Where Are You Going, Where Have You Been by Joyce Carol Oates

Another symbolism of evil is that Arnold tells Connie that he will not come in her house. He has come to take Connie away but “he may not cross a threshold uninvited” (Wegs 2). Arnold threatens Connie by telling her that if she does not come outside then he will wait till her family gets home “then they’re all going to get it” (Oates 481). Arnold ultimately lures Connie out by promising that her family will be unharmed if she gives herself to him (Oates 1). We do not know how Connie sacrifices herself. As Oates states in her article, we only know “that she is generous enough to make it”.

Through plot, Oates demonstrates how Arnold Friend can be seen as a symbolic Satan. Plot starts when Arnold makes sure to tell Connie he is interested in her as he says,“Gonna get you baby” (Oates 1). Connie is in a drive-in restaurant for an older crowd when Arnold sees her for the first time. Once Connie leaves the drive-in dinner with a boy named Eddie, Arnold decides to make a move on Connie. Arnold uses foreshadowing to let her know he will meet her again. Just as Arnold says he is going to get Connie, he shows up in her driveway, creating a creepy situation. That Sunday afternoon, Connie is alone in her house while her parents and sister are on a picnic at one of their neighbor’s house, Arnold decides to use this opportunity to make his

by evil and sin. Arnold Friend first attempts to coax Connie out of her house for a joyride by

Where Are You Going, Where Have You Been? by Joyce Carol Oates has a constant theme of reality and fantasy running parallel for 15 year old Connie. This short story begins with a description of Connie’s vain personality. The narrator describes her as pretty and self-centered (Oates 421). To emphasize her selfishness, Connie is contrasted with her sister, June, who is chubby, plain, and well-behaved. Connie’s mother always praises June for her work ethic and help around the house, but says Connie can’t do anything due to “trashy daydreams”. There isn’t much of a father figure in Connie’s life due to her father being away for work most of the time and detached when

In the story “Where Are You Going, Where Have You Been” Connie, the main character, is already struggling with many things in life and sneaks her way to date guys. There was also conflicting between her and her mother due to her mother favoring her sister, June and describing her as someone who is a good example of what she wants Connie to be. Her father is never at home due to work and when he is home, the girls do not relate to him. Arnold Friend is described as a dangerous figure with his pale complexion and his slick black hair looking like trouble by not presenting himself in a pleasing way to Connie, by not walking properly. This was an indication on how he was not in the right state of mind and how Arnold shouldn’t be near Connie. There was one scene in the story where Arnold Friend shows up, uninvited, notifying Connie that he is not a friend, but has come to take her away from her home to possibly kidnap her. "Connie felt a wave of dizziness, rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it alright again”. Connie feels safe in the house and does not come out until Arnold convinces and demands her that she come out. Things took an unpleasant twist when Arnold tells Connie not use the phone or he will break his promise of not coming in the house

She knows he is threatening her and her family but it seems she is controlled by an unknown source that makes her go with him. Someone could argue that Connie went willingly to protect her family, but that seems weird since she tried to call for help. When she tried to call for help it seemed like Arnold Friend was controlling her so that she wasn’t able to call for help. Arnold Friend has a mysterious control over Connie that makes the reader believe that she is under his control. The story says, “She felt her pounding heart. Her hand seemed to enclose it. She thought for the first time in her life that it was nothing that was hers, that belonged to her, but just a pounding, living thing inside this body that wasn’t really hers either”(Oates 325). This could prove that she didn’t have control over the situation, kind of like someone or something was controlling her.

Besides Arnold Friend physical appearance, which makes the reader assume that his character is not a human being, Oates gives him supernatural powers that a normal person could not have. One example of this is the power that he has over Connie; he knows everything that involves her: “ 'Just for a ride, Connie sweetheart.' Arnold Friend says. 'I never said that my name was Connie, she said.' And he replies: 'But I know what it is. I know your name and all about you, a lots of things, Arnold Friend said' ”(584-585). The security of Arnold Friend words gives to reader the impression that he has been watching her closely and all the time without her knowing it or noticing it. This confirms the reader’s hypothesis that Friend's is Satan. Moreover, when Connie tries to hide from him in her house, Arnold manipulates her into leaving the house simply by telling her what to do, like a puppeteer and his puppet: “You won’t want your family to get hurt. Now get up all by yourself. Now turn this way. That’s right. Come over here to me. Now come out through the kitchen to me honey and let’s see a smile, try it, you are brave sweet little girl”(591). Oates makes the reader infer that Satan’s only way to make her comes out is by using his demon powers, because the devil cannot get into your house unless you have invited him in. Therefore, he uses his

