American artists by exhibitions of new streams such as Cubism, Dada, and Surrealism. Soon the World War II broke out and the aftermath troubled artists all over the world. The war made European artists seek refuge in the U.S. Their confusion and concern towards human’s dark side and vulnerability led them to express in a new form of art. Particularly, Surrealism’s surprising imagery, deep symbolism, refined painting techniques, and disdain for convention influenced Abstract Expressionism artists including de

Definition: a type of art movement that developed in the early 20th century. The main point of the art was to display their disgust towards WW1 and the social and political happenings during that time.

Dada, known for it’s chaotic nature, indirect protesting and iconoclasm also evolved into a political movement. Rejection of artistic mastery, defying authority, overprinting, and purposeful mistakes, where all a part of what Tristain Tzara and his contemporaries were trying to succeed. Cubism, Vorticism, Orphism, Purism, and Futurism also came about because of World War I. Heavily influenced by Cubism and it’s shattered glass appearance Futurism was the most politically mind of these five movements. Somewhat akin to Dada in it’s chaotic nature Futurist’s, however, were staunchly pro war and were looking for ways to bring Italy into the present times. Purism, on the other hand, took the collage look of synthetic Cubism and modern abstract style and made

Modernism was definitely affected by germany's world war 1 and particular austria too. During that period, world war 1 bought an end towards the traditional values and society that existed in the Prussian Empire. The years between World War I and World War II allowed modernism to expand dramatically. Propaganda and war posters are perfect examples of modernism. Not only did modern artists provide social awareness; they also actively supported political revolutions, such as the Russian Revolution. The Russian revolution provided and excellent opportunity for modern artists to experiment with new expression methods. The posters and propaganda of this revolution in particular were very abstract and futuristic, almost industrial; all of which fitted

These changes, combined with the human capacity for evil that was displayed during WWI, resulted in many artists believing that it was necessary to disregard traditional art forms and philosophies and to attempt to create new and revolutionary works of art. This revolutionary movement came to be known as modernism. Modernists were eager to experiment and attempted to complicate reality and how we believe that we understand reality. Woolf's own work reflects many of the ideals of the modernist movement.

Location- Generally, due to severity of totalitarian regimes of Europe, modernist artists were forced to flee Europe in order to continue their art. This meant a shift from the art capitol of

Visual and performing arts were certainly, interlaced with politics most of the time, taking part in many of these other approaches or at least, without doubt, they were parallel and always present. Such collectives are described in the volume called Collectivism after Modernism: The Art of Social Imagination after 1945 edited by Blake Stimson and Gregory Sholette in which Jelena Stojanovic’ text explores the most influential art collectives before and after Modernism. It is also coherent, along with what has been said so far in the chapter, saying that “The Internationaleries” (as Jelena categorise the main art collectives in Europe) managed to spread their thoughts in a considerable scale even though the lack of institutional bridges that would had otherwise encouraged cultural exchange was

At the turn of the century Paris was one of the capitals of culture and art to the outside world. However, the truth of the matter was that this taboo-ridden society was being run by an aristocracy that was repressing the arts. Naturally, when World War 1 broke out, the suppressed French society finally had a release and a rebellion against order arose. WWI specifically affected the theatre of French and it’s aftermath. From the ashes of war the avant-garde theatre grew and styles such as Dadaism and Surrealism were born. It was both the climate of culture before the war and the devastation of the war that lead to the outbreak of avant-garde theatre in France.