White Noise Identity

Everyone in the world has their own identity but some are still searching for it. Many base their identity on race, religion, culture and language because it’s easier to belong to a certain group. However, there are some people who struggle with finding where they belong. For instance, James McBride in The Color of Water wonders who he is through most his childhood and some of his adult life. Mcbride tries to find himself by learning about his mother's background. After evaluating his mom’s past,culture and race his own issues with himself were made clearer because now he finally knows where he came from.

Jack is 18 years old. He graduates from high school, and gets a job in the movie theatre as a ticket seller and a projectionist. He has a girlfriend named Katy, and they are going to get married in November. When he meets Katy’s parents for the first time, it was at her sister's wedding, he walked in wearing a coat and tie. Jack’s friend LeFranc plays trumpet, and he does not know what to say to a girl. But Jack is getting tired of his friends, but does not complain. He is not very enthusiastic about his job, and feels he is trapped inside. He perhaps feels like he is in a jail, because it is mentioned in the text, that while selling the tickets he looks out in the day light through the metal bars, and the metal bars perhaps symbolizes that he feels trapped inside. In the end he decides to leave in middle of his work, and drive with Katy to Fountain Lake which he wanted in a long time. He changes to a happy and free person, and finally says, that he loves her.

By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies

Each and every person on this Earth today has an identity. Over the years, each individual creates their identity through past experiences, family, race, and many other factors. Race, which continues to cause problems in today’s world, places individuals into certain categories. Based on their race, people are designated to be part of a larger, or group identity instead of being viewed as a person with a unique identity. Throughout Richard Wright’s Black Boy, Richard is on a search for his true identity. Throughout Black Boy, one can see that Richard’s racial background assigns him with a certain identity or a certain way in which some

Moving from a childlike bliss to an awakening of the world's prejudice, the author makes the words take on flesh. The story is made alive as she breathes life into a time that is unpleasant yet not void of hope. "The hush-hush magic time of frills and gifts and congratulations" disappeared when they were told the cold hard `truth' of their fate that some white man had already decided for them.

Identity can be defined as the fact of being whom or what a person is. Internal and external factors shape a child’s concept of their own identity. These factors include the environmental setting, family, community, and the media. In the novel Room by Emma Donoghue, the 5-year-old narrator/protagonist Jack learns his identity through exploring the familiar space he occupies, the close relationship between he and his mother, and watching television. It is clear that Jack faces many challenges, which lead him to discover how his identity is shaped; this is evident through the exploration of him forming personal attachments to his mother, the room he lived in, and the problems he encounters to the new outside

Towards the end of the novel, Jack Burden has changed as a person. Jack Burden shows signs of respecting and caring for other people’s feelings. Jack Burden gives support to Anne Stanton during her time of grief regardless of his feelings about her affair with Willie Stark. Jack Burden also accepts Sadie Burke’s response to Willie Stark’s death without pulling back as he once did and instead makes and effort to comfort her. Jack Burden respects Sugar-Boy's feelings regarding Willie Stark’s death instead of belittling him as he once did. Jack Burden brings the “Scholarly Attorney” to live with him disregarding his negative feelings about his religious beliefs. By the end of the novel, Jack Burden gains the ability to care about other people and their feelings and accept their actions as

Jack makes fun of Melanie’s future husband and asked random questions to keep the conversation going. First, he tells her that William is nineteen years older than him. He even calls him granddaddy and questions her on how old William is going to be when her baby turns ten. Furthermore, Jack asked William out of nowhere if he smokes. He asked him that question to see if he responded yes so he can make another argument. According to Bausch, “He sat down in his kitchen and tried to think of something else to say” (89). This demonstrates how Jack wants to keep the conversation going in order to prevent talking about the problems within his marriage. However, he takes it too far and hurts Melanie’s feelings. All throughout the conversation he is thinking about himself and what to say to avoid talking about his problem but he doesn’t realize that what he is saying hurts Melanie’s feeling because that is the man she loves that he is making fun of.

