Where There's A Wall

First, “walls” of both kinds are seen in the poetry and fiction of Edgar Allan Poe. In, The Cask of Amontillado, a physical wall is being built around a chained, Fortunato, forever forcing him to remain among the catacomb. Montresor has built this wall around his “friend” to seek revenge and be free of Fortunato. While physically free, he will become trapped by a symbolic wall of guilt as he is laying the last of the stone. The Raven, also by Poe, shows of a “wall” between the narrator and the refrained term,nevermore. The narrator does not wish to see the association with his wife, Lenore and death. The angels know her name, therefore she must have recently passed and he is unable to get over the emotional wall of never seeing his loved one again.

The symbolisms greatly have an impact on the suspense in each story. Gilman uses wallpaper to symbolize some sort of text she must interpret and believes it affects her in some way directly. “There are things in the wallpaper that nobody knows about but

In his poem, “Facing It”, Yusef Komunyakaa describes his ambivalent emotions towards the Vietnam War of which he was a veteran. Reflecting on his experiences, Yusef expresses his conflicting feelings about the Vietnam War and his feelings about how racism has played a part in America’s history. By using visual imagery and metaphoric language throughout the poem, Yusef is able to reflect the sad and confused emotions he felt while visiting the Vietnam memorial.

Imagery is one of the poetic techniques that Robert Frost uses in ‘Mending Wall’ to convey his ideas. In the first eleven lines of the poem, Frost uses imagery to describe the degradation of the wall, creating a visual image for the reader. The sentence structure of the first line in the poem places emphasis on “something”. This, compound with the use of personification, makes “something” appear alive and even human-like. Animate qualities have been given to

Gilman and O’Connor focus on the character’s individual opinion of the imagery. Gilman’s story is written through journaling in the main character’s point of view. The imagery she uses is extremely vivid, especially when describing the room the narrator resides in for the majority of the tale. When describing the yellow wallpaper, she uses phrases that surround the topic of suicide and death. Examples of this occur in the beginning of the story when the narrator

This quote from Brook sums up the production of Boy Girl Wall by the Escapists as actor, Lucas Stibbard took an empty space such as the black boxed room and called it a bare stage. It used a conventional, ordinary room with pipes, a fuse box and doors, all been painted black to create a distinct world that we as an audience became submerged in. As the production progresses Stibbard is constantly setting the stage as he goes, such as drawing a pillow or an alarm on the wall with his one piece of chalk. This suggests that anyone could perform this piece or a piece similar to it as it uses everyday items to portray a narrative in a normal and simplistic setting. This gives insights of the battles young amateur actors and play writers face with

In the “Yellow Wallpaper” the author uses imagery to describe what she is seeing in this “wallpaper.” This story is about a woman that is very sick, that lives with her husband John in an old house on a beautiful plot of land. The house might of been old and run down, however, was very thoughtful while being designed. In other words, it was very detailed and fascinating. While she was describing the house, she was also talking about how her husband wouldn't let her do anything because she was sick but she thought otherwise. She thought that she was capable of doing things on her own and that John didn't have to be there helping her with everything that she needed, “I have a schedule prescription for each hour in the day; he takes all care from

Overall, this collage was a representation of Charlie’s world, and how he perceives it. It is inferred in the film, The Black Balloon, that Charlie goes about his day in a haze, disconnected from the people around him. This is a theme throughout the collage, and connects all subjects otherwise featured. These subjects include the faces of those close to him, images representing sensory overload he experiences, and, in contrast, the

Walls utilizes imagery throughout the memoir because it assists the reader as they envision what the author’s situation looks like. Although imagery

The memorial wall causes the speaker to reflect on his memories during the Vietnam War. The speaker cannot walk away unmoved, and instead he finds himself gripped by more memories from the past. “Brushstrokes flash, a red bird’s wing cutting across my stare. The sky. A plane in the sky.” Again these names that are listed on the wall evoke different feelings and brings back a lot of memories for the veteran. He reflects on warplanes flying in the sky during war. Nonetheless just how he imagines his name in smoke on the granite wall these memories take on a surreal quality with

As the protagonist suffers from her “nervous condition”, the isolated environment causes her to only get worse. Being trapped in the bedroom with yellow wallpaper contributes her emotional distress to become overpowering. The inability to verbally express her feelings of loneliness causes her to write in a more creative way about her relationships with objects in the room, specifically the yellow wallpaper. She begins to write about the yellow wallpaper as if it is suppose to have some sort of significance, in which it does. In the beginning of the narrator’s isolation, her attention is focused on the details of the yellow wallpaper’s pattern that are “dull enough to confused the eye in following, pronounced enough constantly to irritate and provoke study” (438). The wallpaper’s characteristics become hard to

The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the

In “The Yellow Wallpaper,” Charlotte Perkins Gilman uses symbols to portray recovery from the depth of mental illness. The main character, Jane, struggles throughout the story with severe depression. She is constantly haunted by the room she has to occupy during her stay. Yet despite it all, Jane sets herself free from her illness’s grasp. Gilman employs the symbols of the yellow wallpaper, the ripping of the yellow wallpaper, and the beautiful door to depict Jane’s journey out of her depression.

“At the Dark End of the Street,” is a novel that takes back to the terrifying experience Recy Taylor had in Abbeville, Alabama. Taylor was gang-raped by six white men in the 1940s. This scene immediately shows readers the civil rights movement during the 20th century and how important it was in understanding what was happening. Danielle McGuire is the author of “At the Dark End of the Street,” which was published in 2010. However, “This Nonviolent Stuff’ll Get You Killed,” is a novel that focuses on King’s protection during the Montgomery bus boycott that took place in Montgomery, Alabama. Charles E. Cobb is the author of “This Nonviolent Stuff’ll Get You Killed,” and was published in 2014. Both of these novels focus their points on different and similar aspects of the civil rights movement. When Cobb wrote “This Nonviolent Stuff’ll Get You Killed,” he focuses on the protection African Americans needed in order to not get killed completing everyday tasks, like going grocery shopping. Even on public transportation, civil rights activist felt threatened to the point of bringing weapons and concealing them on their personnel. Even though both novels take place during different times of the Civil Rights Movement they both show the similar hardships important figures played during this movement.