In any story or novel whether it be short or long, characters can make or break the story. Characters are vital to author so that the reader can build a relationship with he or she. Relationship between the characters and reader is what pull them in and initiate their imagination in a sense that reader’s loses themselves in the story, dismissed from the mind that it’s not real life. In the story “Where are you going, Where have you been?” Arnold Friend is a character that signifies a disturbed, aggressive and manipulative man who sought to have Connie by any men necessary. Arnold is simply the pure definition of an antagonist to the full measure, having a combination of traits that signifies true evil in real world. Based on the story, Arnold …show more content…
He caught Connie’s eye as she was walking out with a boy. Arnold then smiled and mouth the words that he would have her. At this moment you can assume such an action is quite unusual and that we have not seen the last of him. He then is reintroduced when he shows up at her house. Arnold uses his appearance to help him look younger as if he was actually a teen and not a thirty something year old man. Arnold does this in order to not alert Connie as he attempt to socially engage with her. The author has done so in a manner that help the reader grasp the extent that this man is willing to go, therefore creating a suspicion of Arnold and what his true intention are. Connie describes him as a boy with shaggy black hair who wear tight jean, boots, belt and shirt that was worn to show his muscular physique. All of which was typical of the boys in that society. Connie also describes his car; a convertible jalopy painted gold with decals of a phrase that was use by kids but was outdated, a smiley face with glasses that resembled a pumpkin, and his name. Arnold really has his teenage image down almost impeccable. Dressing as a teen is not the only suspicious characteristic Arnold has, his outdated phrase
Connie starts out in the story as someone that is self-absorbed, concerned for no one but herself. Arnold Friend is really the same way. He tells her that he saw her “that night and thought, that’s the one” (Oates 480). In spite of the words he uses, the reader knows that Arnold does not have any true feelings for Connie because he says “My sweet little blue-eyed girl” (Oates 483). Arnold is oblivious to the fact that Connie has brown eyes. “In Arnold’s view, Connie’s personal identity is totally unimportant” (Wegs 3).
In where are you going, where have you been the major conflict is the lack of self-confidence and immaturity of Connie. From that, the complication of being stalked by Arnold arises. The author does not just tell us Connie is a naive girl but discusses her actions and lack of actions leading us to believe so. Because of that, by the time the complication start taking shape, the reader can almost guess what would be next, that is Arnold is one of the boys that are Connie’s age. Knowing a lot about Connie by now, we will guess after being reluctant for a while she will take off with him like she has done before so many times, there how ever is a surprise waiting. Once we start following the dialogue between Connie and Arnold and know more about his awkward looks and language we start understanding the symbolism Oates has been using. He is the prince of darkness and he is there to take Connie to her final destiny, the land of the dead. Talking about the old woman down the street who was also murdered he is
A door to the beginning of her outcome is all that divides Connie in, “Where Are You Going, Where Have You Been?” from Arnold Friend, the devilish predator. Symbolism takes a big part in this story that gives a deeper meaning to Connie’s choices that ultimately extent to giving herself to Arnold. The author, Joyce Carol Oates in the short story, “Where Are You Going, Where Have You Been?” represents Arnold Friend as the real world by being challenging and malicious, and Connie as the innocent world by being defenseless and naive.
“I am good, but not an angel. I do sin, but I am not the devil. I am just a small girl in a big world trying to find someone to love” (Marilyn Monroe). Joyce Carol Oates is the author of the realistic allegory story, “Where Are You Going, Where Have You Been?”. The story is about a young girl named Connie, who likes seeking attention from men, as a distraction from her problems at home. She meets a man named Arnold Friend, he goes after Connie, claiming he has to take her for a ride, but it is obvious he wants to do other things. Because of this character’s actions, it is determined that he is a representation of the devil. Through plot, characterization, and dialogue, Oates successfully portrays Arnold Friend as a symbolic Satan.
In the short story “Where Are You Going? Where Have You Been?” both characters, Connie and Arnold, suffer from having dual identities. Connie is an individual who acts completely different outside her home, where she tries to portray an image of being sexually appealing. However, she is the complete opposite within her home, where she hides her sexuality and acts more like the adolescent she really is. Arnold is a mature man, something Connie is looking for in life and this intrigues her. Both characters have trouble with their dual identities, Connie’s leads her to being vulnerable to growing mature in an unpleasant manner by the force of Arnold, while Arnold’s unknown character proves to not be genuine, as Connie brings out his violent nature in her quest to be an independent adult.
