Zadie Smith’s White Teeth shows the difficulties that immigrants and their children go through while adapting to their new location. They must find a border between their past culture, and the one they now live in. Zadie Smith shows pessimism towards creating a third space of cultural difference—where cultural difference is an encouraged, positive thing—all while showing the gradual progression of cultural difference acceptance through the first generation immigrants to their children and how it effects the males and females differently—females being more accepting of a third space.
Hortense is the first example of an immigrant adjusting to a new life in Britain. She was born and raised in Jamaica to her Jamaican mother and her British father. Already from being biracial, Hortense is culturally different. Her main focus of culture that she brings with her and Clara when they move to Britain is her strong faith of Jehovah Witnesses. Her devoted faith to Jehovah started while her mother began practicing while pregnant with Hortense, “It was Hortense’s belief that at the moment her mother recognized Jehovah, Hortense herself became conscious, though still inside the womb” (Smith, 298). This is an example of when a person is brought up with one set of beliefs from the very start of their life that those beliefs will be important to them throughout the rest of their life. This is the problem with the second generation immigrants, they aren’t brought up with one set of cultural
Many ethnic groups have the fear that their children will lose their culture. Many countries have the fear that the immigrants will destroy their country. White Teeth reminds me of the book The Latino Threat by Leo Chavez that wrote about how the Latinos are a threat to the United States but at the end Latinos actually assimilate to the country and its culture. The more a person assimilated to the culture of others the most prosperous the person is, studies have showed. Samad and Alsana are are afraid their children will assimilate to the english culture and have different religious beliefs. Samad sends one of his sons back to his home country so he can live in a religious based community. Samad does not want his children to do mistakes as
Even though Fahm’s family did assimilate into the American lifestyle, her parents suffered from losing almost everything they had in their Mien lifestyle. As an American, I thought that because we are the land of opportunity and are mostly accepting of all cultures that it would be difficult to suffer so much after immigrating here, but Fahm’s father's story exemplified the reality that not all people thrive after coming
The personal narrative “Born in Amrika” (2003) by Mona M. Maisami speculates that children of Iranian originated parents struggle between culturally identifying themselves as American or Iranian. Maisami develops her main idea by narrating through the point of view of a young girl born in America interacting with her Iranian born cousin Nina. Throughout the story, Nina and her cousin encounter various differing cultural phenomena such as dress and meal rituals before realizing they can adapt to both cultures at the same time. This short story highlights these two different lifestyles in order to emphasize the way American citizens with overseas connections question their character because of their newly adopted home. In hopes to reach out to
“The Arrival,” by Shaun Tan, is a wordless novel that depicts the experience immigrants go through when vacating their home countries to start new in a different country. Readers can see that on the first page there is a collage of headshots from multiple people of different ethnicity and religion. The first image page of the wordless novel helps viewers get a clearer image of what the novel is about. In “The Arrival,” Shaun Tan depicts the hardships and enjoyment that immigrants experience when moving to a new country, since the piece was written in 2006, there seems to be more hardships than enjoyment when coming to the United States, which means the idea of the United States being a melting pot is flawed.
The teenage years and transition to adulthood is in itself a very difficult period. Blending or fitting in are omnipresent issues that must be dealt with. For children of immigrants, this difficulty is only intensified through language. Both Amy Tan and Khang Nguyen strategically use narrative anecdotes and employ several rhetorical devices to illustrate this struggle in their works, “Mother Tongue” and “The Happy Days,” respectfully. Amy Tan chooses her childhood home as the primary setting of her work. This allows her to focus primarily on her conversations and interactions with her mother. However, she also gives several anecdotes in which her mother’s background and improper English negatively affected her, outside the home. Through
Many second generation minorities from immigrant parents are driven subconsciously to conform to new culture and social norms. For foreign born parents and native born children integrating the two cultures they inhabit brings about different obstacles and experiences. In Jhumpa’s “The Namesake” the protagonist Gogol is a native born American with foreign born parents. The difference with birth location plays an important role in assimilating to a new society in a new geography. The difficulty for parents is the fact that they’ve spent a decent amount of time accustomed to a new geography, language, culture and society which makes it difficult to feel comfortable when all of that changes. For Gogol the difficulty only lies with the cultural norms imposed by his parent’s and the culture and social norms that are constantly presented in the new society.
