White Chicks Cultural Context

The movie Get Out expresses the objective racial tension amongst white and black individuals to a large, diverse audience. The writer and director, Jordan Peele, displays the concept of racism throughout the movie. Racism is shown in the white characters using the black character for their benefit, such as taking a black person’s body part to improve upon their own features. The movie is about a white female, Rose Armitage who brings her boyfriend, Chris Washington, to see her family. Little did Washington know that his girlfriend and family run a hidden sex slave business, where they lure black people to the white community and hypnotize them to take control of their minds and bodies. The scenes throughout the movie show white people using black people as resources and show how powerless black groups are. Peele’s purpose is to show society that racism still exists and many are unaware. He does that by emotionally connecting with the audience.

“For Colored Girls” is comprised of seven women who represented a different shade of the rainbow. The colors are brown, red, yellow, white, green, orange and blue. Their costumes and make-up transformed each of them and were symbolic of the color their character embodied. The ensemble acting made all of their roles of equal importance, without one dominating the other. These women together formed a bond through their various adversities, gradually taking them from strangers to acquaintances. From an objective view, the audience is allowed to simply observe the events as they take place (Goodykoontz & Jacobs, 2011, pg. 82) chronologically. Throughout the movie during some of the conflicting and traumatic scenes, one of the women recites a

Shameless is a Golden-Globe nominated show with a white dominated cast. One of the siblings on the show is black, but is identified as a White male contrary to the character’s skin tone. “When it comes to representations of Blacks on television, the 1980s can be seen as a decade of elevated inclusion both in terms of the quantity and quality of roles -- which remains the norm today. (Tukachinsky, Mastro, & Yarchi, 2015). Over the years, we will see more shows gearing their audiences to the black community. Producers add in a few social issues to reel viewers in, but the fact remains the same that a prime time heavy hitting shows, will most likely have less than 20% of their cast of African descent. In consonance with researchers, blacks currently constitute between 14-17 percent of the prime-time population. (Tukachinsky, Mastro, & Yarchi, 2015). The lack of representation in the media can lead to some interpreting that the Caucasian race is the superior race, and in retrospect, can influence the attitudes and beliefs of viewers. Prior research has shown that exposure to counter stereotypic exemplars in the media can have a positive effect on inter-group relations. (Scharrer, & Ramasubramanian, 2015) In order to reduce the misrepresentation from taking over the media, we must depict a positive image on the lives of minorities and portray them as successful, thriving human beings. By

For this assignment, I will be analyzing the 2004, blockbuster film White Chicks with specific reference to dimensions of social stratification such as gender, class, and race. White Chicks follows the story of two African American FBI agent brothers, Kevin and Marcus Copeland who accidently foil an assiduously executed undercover operation intended to capture a group of notorious Dominican drug smugglers. As a final opportunity to redeem their tarnished reputations, the two agents take on an assignment far below their customary standards when they agree to escort billionaire heiresses Brittany and Tiffany Wilson to the Hamptons in order

This movie Directed by Paul Haggis who also directed Academy Award Winning "Million Dollar Baby" and had also won an Academy Award for this movie as well puts a twisted story in this film. This movie is trying to symbolize what goes on in the world today in regards to racism and stereotypes. He tries to make a point on how societies view themselves and others in the world based on there ethnicities. This movie intertwines several different people's lives, all different races, with different types of beliefs. Such ethnicities include Caucasians, African Americans, Hispanics, Asians and Middle Eastern. This movie includes conflicts on both sides of the picture from cops and criminals as well

I saw racism in the movie for example when the cops target a Suv because they saw a colored couple, but when a white coupled pass by they don’t stop them or anything. The cop takes advantage of the colored girl because the cops are white and know they

The film represents the main protagonist Nola all the way down to her three lovers, with each representing a different personality trait that is not necessarily race identifiable. Lee develops a new form of cinema by creating a new aesthetic. Lee details the double standard that exists for Nola by showing her deviating from social norms. She refuses to live by anyone else’s rules and resists conventional ideals such as marriage and monogamy. This film portrays a possible explanation of racial dynamics within gender and sexuality. If roles were shifted for men and women through various aspects focusing on mise-en-scene, editing and narrative conventions.

