Where Are You Going, Where Have You Been?

Oates emphases that Connie is in her adolescence, who is trying to transition into thinking like an adult. Connie, who is obsessed with her appearance, is constantly “craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right”(Oates 1). She is starting to

A door to the beginning of her outcome is all that divides Connie in, “Where Are You Going, Where Have You Been?” from Arnold Friend, the devilish predator. Symbolism takes a big part in this story that gives a deeper meaning to Connie’s choices that ultimately extent to giving herself to Arnold. The author, Joyce Carol Oates in the short story, “Where Are You Going, Where Have You Been?” represents Arnold Friend as the real world by being challenging and malicious, and Connie as the innocent world by being defenseless and naive.

In the short story “Where Are You Going? Where Have You Been?” both characters, Connie and Arnold, suffer from having dual identities. Connie is an individual who acts completely different outside her home, where she tries to portray an image of being sexually appealing. However, she is the complete opposite within her home, where she hides her sexuality and acts more like the adolescent she really is. Arnold is a mature man, something Connie is looking for in life and this intrigues her. Both characters have trouble with their dual identities, Connie’s leads her to being vulnerable to growing mature in an unpleasant manner by the force of Arnold, while Arnold’s unknown character proves to not be genuine, as Connie brings out his violent nature in her quest to be an independent adult.

In the story Where Are You Going, Where Have You Been? It talks about a man and a woman whose names are Connie and also Arnold friend. Arnold is suppose ably Connie’s friend who seems to just be Connie’s conscious speaking to her to tell her to do the thinks that she does.

In the short story "Where are you going where have you been?" by Joyce Carol Oats and the song Wake Up by EDEN, the author and the artist both show the thematic concepts on how fantasies come to an end, and when reality hits, it hits hard.

Connie is a young fifteen year old who cares about her sexual drive that men have toward her. “The 1960s unleashed the so called sexual revolution. It seemed more a source of comic relief and tragic nostalgic recirculation than political inspiration…” This revolution consisted of women demanding their own rights so they could become more and more independent. There were significant shifts in social attitudes, behaviors, and institutional regulations at the beginning of the 60’s and also lasted through the 70’s. The sexual drive increased majorly and the amount of women that had sex before marriage also sky rocketed. In Where Are you Going, Where Have You Been, Connie wants sexual attention from men, and that hurts her self-confidence and

Connie does not have any control over what people do to her, however, the criticism she takes from her mother whenever she compares her to her sister June combined with her mother’s insults gives Connie a low self-esteem and insecurity about herself; she thinks she is “less worthy” because of this and makes her think her beauty is everything, that she is nothing without it.

Connie, the protagonist of “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, is a character who goes through a traumatic experience in her life. Her encounter with the antagonist, Arnold Friend, permanently changes her selfish innocence and challenges her way of thinking. With an unsupportive family and shallow friends, Connie lacks a strong moral foundation and is self-absorbed. Connie’s character, by the end of the story, changes through her encounter with Arnold Friend. Connie transforms from a selfish, shallow character to one of self-awareness.

The short story “Where are you going, Where have you been” by Joyce Carol Oates was published in 1966. The story was purposely written for Bob Dylan, who’s song “It’s all over now, Baby Blue” had a great influence on the story. story Oates gives us many descriptions of the characters to give the reader a better understanding of what the character is feeling, thinking, and shows their personalities through their actions. The story also includes many signs and a great deal of symbolism. In this analysis, I will explore is Arnold friend representing an evil entity or is he simply genuinely trying to be Connie’s friend. A character by the name of Arnold Friend could potentially be a symbol of a demonic force, or even the devil.

The Cultural Revolution and Sexual Desires in Oates’s “Where Are You Going, Where Have You Been”

Through its contrasting reality and dreamlike scenes, Oates’ “Where Are You Going, Where Have You Been?” uses details from a true American horror story to convey a message about society, youth and a loss of innocence. Arizona native Charles Schmid murdered Alleen Rowe on May 31, 1964. Schmid was considered a serial killer and was subsequently arrested and convicted of the heinous crimes that he was accused of. The profile of Schmid as a short man who wore makeup, wigs and altered boots to make

In the short fiction Where Are You Going, Where Have You Been? tells a story about a young 15-year-old girl named, Connie. Connie spends her time meeting boys, lounging around the house and going out with her friends. One night an unusual man makes a threatening gesture to her in the parking lot of a local drive-in restaurant. Until, one day the unusual man pulls up in her driveway in a gold colored car. The man introduces himself as Arnold Friend and asks Connie to join him for a ride. During their conversation, Connie is aware that Arnold is dangerous; his language becomes more sexual and violent, and he warns her that he will hurt her family if she calls the police. In the end, she leaves the house and joins Arnold. Connie is stuck between the lines of her sexual daydreams and reality up until she is entangled among by Arnold Friend and his infatuating music playing in his car. Everything about her had two aspects to it, one when she was at home and one for anywhere but home.

A short story titled "Where Are You Going, Where Have You Been?" tells a tale of an adolescent girl who suffers consequences of growing up in the unsupportive environment and the society preoccupied by the media. It is considered to be the most famous work of Joyce Carol Oates, an American writer, the winner of many significant literary awards and a two- time candidate for the Nobel Prize in Literature. The story was first published in the fall of 1966. It is dedicated "to Bob Dylan", as though, after having heard Dylan's song "It's all over now, Baby Blue" Oates got inspiration for the story. She was also influenced by the article about Charles Schmid, a twenty-

There are some stories that capture the reader’s attention and which keep us riveted from the beginning to the ultimate line of the tale. ‘’Where Are You Going, Where Have You Been?’’, a short story written by Joyce Carol Oates in 1966, is one of those. Inspired by the mythic song of the phenomenal singer Bob Dylan entitled ‘’It’s all over Now, Baby Blue,’’ the author describes the main character as a 15-year-old girl named ‘’ Connie’’, who is obsessed by her beauty and does not get along with her family. The heroine of the story ‘’Connie,’’ engages in an adolescent rebellion against her entourage by acting to appear older. This increases her vulnerability through the story and at the end

The author puts Connie out to be a bad kid but is she really? Yeah, Connie is not the most respectful or well-behaved kid but who is at the age of fifteen. The author shares some instances where Connie does not make the best decisions. The author shares, “She spent three hours with him, at the restaurant where they ate hamburgers and drank cokes…and then down an alley a mile or so away” (Oate’s. 109). The quote shows how Connie put herself in situations that a girl her age should have never been in. The author gives Connie the identity of not being confident in herself when she says, “Connie would raise her eyebrows at these familiar complaints and look right through her mother, into a shadowy vision of herself as she was right at that moment: she knew she was pretty and that was everything.”