What's Wrong With Downloading Music? Essay

Many artists and record companies do not think that it is a good thing to have their music available for free because they feel that they will lose a lot of money. The thing that they need to realize is that technology is only going to get better and they need to use it

In 1999, Shawn Fanning and his little program called Napster created quite a stir in society. Napster's software allows music listeners to open pieces of their personal hard drives to everyone using Napster, sharing whatever MP3 songs they have already downloaded or stored. At any time, thousands of people are online, sharing hundreds of thousands of songs, many of which are technically illegal to download without the permission of the copyright holders. [1] This led to a lawsuit filed by the Recording Industry Association of America, with the rock group Metallica as its frontman. In this case, several issues were brought up, one of which was the right of the creator of the music to control what happens with

According to the Recording Industry Association of America (RIAA), 30 billion songs were illegally downloaded between 2004 and 2009. Even with sites like iTunes and Rhapsody offering legal downloads, peer-to-peer file sharing still exists. Illegally downloading music has had a significant impact on the music industry resulting in a loss of profits and jobs, and changing how music is delivered to the masses. (Adkins, n.d.) Showing that even having the ethically correct option P2P sharing of illegal media is still thriving. The RIAA reports that music sales in the United States have dropped

When I was in middle school, the biggest way to get music for free was a website named Limewire. Nothing was more exciting than to be able to hear a song on the radio then go home and download it to our desktops. Also cool, was the fact that if one of us didn’t have a song, our friend could simply “burn” it onto a c.d. for us. That was the only way we knew how to get music, aside from going out and buying the whole album. Apple’s iTunes was just starting out and iPods were just being created. Limewire was the way to go. Little did we know that Limewire was illegal and costing singers, songwriters, labels, and everyone associated with just one song, huge amounts of money.

When thinking about music downloading and streaming we must not only consider legal mediums (which only exist because the practice was illegal after Napster’s failure) such as iTunes and Spotify, we must consider the overwhelming presence of illegitimate or illegal streams and downloading mediums such as FrostWire or YouTube2MP3. The music industry revenue streams have been changed, molded, and affected by the music downloading and streaming world in many ways. The music industry makes money through three ways: album/single sales, royalties, and concert revenues. All three of those streams have been effected in various ways some negative and some positive. Musician, and record label founder, Isaac Hanson said it perfectly; “I think downloading is both saving and killing the music industry at the same time”. His quote is confirmed by the data as well as my This partially confirms my theory that the music downloading has completely destroyed the music

I also believe that if you are a true fan of a certain music artist, then you should want to pay the money for their music and help support them in their music career. Downloading songs for free is disrespectful to music artists and takes away the meaning of hard work they put into all of their musical work. I would tell any friend of mine who supported illegal downloading that it’s illegal and if they really wanted to support that music artist, then they would buy the music and prove their support and passion for music by paying for it.

The question then became “Just because we can get the music we want without paying for it, should we?” (Tyson, 2000, p.1). This issue of illegal downloads, which is also referred to as piracy, has been a hot topic ever since the introduction of Napster. According to Recording Industry Association of America “In the decade since peer-to-peer (p2p) file-sharing site Napster emerged in 1999, music sales in the U.S. have dropped 47 percent, from $14.6 billion to $7.7 billion” (RIAA, 2014).

No one can deny that technology is actively changing the music industry. Production, distribution and sales of music have been affected dramatically within the last 10 years along with artists, composers, and technicians. Most of the changes have been great for consumers, but vastly negative for professionals in the music industry, however a few artists have found ways to adapt to the changing atmosphere of digitally downloaded music and use it to their advantage. We’ve seen music change form from physical, tangible products like records and CD’s to electronic single tracks stored in an invisible cloud. Two major factors in this sudden revolution are online music stores (specifically iTunes) and file sharing websites that allow music to be downloaded illegally.