The movie's success depends on using dated stereotypes: "angry black woman," "thuggish black man," and "innocent" white women. White men,

Third, it challenges people to examine White women’s role in privilege, race, and complacency in America. It was a heavy scene that challenged stereotypes and ideologies.

What I also found to be quite interesting and perhaps a weakness of the film, was the sense of performative racism that four of the main white characters utilize and how the makers of the film appeal to such a phenomenon through symbolisms as well. In the movie, there seems to be two main kinds of racism the characters exhibit, one of them being blatant racism and another being subtle racism through microaggressions. For example, Katherine experiences blatantly racist and misogynistic behavior from her coworkers, especially from Paul Stafford, the lead engineer (making groupthink much easier) and Ruth, the only other woman working in the office. On the other hand, Al Harrison and John Glenn appeal to the subtler sides of racism and performative white pity, Glenn going out of his way to shake the hands of the computers as the film attempted to paint a positive, “not-all-whites” picture of inclusion, acceptance and tolerance, a kind of racism that almost all of the white people in the film come to, by its end. Examples of this can be seen in scenes like the one in which Al Harrison smashes down the “coloreds” and “whites” restroom signs as if implying that doing so will abolish all racial inequalities with a couple of blows of blunt force. One could infer it seems, that paired with the groundbreaking stories of these three women, white people being decent human

The difference between white feminism and black feminidm is clear. White feminism hurtss black women in ways you would have never thought. Feminism in general Has Not Passed Any Laws That Have Directly Or Indirectly Helped Black Women The majority of the opportunities, rights and benefits black women appreciate today such as governmental policy regarding minorities in society "twofers", expanded open security , access to conception prevention and fetus removal since it hasbeen ade clear that black women get the most premature births among American women when all is said in done, decreased social shame for being young moms , access to school instructions, and so on, have originate from white women's activists. Roe v. Wade, the Sexual Revolution, Norma Rae, the greater part of that happened from white women's activists. Black women haven't had an immediate hand in making any laws, campaigning for the same, or notwithstanding raising any essential issues that would specifically

The film typecasts the Hamptons social scene as being made up of pompous and pampered white girls. This stereotype resembles the notion of white privilege: “unearned entitlement”. White people throughout history have been shown to be viewed as favorable or preferred in the social system. This ‘entitlement’ is unsought by white people, however it still exists. This inferential racism of white people or the beliefs adopted by unspoken attitudes in society have painted whites, namely white women unjustly. It’s subtler but remains a blatant derogatory representation of the race. Take for instance, Brittany and Tiffany’s group of friends consists of three white girls who are depicted as vain girls whose only interests fall into the category of shopping and boys. While this depiction may be accurate for young girls between the ages sixteen to twenty- two, the film confines it to only white girls. The African- American community is given its share of prejudice as well in the flick. Character Latrell Spencer, played by Terry Crews, is a professional basketball player who makes his debut in the

“…And this is for colored girls who have considered suicide but are moving to the end of their own rainbow…” (Perry: For Colored Girls, 2010). For colored girls was first written and performed as a play by Ntozake Shange in 1977. It was then called “for colored girls who have considered suicide when the rainbow was enuf”. Tyler Perry adapted and transformed it into a movie in 2010. For colored girls is centered on nine women as they encounter their fair share of neglect, abuse, pain and harassment both physically and emotionally. They slowly but surely recover from such abuse and discover joy in themselves. The movie begins with the characters as strangers but at the end, they become good friends.

The second part of the film is focused around two protagonists that actively try to mix with the white people of the school. "Coco" is a girl who tries to be white throughout the film. Coco's main focus is to be a celebrity on the internet. She copies Sam's dear white people to gain popularity throughout the campus.

The 2016 historical film, Hidden Figures directed by Theodore Melfi which explores the themes of racism and sexism in America during the 1960’s. Melfi uses visual and verbal features of dialogue, costume and symbolism to display that sexism and racism is hard to abolish. The messages that Melfi conveys to the audience is that unequal pay and expected sexist uniforms are still present, but if we do something about it, it can be removed.