Jack: “If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won’t want to know Bunbury” – This shows that Jack does want to settle down and is very much in love with Gwendolen. He feels that if he has her in his life, he will no longer need to escape out of where he lives to have fun and be wilder, as he won’t want that anymore.

Fabricating an identity is a task that all humans encounter, which requires a significant amount of time. Because it takes a while to establish, numerous factors, such as the environment and the group dynamic an individual is surrounded by, can effect the creation of the identity. In Malcolm Gladwell’s “The Power of Context: Bernie Goetz and the Rise and Fall of New York City Crime,” he explains human behavior in his analysis when presenting a theory to explain the time period when New York City was crime ridden. Gladwell argues that the physical environment of an individual plays a significant role in an individual’s behaviors and actions, which shape an individual’s identity. While Gladwell argues that an individual’s identity is a product of his or her surroundings and environment, Susan Faludi explains how choosing to take part in a group dynamic can significantly alter one’s identity in her “The Naked Citadel.” Faludi describes how the cadets come to The Citadel so they can escape the traditional roles of masculinity in the outside world, and arrive at a place where they are sometimes given the opportunity to live a vulnerable lifestyle. However, when the cadets arrive they are integrated into a group dynamic, which alters their own personal identities. The effects of the environment and group dynamic on one’s identity is portrayed in Azar Nafisi’s “Selections From Reading Lolita in Tehran.” Nafisi describes the time frame when her students secretly came to her

Jack illustrates the purpose of deception by using Earnest to escape his role of Cecily’s warden. When Algernon finds Jack’s cigarette case, he is shocked to find the name Jack graven inside. Jack attempts to explain by saying, “[M]y name is Ernest in town and Jack in the country” (Wilde Act I). As Jack, he has to be a responsible adult and take care of his niece Cecily but as Ernest he is able to live the wild life of a young bachelor. By pretending to be Ernest in town, Jack is freed from the restrictions of being a caretaker, yet he still fulfills the duties of one as he resides in the country. While explaining why he has two identities to Algernon, Jack states that being a guardian does not “conduce very much to either one’s health or one’s happiness” (Wilde Act I). Jack has to take care of Cecily, be responsible for her, and set rules and guidelines for her to follow. In his role of guardian, he finds himself unable to have fun, so he creates an irresponsible, carefree

One thing that Jack and Algernon have in common is that they both have these false faces. Algernon’s alter ego Bunbury is a version of himself used in the country but he uses Ernest to marry Cecily. The story deals with Ernest, this immorally imaginary man that both Cecily and Gwendolyn become engaged to, it exemplifies the irony within the name. Most of the irony comes from this character. One of Wilde's satiric targets is romantic and sentimental love, which he ridicules by having the women fall in love with a man because of his name rather than more personal attributes. Gwendolyn said “No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces

Death is probably the most feared word in the English language. Its undesired uncertainty threatens society’s desire to believe that life never ends. Don DeLillo’s novel White Noise tells the bizarre story of how Jack Gladney and his family illustrate the postmodern ideas of religion, death, and popular culture. The theme of death’s influence over the character mentality, consumer lifestyle, and media manipulation is used often throughout DeLillo’s story.

Jack and Algernon start their friendship with deception and lies. In the beginning of the play, they are alone in the morning-room and the lies, between the two friends, is are brought to the table. They have both been great friends for some time now. Jack visits with Algernon in the city where he goes by the name “Ernest”. He feels that going by a different name will let him live and experience a different lifestyle. When visiting with Algernon, Jack has become very interested in Gwendolen. Jack is expressing his love for Algernon’s cousin, Gwendolen, and tells how he wishes to marry her. Before Algernon gives his consent, he wants to know who Cecily is. Cecily is the name engraved on the cigarette

“The world…is crowded, not necessarily with occupants and not at all with memorable experiences, but with happenings; it is a ceaseless flow of seductive trivialities which invoke neither reflection, nor choice but instant participation.” (Oakeshott) The idea of the lacking of realness is one of the major themes carried out throughout the novel White Noise by Don DeLillo, especially through the device of the television.