When I Was Puerto Rican Character Analysis

The book Esperanza Rising, by Pam Munoz Ryan, gives readers a reason to never be afraid of starting over. The main character named Esperanza, is faced with several challenging situations as a young girl. These challenging events are life changing at times, which forces her to make adult decisions at young age. The life Esperanza is forced to live is unfortunately a reality to many Mexican families that made the move to the United States in search of the American Dream. Events faced by Esperanza’s family alongside workers of the El Rancho de las Rosas, which Esperanza’s family owned, forces Esperanza to change into a mature young teenage female. Munoz Ryan shows Esperanza’s character change by challenges she is faced with. The outcome of these events show growth within her young life by the emotions Esperanza expresses. Throughout the book Munoz Ryan uses symbolism to show growth and change within all characters. However; it is obvious to see the symbolic aspects the author provides related to Esperanza’s changes. The author faces Esperanza with different events to help remind her of a once wealthy life along with her current immigrant life style. As a whole many factors influence Esperanza's change. In the onset of Esperanza Rising, Esperanza is a wealthy, spoiled and dependent eight year old child, due to life changing events, she matures into an independent and mature teenage female.

When a character is exposed to an incident in which his or her perspective is forever changed, he or she will gain knowledge and maturity. An event such as being raped is an example of how one can lose his or her innocence. The House on Mango Street leads the reader into analyzing his or her own life. It shows how Esperanza’s pure view of life has changed to become a more sophisticated and realistic one. Growing up is something that everyone, at one point or another, goes through. This loss of innocence is something that is unavoidable and irreversible. When people lose their innocence, they gain maturity and gain knowledge. When a person losing the pureness in them, they open their eyes and they are able to see the world for what it really

As a young girl Esperanza is asked one day where she lived by a nun from her school who happened to be walking by. Now before this moment Esperanza never really notice her living situation, all she knew is that her parents loved her and wanted her to go to school. When the nun rudely said “You live there” (Cinceros 5) and pointed at the shoddy apartment building, it is then Esperanza started to build a dream inside of her head because of the look on the nun’s face, unsatisfactory.

Esperanza is the strong-willed main character who wants to break free from the limitations and expectations of a women set by her community. Unlike majority of the women in her neighborhood, she dreams of her escape from this discriminatory treatment. As she blossoms from a young girl to a mature women, she comes to the realization that she can never escape, because that house on Mango Street is a part of her. She can only learn from her experience living her never flee from it. When Esperanza creates creates an original piece of poetry, she shares it with Aunt Lupe, who in return, shares some insightful advice. (60-61) Writing through all forms can allow people to escape the realities and bounds of life.

In "A Partial Remembrance of a Puerto Rican Childhood," Judith Cofer accomplishes three powerful achievements: she gives details on the stories of her family experiences, shows her family stories in a strong imaginative language, and points out how family stories can take over a person's life. This essay seems to be very tricky because she goes from one story to another. Cofer's claim would be very difficult to understand if she started with one story; instead, she should finish explaining the initial story before moving on to the next one. Instead, Cofer shows how a woman can potentially go crazy if her man mistreats her.

Another large component of Puerto Ricanness is Race. All of the different cultures that have throughout history combined to form Puerto Rico effect their nationality, history, lifestyles, traditions, music, and foods.

Self-exploration is hindered in this book and my life. I can very much identify with Esperanza perspectives on societal issues that Latin women face. A society dominated by men and women relying on them, whether it is a father, spouse or friend. Men are considered the strong reasonable as where women are weak and emotional, in turn women need men for protection. A young girl may have two story paths, one where she relies on the protection of her father while she watches her mother cater to him or two, witnesses the struggles of a single young woman and absence for a father. This book describes marriage as priority for every girl or else how could she survive; appearances and physical features are highly valued traits. This attitude is not one that Esperanza agrees with, nor do I. For example, Marin she is the girl standing on the street just “waiting for a car to stop, a star to fall, someone to change her life.” This character implies that she does not dream of actively setting life goals for herself and working to earn them, instead she will wait until a man makes it happen for her. The ideology behind this thought being that as a woman she must thrive to be as attractive as possible to heighten her chances of marriage and acquire

The neighborhood is not exactly a pretty place as Esperanza describes it. She says, “here there is too much sadness and not enough sky. Butterflies too are few and so are flowers and most things that are beautiful” (39). In the one year of Esperanza’s life that this book covers, she is raped, abused, and sees the death of the only person who would listen to her poetry- “Her name was Aunt Lupe and she was beautiful like [her] mother” (70). Her discontent with the neighborhood surrounding the house on Mango Street and the rough times that she experienced caused her to want to move away from

What was Puerto Rico like under Spanish rule, and how important is that rule to the formation of the Puerto Rican people today? To answer these questions, we must take a look at the history of the Spanish and their colonization of the island of Puerto Rico.

