Where The Wild Things Are Analysis

Children’s literature is the precedent for the development of all children. Children’s literature varies from poetry to children’s picture books. Every aspect of children’s literature gives an ability to grow a child mentally and develop their ideas and imagination. In early literature, children were romanized to be perfect and well behaved. Author Maurice Sendak counters the idea of a perfect child in his book “Where The Wild Things Are”. Sendak uses his picture book to illustrate a child’s ability to have feelings of anger, resentment, and frustration. The interviewer, Patrick F. Roughen of Red Feather Journal states that“Where the Wild Things Are (1963) contains some of the earliest attempts in children’s literature to represent the intrapsychic challenges of the lives of children. Anger, frustration, and the complexities of parent-child relationships can be found throughout its pages”. “Where the Wild Things Are” reinforces the idea that children are capable of emotions that one would imagine are only depicted in the adult world.

In Michael Chabon’s “Kids’ Stuff,” he is discussing how comic books have changed. Chabon starts off with different varieties of comic books and how they’re widely viewed. He then talks about how comic books have changed to appeal more towards adult readers. He also says that when comic books were aimed at kids there were huge sales, but now comics aimed at adults have less sales and is declining. He refuses to believe that comic books from the past would not appeal to kids today. Chabon then gives four principles that he believes hold true for successful children’s literature. He suggests that publishers should put out comic books for children, about children. Chabon’s argument is, “I suggest that a publisher should try putting out a

In the modern world, children’s literature, fairy tales, and fiction books influence our childhood and early development. In the 1500’s and 1600’s no children’s literature for entertainment existed, they had educational books. As babies, toddlers, and preschoolers, my parents and teachers read us books after books. It is proven that reading to young kids is important for their imagination, vocabulary, and communication skills in early life.

Why do certain people rule over what each child can and cannot read? Is that not the parents’ job to determine whether or not is it appropriate for their child? When a book is considered banned, parents, teachers, and librarians are discouraged from providing the book to their children. Many of these adults then disapprove of the book without even reading it. Junie B. Jones is thrown from the realm of possibility for many children just because the loveable character has some flaws.

Picture books can have a very important role in a classroom, from elementary school through middle and even high school. They offer a valuable literary experience by combining the visual and the text. Maurice Sendak’s Caldecott Award winning book, Where the Wild Things Are, is a wonderful blend of detailed illustrations and text in which a young boy, Max, lets his angry emotions create a fantasy world.

According to the American Library Association (ALA), young adult novels are challenged with the best intentions. In most cases a parent will read a book that their child might be reading in class to find out if the book is hazardous to their child’s well-being. If the novel seems problematic, the parent then challenges the book. Even though the purpose of challenging a novel is to keep children from reading about issues that may not be seen as appropriate for their age group, censoring children from difficult subject matter is not always the solution. There is always controversy when difficult issues arise in adolescent geared novels. Even though there are many concerns with Lois Lowry’s The Giver,

Where the Wild Things Are, a children’s book written by Maurice Sendak, is not only directed to young children, but has an underlying message that is intended for older generations to receive. This message, only used to enhance the meaning of the story, describes the addiction for one to have power and be in control. As the story goes on, the realization sets in that maybe the desire for power is not the best, at all times. The use of oppression becomes evident in this story, through Max, the main character, as he strives to control everything around him. Maurice Sendak uses repetition and parallelism in the imagery and text of Where the Wild Things Are to show Max’s progression to assume power and eventually discard it.

Book 1: The illustrations do help predict the story’s action and climax, which is simply that the main characters parents come and pick her up from her Nanna and Poppy’s house and she has a realization that, when she gets older and becomes a Nanna, that she wants a house with a hello, goodbye window too. It is easy to predict this outcome with the help of the illustrations, they set a very colorful and happy tone, and if this was simply a picture book without any words you would be able to tell the story very easily.

When readers read a story written by an author they will usually think that the author likes to read books and is what led the author to writing a book. William Goldman said, “As a child, I had no Interest in reading” (Goldman 3), this can lead readers to imagining the author as a young child rather than an adult not wanting to read a book. When Readers imagine the author as a young child the image imagined can give a better sense of how the author felt as a young child. The imagination of a child giving the reader a picture to think about is less complex than that of a adult giving a reader a picture to think about.

Geisel is thought to be one of the best children’s book authors. “For most people the thought of growing up in a world without Green Eggs and Ham, Grinches, and Cats in Hats is barely conceivable” (Levine 10). Children throughout the world have grown up with the wonderful books created by “Dr. Seuss”. “These odd creations occupy a special place in the earliest memories of children around the world” (Levine 10). He has been able to not only capture their minds but their hearts as well. Geisel’s colorful imagination, upbeat rhymes, and unique illustrations seem to have no limits. He has written books that range from simply humorous to impressively insightful. This has contributed greatly in him selling more than 200 million copies. To many “Dr. Seuss is by far the best-selling children’s author to date, and perhaps the most beloved” (Levine

So you see, pictures, even in books help minds to develop each time you take a glance at them. You gain that freedom in your mind and can grow and expand to photography, galleries, museums, and even creations of your own personal art... the possibilities seem endless. I would conclude that picture books are helpful to people of all ages, especially the minds of children. Will you ever look at books the same

This charming story reverses the typical roles within a children’s book. With underlying issues of stereotypes, independence and empowerment, it fills children with imagination and teaches them the importance of being strong, smart, and the realization that beauty comes from within.

Doughty, A. A. (2013). 'Throw the Book Away': Reading versus Experience in Children's Fantasy. Jefferson, NC: McFarland.

I chose to read and comment on Barbara Kiefer’s “Envisioning Experience: The Potential of Picture Books.” Kiefer’s main point in writing this essay was to get the message across that children enjoy picture books that allow them to identify and make connections with the characters or the plots, and that while reading and analyzing the pictures, they gain a better sense of aesthetics and how to interpret them.

There are numerous children’s books available for educators to utilize as they create, integrate, and incorporate reading books into their lessons. When selecting books for students, many factors come into play. One central component to employ when selecting Children’s books is ensuring the book is developmentally appropriate for the child (Lennox, 2013). In order to select