The election of Barack Obama as the 56th president of the United States raised many hopes that the “Black struggles” was finally over. For conservatives, Obama victory reassured their beliefs that there was no longer such thing as racism and that every American had equal rights and opportunity to pursue the American dream. While many people have come to believe that all races have equal rights in America, Tim Wise argues in his documentary “White Like Me” that not only does racism and unconscious racial bias still exist, but that also White Americans are unable to simply relate to the variety of forms racism and inequality Blacks experience. This is mainly because of the privileges they get as the “default.” While Wise explores the variety forms of racism and inequality today such as unconscious racism, Black poverty, unemployment, inadequate education system, and prison system, the articles by the New York Times Editorial Board, the Human Rights Watch (HRW), and Adam Liptak further explore some the disparities in the criminal justice system. Ana Swanson points out in her article, “The Stubborn Persistence of Black-White Inequality, 50 Years after Selma” that while the “U.S. has made big strides towards equal rights,” significant gaps still remains between the two races. With the Supreme Court striking down a “portion of the Voting Rights Act that stopped discriminatory voting laws from going into effect in areas of the country with histories of disenfranchisement,” civil
Immigrants arriving in America for their first time are initially devastated at their new lives and realize their “golden lives” were simply fantasies and dreams of an ideal life in America. Immigrants from foreign countries, including those mentioned in Uchida’s Picture Bride, faced countless problems and hardships, including a sense of disillusionment and disappointment. Furthermore, immigrants and picture brides faced racial discrimination not only from white men, but the United States government, as well. Immigrants were plagued with economic hardships lived in deplorable living conditions. Though nearly every immigrant and picture bride who came to America fantasized about an ideal life, they were faced with countless hardships and
“In 2009, 33 million people in the United States were second generation immigrants, representing 11% of the national population. The children of such immigrants in the U.S., also known as "second generation immigrants," experience a cultural conflict between that of their parents and that of mainstream U.S. society” (Wikipedia 1). Amy Tan the author of “Two Kinds”, and the young character in the story both are a second generation immigrants, who have struggled in their life with parents, about the culture they assimilating and their real culture.
There has been an archaic existing fear of anything different from the norm becoming present, however having something different may bring about positive change, diversity, and new knowledge. Yet people are reluctant to accept something different and instead make efforts to change the differences to match the way things normally and dominantly are. This fear and reaction is the reason for why efforts of assimilation occur, so that the dominant can integrate the minority and to conform to the dominant culture. Writer Sarah Ahmed discusses the issues of migration, assimilation, and what it really means to be happy in her chapter “Melancholic Migrant.” She traces the links between white culture and happiness; the idea of the whiter you are the happier you are. Ahmed presents arguments of other scholars, like Trevor Phillips, that present the notion of migration being the root of unhappiness in communities with people of different racial backgrounds living together and running into conflicts (122). She goes on to explore how the British government tries to resolve these diversity conflicts among their British citizens and Asian immigrant population. The British Empire promoted civilized kind of pleasure that they assumed could not be found in the Indian culture, but only in the British culture. Based on the excuse of Indians being uncivilized the British made attempts to colonize them. The British held the belief that India does not have culture and thus the
How can art bring bodies and stories systematically erased from history to light? I feel the best way to do this is to go about it how Nona Faustine did, that being go to places where the most terrible atrocities that have been forgotten happened and bring them back into the light. In her series White Shoes in 2013. She took to the streets of New York to bring to light the societal and racial injustice that took place in New York during slavery. (Unit 4 Lecture) One of her key photos is a photo of her standing on a box in the middle of an intersection in New York. That being the heart of the financial district home to Wall Street between Water and Pearl Streets. (Unit 4 Lecture) What she was trying to bring to light is that there stood the
Zadie Smith’s novel, White Teeth, is chock full of potential deconstruction ideas; however, an exciting scene to deconstruct is in “The Final Space” chapter when the Iqbals and the Jones are on the public bus heading towards the FutureMouse exhibit. The most obvious binary opposite is that of parent or adult and child. Adults are without doubt the privileged binary. They signify knowledge, wisdom, teaching, and training of young ones along with patience and selflessness, and are allowed to use bad words without penalty. They have all the answers. Children signify selfishness, constant bickering, needing to be taught to not interrupt, to share, to play nicely with others, and are always contrary. In
Zitkala-Sa’s autobiography informs her readers of the damaging and traumatizing effects of assimilation by utilizing her life experiences as a narrative, demonstrating how living under an oppressive and dominant culture was an internal struggle between society's expectations and her own cultural identity. Sa’s experience is especially unique considering her mixed heritage as well.
One of the most interesting and complicated experiences one can have is the experience of moving from one country to another. More specifically, the country of one’s home to a completely foreign place. Although this is very specific to immigrants, their children also typically experience this phenomenon of merging two cultures within one person. This is mostly due to the fact that those children grow up in one culture at home while being exposed to another culture and way of life simultaneously in their present environment. In particular, the experience of being Afro-German is one often overlooked, yet is incredibly fascinating as one begins to explore the intricacies relating to the merging and clashing of two different cultural backgrounds and vernaculars, which in turn create a narrative unique to those children of two worlds. Nigerian filmmaker Branwen Okpako explores these particular narratives in her social documentary films, Dirt for Dinner and The Education of
1. Samad’s great-grandfather, Mangal Pande was the first of the sepoys in the Bengal army to fire a shot at a British soldier setting off a revolt against the British. However, the circumstances of the events that unfolded are greatly debated as to whether he was drunk when he shot the soldier and so on (209). However, for Samad, Pande represents an unsung hero of eastern culture, preserving the culture of Bengal from the British (215). Samad also views Pande as a name that he must live up to; Pande had a mark on history and so Samad felt that he had to do his best to live to the name and be successful in the military (76/77).