Connie’s identity is shown at the end of the story, but who she was at the beginning of the story differs to who she became at the end of the story. To start, Connie was a fifteen year old girl who was beautiful and adventuress, but failed to acknowledge and grasp the idea of a real family. Connie’s family or her mother is not the exact loving and caring mother some people have experienced. In “Where Are You Going, Where Have You Been”, Connie sated “Her mother, who noticed everything and knew everything and who hadn 't

In the story the ending concludes that Connie gets into the car with Arnold Friend and drives off with him in his golden vehicle, an “open jalopy, painted a bright gold,” (Oates, para. 15) without any explanation of what occurs after the ride, leaving the reader in the dark about what had occurred “on all sides of him—so much land that Connie had never seen before and did not recognize except to know that she was going to it.” (Oates, para. 162) In the movie Smooth Talk the Connie is taken from her house by Arnold Friend and driven to an unknown field where something occurs with slight faint screams in the distance while the camera is focused on the golden vehicle. She is then driven back to her home, where apparently some time has passed, and is reunited with her family with a “new outlook” on life. The house is different and even Connie’s room is changed, creating an effect that Connie has passed on and her spirit returned to mend broken ties with her family. The cliffhanger that Oates leaves and the insight that Chopra allocates are significantly

Adolescence, the part of life we are most willing to forget. The awkward years of being stuck between, not yet an adult but certainly not a child. These years, however awful they maybe, are essential to the character that later develops. During adolescence we make decisions that shape the course of our life, from the personal interactions between friends and family to the academic decisions that impact future career, choices you make as a young adult impact you forever. Partially due to the importance of these short few years, it is not surprising how often children can make poor choices that derail their entire life. Increasing at startling frequency, these stories foretell of a dismal future. Due to this cautionary tales of adolescence have been rising in pop-culture. One of these is “Where are you going? Where have you been? By Carol Joyce Oates. This story tells of Connie, a young adult trying to make the leap to adulthood. Connie in her attempt to breach the gap ends up in drawing attention of Arnold Friend sealing the fate of her poorly executed coming of age. Connies ill fated coming of age in “Where have you been? Where are you going?” by Carol Joyce Oates acts as a cautionary tale about modern perils of adolescence.

The main conflict Connie faces in the story is Arnold Friend himself, a satanic figure preying on the young and naive. Initially Friend seems desirable to Connie, he seems like a suave mature figure, from afar, but as he draws closer to her Connie begins to see his flaws and what lies

The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's

such as " I toldja shut up, Ellie," and "your deaf, get a hearing aid,

     Does she take the chance on calling the cops? Or should she get in the car with Arnold Friend? Either way I think she knew that the outcome was going to be death. The story ends with Connie on her way out to the car. She put out her hand against the screen. She watched herself push the door slowly open as if she were back sage somewhere in the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited. (164) Why does Connie make this decision? The story does not say, but as the reader I think that Connie was thinking if she stayed that he would harm her and her family, but if she went with

He was telling her that he thought she was cute, and she said back to him, that she didn’t know who he was. He told her that his name was Arnold Friend, and he acted like she should know him. They kept going at each other, Arnold from the driveway and her from the house (behind the door). Arnold seemed to know everything about her family. He knew that they were out for the day and that they wouldn’t be back. He told her that he thought that she was cute and that she should come for a ride in the car. She told him flat out that she didn’t want to, but he told her that if she hadn’t done so that he was going to hurt her family. (Oates 367) He told her too that if she picked up the phone and called the police that he was going to come into the house, but otherwise he wouldn’t come in.Connie was terrified she didn't know what to do so she put the phone down “Cmon honey”. She put her hand to the door, and walked towards Arnold Friend. He said to her “My sweet little blue eyed girl.”(Connie had brown eyes)…Oates tells in the end “Connie had never seen so much land before and did not recognize it except to know that she was going to it.” (Oates 377) Arnold friend took Connie away……