Where Angels Fear to Tread, by E.M. Forster

Losing a parent is presumably an unthinkable concept for those lucky to have them alive, but sometimes the title of “parent” dies long before a body is placed in the ground. Toi Derricotte author of “Beginning Dialogues” unfortunately had to experience both the death of her mother’s title of “parent”, as well as her literal death. Derricotte’s parents had divorced when she was eighteen, and her father did not seem to play much of a role in her life; she was left to be raised by her mentally abusive mother. Her mother also had a tough road to walk growing up, having to face and deal with brutal issues like racism and bulling. Persevering through those tough times may be the underlining reason behind Derricotte’s mother’s negativity and abuse towards her daughter. Perhaps she just grew a thick skin at a very young age and had never learned how to feel, accept, or administer love. Derricotte’s had said: “She told me all my life she loved me, as if she completely forgot the hundred slights, humiliations, threats, and insinuations. Of course she loved me;

The mother being a local beauty was raised in a fishermen family. She believed everything should be spotless and in order, the way her brothers ran their ships. She was a typical fishermen house wife; she grew beautiful gardens and raised broods of ducks and hens and would go digging in the mud for clams. At one point she might have loved her husband but it was quite evident that she despised him and his books. There were moments when they clashed fiercely with each other and she was disgusted with his inability to retain his children in the fishermen lifestyle. The mother was very ignorant and closed-minded towards other traditions. This is proven when the daughters marry men from different lifestyles and the mother wants nothing to do with them. She believes that they are lazy, dishonest, and the unknown in which she

The story I chose to analyze is “Why I Live at the P.O.” by Eudora Welty. The author, Eudora Wetly, is originally from Mississippi from a prosperous family, she was born in 1909 and passed away in 2001.During her early days she worked at small places involved with writing until she launched her literary career. ‘Why I Live at the P.O’ is about sibling rivalry and favoritism among family. My thesis states that this story shows a good example of favoritism among families and good insight from the outcast.

Poverty and hardship are shown to create vulnerability in female characters, particularly the female servants, allowing powerful men to manipulate and sexually abuse them. Kent illustrates how poverty perpetuates maltreatment and abuse in a society like Burial Rites using the characters of Agnes’ mother Ingveldur and Agnes. Agnes’ mother is forced to make invidious choices as her children are “lugged along” from farm to farm, where she is sexually exploited by her employers. In spite of these circumstances, Agnes’ mother is commonly referred to as a whore in their society which abhors female promiscuity yet disregards male promiscuity as a harmless character trait; as in the case of Natan, who is merely “indiscreet” despite all his philandering. Born into poverty, Agnes experiences similar sexual coercion and manipulation from her “masters” and yet is labelled “a woman who is loose with her emotions and looser with her morals”. The severe poverty of Agnes is explicitly demonstrated to the reader by Kent through the intertextual reference of her entire belongings - a very dismal, piteous list to be “sold if a decent offer is presented”. Furthermore, Kent contrasts the situation of Agnes, a “landless workmaid raised on a porridge of moss and poverty”, to the comparative security Steina has experienced using a rhetorical question from

When the mothers of Twyla and Roberta visit on Easter Sunday, the two friends are happy for them to meet each other. As they are introduced to each other, Twyla’s mother stuck her hand out to shake hands, Roberta’s mother looked at her, grabbed Roberta and walked away. Roberta’s mother presented a snobbish attitude, and the generation of prejudice still existed.

Authors use literary elements and techniques as tools to convey meaning. These devices are the means by which authors bring richness and clarity to a text. They express moods or feelings that allow the reader to connect with the writing. In On Writing, the author, Stephen King makes use of literary elements to tell his story. The techniques King uses are effective in portraying vivid images and feelings in the reader’s mind.

The narration of the mother lecturing her daughter with commanding diction leads to the theme of women conforming to domesticity and if they don’t conform then they will lead a life of promiscuity that will affect the way people perceive them. Women in the past believed that a woman’s role was that of a domesticated housewife. The narration of the third point of view in this story and the commanding diction of it places an importance in the reinforcement of this idea, that if a woman doesn’t follow social norms, she will eventually turn to a “slut” one that her family will be ashamed of. She must set the table for lunch and for breakfast that is “how to behave in the presence of men who don’t know [her] very well, and that it the way they won’t recognize immediately the slut that [the mother has] warned her against becoming.”(Kincaid 485) through her commanding diction, the mother is telling her daughter how to set a table, how to cook, she

A literary technique is a device employed in literature to add depth to a writer’s work. These techniques can be obvious, such as the technique of rhyme in a poem, or subtle, such as juxtaposition, which can go unnoticed by the reader. In The Things They Carried, Tim O’Brien uses many such techniques to provide more depth to his book. Four literary techniques used by Tim O’Brien are symbolism, pathetic fallacy, irony, and juxtaposition.

Literary devices are techniques often used by authors to portray in-depth analyses of major characters, storylines, and central themes, which take place in a story. These analyses help readers understand a message the author is trying to convey. In the novel Lord of the Flies, William Golding uses different literary devices in order to demonstrate the boys’ struggle against the lack of society and law on the island, as well as the consequences that have transpired due to this loss. This conflict is evident through the different instances of irony, foreshadowing, and symbolism that occurs throughout the novel.

8. What literary devices did the author employ? What purposed was achieved with these devices?:

The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards

During the 18th and 19th century America expanded their writing style into a new genre called Gothic Literature. This type of genre was invented originally in Europe but became popular in America quickly. This new genre allowed authors to portray a darker side in their works. Before this style was created, the only literature written was based upon romance. The romantic appeal still shows in some of these stories but is not the main aspect of the writing. The choice of evil in any type of writing was extremely sparse and the majority considered it to be insane. A copious amount of authors had the opportunity to grow and form this new style of writing. Add one more sentence which will be the thesis.

Although he loved his mother, Richard realized that a family could not survive when the woman desired to command, and he knew that his mother was like a starving child who had become gluttonous when confronted with food. She had lived so long in the tradition of her country that she could not help herself now, and abused the privilege of equality afforded the women of her new country. (134)

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The girl distrusts her mother and believes her to be out of touch, while helping her father in "his real work" (468). Surprisingly, the girl's desire to avoid the manifestation of her femininity in womanly tasks, such as cooking and cleaning, influences her into feeling that her mother is "plotting now to get [her] to stay in the house [. . ]. and keep [her] from working for [her] father" (469). The girl chooses to dismiss her mother, thereby dismissing her own future role as a housewife.