We all know that downloading pirated music and films is illegal, but what exactly is it? The term piracy refers to the copying and selling of music, films and other media illegally; in other words you are copying and selling copyrighted media without the permission of the original owner (NiDirect, n.d.). With the massive growth of the internet and its ability to store and capture vast amounts of data, we have become much more reliable on information systems in all aspects of life, but it does not come without the risk of information technology being used unethically. With the number of IT breakthroughs in recent years “the importance of ethics and human values has been underemphasised” often resulting in various consequences. Not surprisingly one of the many public concerns about the ethical use of IT is that “millions of people have downloaded music and movies at no charge and in apparent violation of copyright laws at tremendous expense to the owners of those copyrights” (Reynolds, Ethics in Information Technology, 2015). This essay covers the ethical issues of downloading pirated music and films and the impact it has on music corporations and recording and film companies.

“Before the days of YouTube and the Internet, a band 's chances of striking it big depended on record companies. If a band was lucky enough to get a record deal, it gained access to a label 's vast resources and connections. The company paid for the band 's studio time, … and got its music played on the radio, reaching millions of record buying Americans” (Majerol, 1). Now, anyone with talent can post a video of themselves and become an internet sensation, only to then receive a deal with a label to continue growing their career. The issue is, with the Internet came digital downloading, and with the growing popularity of digital downloading came illegal downloading, known as Digital Piracy, which has affected the music industry greatly. This issue affects everyone involved in the Music Industry. From the small CD store owner to the Artist on stage, everyone has and continues to be affected by the growing popularity of digital downloading services. Artists, producers, and songwriters lose an estimated 12.5 Billion USD every year to illegal digital music services. Further, the economic impact from [digital downloading] is an estimated loss of 2+ Billion USD (Storrs, 1). This money affects the “little guys” in the industry and the average worker within the industry.

The internet is the one media that brings up the most controversy in bands spreading their music. Whether they promote it or not their music is downloaded for free on the internet. Most bands do not like that their music is downloaded for free, but they can’t do much to stop it. In a way downloading music for free could bring the musicians even more money. If a person likes one of the songs they downloaded off of the internet they may be inclined to buy the entire album or at least the single. After the person buys the latest album they may even buy earlier albums from the same artist if they like the music enough. The internet has

Introduction: Setting the trend for the future, the distribution and consumption of recorded music transformed dramatically with the launching of Apple’s iTunes in 2001. The proliferation of online music subscription services and other music sharing services exerted a great pressure on the conventional music distribution business model. Combined with this transformation, piracy of digital music had a profound impact on the whole industry. These worsening conditions in the market place for recorded music forced both established and upcoming new artists to experiment with new ways of selling their music.

The music industry much like every other industry has found ways to connect their product to the people through technology. Now music is readily available to the public through many avenues ITunes, YouTube, and so much more. As music has become more available to the public the industry now faces the threat of illegal downloading and sharing of music files. Many people will purchase an album through a download site and then either post it for free download to others or distribute it to their friends; while those who do this don’t usually face consequence does that make it right?

Companies like Apple, have decided that it is best to get in with the downloading business. However, an end to the illegal downloading conflict remains to be realized. The RIAA and associated artists continue to wage war against illegal downloaders while computer savvy audiences persist in sharing music files online every day. While it is undoubtedly true that downloading music is a crime, it remains to be proven that it is wrong. Without establishing this principle, most downloader's are likely to continue the activity. Even with new, inexpensive and available means of downloading files, they can still be shared for free online. The rift must be repaired between music lovers who feel that they have been taken advantage of in the past and recording companies and artists who worry about their future livelihood.

4.Ofcourse, music companies share a moral responsibility for what has happened. The main goal of this music companies is their profit from the music that they produce but it seems that they don’t see any benefit from this happening. Many people would prefer to spend their money on something else instead of purchasing pricey music unless they are fans. Fans won’t exist if the artist weren’t popular and artists wouldn’t be popular if there were no fans. There is no difference at all for a fan who bought an album of an artist and a fan who downloaded the artist music in the internet. Both are still fans who made the artist known. Technology like Napster did change the music industry both in a good way and a bad way. Let’s face it, nothing in this world is perfectly good or perfectly bad. Everything has its own bad and good side. Good because like what I just said, people who are thrifty or cautious of purchasing music may have a option to download it and listen to it for free and in this way, it is easily shared to anybody unlike physical albums. Not everybody visits the music store frequently. It’s bad side is it is very accessible to everybody like some music may contain harsh words which may influence the youth who downloads the music from the website and also physical album sales