The autobiography When I was Puerto Rican, written by Esmeralda Santiago, tells a story of a poor girl trying to succeed. The settings in this novel have an important influence on Esmeralda. They influence her behavior and change her ideals as an adult. Negi goes through many changes based on the challenges she faces by moving to new locations where society is different. All of these changes allow her to become a stronger person. When she lives in El Mangle, Negi has to face extreme prejudice against her upbringing as a jibara. When she leaves Puerto Rico to move to Brooklyn, she is forced to face an entirely different society. All of these events that took place in Esmeralda’s childhood had a significant impact in shaping her into an adult.

In the book Esperanza Rising by Pam Munoz Ryan, Esperanza is the main character who is the protagonist. Esperanza is a thirteen-year-old child that has been faced with more tragic events from the age of nine to thirteen than some may experience their whole life time. Her character is very smart, determined, and compassionate just like some of the kids you may know. The author does a great job with allowing the reader to get inside Esperanza’s head to understand her thinking and logic. The author uses Esperanza life to encourage children who may be going through some of the same experience, that they could make it through to. Although Esperanza is just a normal kid trying to have fun, the constant tragic events in her life forces her to mature instantly becoming a strong young adult. This paper will discuss how Esperanza grew up and some of Esperanza reactions that shows her growth in maturity, while exploring some of the conflicts Esperanza experienced that causes her to change her thinking.

In conclusion, we know that Esperanza’s negativity of herself begins to slowly change as she slowly experience what accepting means and how she began to accept where she was from . Throughout this book, Cisnero showed us accepting is an important part of growing in life as well as determining the true you. In the beginning she hated her life always wanted to escape out of Mango Street versus the end she says she is going to come back. From the beginning to the end, Esperanza finally accepted where she was from and how Mango Street has developed who she became

Esperanza had always desired a new home, but realizes Mango Street will always be a part of her. “I knew then I had to have a house. A real house. One I could point to. But this isn’t it” (5). At first Esperanza wanted an escape from Mango Street, she was embarrassed of where she came from. But as she grows as a person and is exposed to devastations in other people's lives around her, she realizes something much more ugly than just the looks of Mango Street. “You must keep writing. It will keep you free, and I said yes, but at that time I didn’t know what she meant” (61). Writing kept Esperanza free, and helped her cope with her problems. Esperanza later perceives why her aunt wanted her to continue writing, because not everyone had something to set them free from Mango Street. “They will not know I have gone away to come back. For the ones who cannot out”(110). Instead of leaving to never return, Esperanza realizes the women in her community have it

Cisneros uses simple syntax and tells the story in vignettes to present the story as if it were told in Esperanza’s eyes. Vignettes are short little descriptions of an event or idea. The House on Mango Street is strictly told in vignettes which makes sense as it is told in a child's eyes. These vignettes tend to get larger as the story progresses and as Esperanza becomes more aware of her surroundings. As a result of this, the vignettes not only become more complex, but more mature as well. In vignettes such as “Hairs” and “My Name”, Esperanza writes about simple innocent ideas like what she likes and does not like, but later in the story vignettes such as “The Monkey Garden” and “No Speak English” cover much more mature situations such as the patriarchy and rape in the near-poverty-line Latino neighborhood of Chicago. Esperanza finds herself in these situations because of how she begins to mature and become an independent sexual being. With all of this information in mind, Cisneros uses the power of the vignette convey the fact that Esperanza is becoming an individual sexual being.

All the people on Mango Street were struggling to get by, but they seemed satisfied with just making it. Esperanza was not. There were characters like Esperanza’s mother who was a “smart cookie,” and could’ve been anything, but she let shame get the best of her and dropped out of school. There was also Rafaela who got married before the 8th grade just so she could move into her own house, but her husband never let her leave the house afterward. He never let her see her friends, and the highlight of her week was getting coconut or papaya juice from someone who would send it up in a paper bag attached to a clothespin since she couldn’t leave the house. Lastly, there was the time when she was left stranded by the tilt-a- whirl waiting for a friend that never came back and got molested by a group of boys. The only witnesses were the red clown statues that seemed to be laughing at her. Nevertheless, she let none of this stopped her from going forward and perusing her dream. She still seemed to be struggling with a sense of belonging, but maybe that’s because she didn’t.