In the story “Where Are You Going, Where Have You Been” Connie, the main character, is already struggling with many things in life and sneaks her way to date guys. There was also conflicting between her and her mother due to her mother favoring her sister, June and describing her as someone who is a good example of what she wants Connie to be. Her father is never at home due to work and when he is home, the girls do not relate to him. Arnold Friend is described as a dangerous figure with his pale complexion and his slick black hair looking like trouble by not presenting himself in a pleasing way to Connie, by not walking properly. This was an indication on how he was not in the right state of mind and how Arnold shouldn’t be near Connie. There was one scene in the story where Arnold Friend shows up, uninvited, notifying Connie that he is not a friend, but has come to take her away from her home to possibly kidnap her. "Connie felt a wave of dizziness, rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it alright again”. Connie feels safe in the house and does not come out until Arnold convinces and demands her that she come out. Things took an unpleasant twist when Arnold tells Connie not use the phone or he will break his promise of not coming in the house
In the story Where Are You Going, Where Have You Been? It talks about a man and a woman whose names are Connie and also Arnold friend. Arnold is suppose ably Connie’s friend who seems to just be Connie’s conscious speaking to her to tell her to do the thinks that she does.
Arnold Friend's façade gives the reader the feeling that something is wrong, as if Oates were trying to persuade Connie away from her impending doom. When Arnold first pulls into Connie's driveway, the reader is alarmed. Connie notices that he is actually much older than he appears and the reader knows that
The physical traits of Arnold Friend that the narrator describes are additional clues that Arnold is not who he claims to be. The three physical traits are: his eyelashes look painted, it looks like he is wearing a wig, and he put something in his shoes to make himself taller: “she saw how thick the lashes were, thick and black as if painted with a black tarlike material” (Oates, 1966), “He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig, and
Starting with “Where Are You Going, Where Have You Been,” Connie is viewed by the readers as being in this dreamlike state, which is simply used as a nightmare to show Connie the reality of her life when girls decide they want to grow up too fast. Hence, the entire experience with Arnold Friend was just Connie’s subconscious demonstrating to her what her “big girl” attitude and behavior could result in, and how it could change her life. Furthermore, with the story not having a definitive ending, it also shows that this is not reality for Connie, but just a pure glimpse of her path and future. Similarly, in “Young Goodman Brown,” Brown is also dreaming of his “what if” future. Throughout the story, people are magically appearing and disappearing. For example, when Brown talks about seeing Goody Cloyse. The story gives no indication that she acknowledges him being in the forest, yet they have known each other since he was a boy. As soon as the devil
The short story “Where are you going, Where have you been” by Joyce Carol Oates was published in 1966. The story was purposely written for Bob Dylan, who’s song “It’s all over now, Baby Blue” had a great influence on the story. story Oates gives us many descriptions of the characters to give the reader a better understanding of what the character is feeling, thinking, and shows their personalities through their actions. The story also includes many signs and a great deal of symbolism. In this analysis, I will explore is Arnold friend representing an evil entity or is he simply genuinely trying to be Connie’s friend. A character by the name of Arnold Friend could potentially be a symbol of a demonic force, or even the devil.
The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's
Arnold Friend is a seductive man, or should I say ArN OLD FrIEND with a dark appearance hiding something deeper, something evil? Arnold, posing as a teen-age boy, is none other than the devil himself, which shows in his words and actions, and in his physical traits. From the very beginning of, Joyce Carol Oates', "Where are you going, Where Have you been?" a certain number of religious references are interspersed throughout. These references help to maintain a biblical feeling, as well as to set a path for Friend's entry into the story. They also foreshadow that; powers beyond a human level will be presented. Friend looks like one person in the beginning, but as the story unfolds, he is shown as someone else or
ARNOLD FRIEND THE DEMON The appearance of Arnold Friend has makes everyone feel mischievous. The short story “Where Are You Going, Where Have You Been?”“is told by the author Joyce Carol Oates, The theme of the story is realistic and it's tells it through plot, dialogue and characterization. Through plot, dialogue, and characterization, Oates achieves a comparison between Arnold Friend and satan.
Like all great stories throughout time, a compelling villain is the key to making a story worthwhile. In short stories like, “Where have you been, where are you going,” and, “Love in LA,” a though provoking antagonist was used by the authors to really give the stories some depth. The antagonist of, “Where have you been…”Arnold Friend takes on the persona of temptation to the protagonist Connie and really emphasizes the theme of be careful what you wish for. Connie was a young girl who repeatedly met up with older more mature boys; but one day Arnold Friend arrives at her house and coerces her to leave with him. The story abruptly stops there leaving the reader hoping for more. The antagonist of, “Love in LA”, Jake, an unemployed dreamer,