Who Is Albert Camus The Stranger?

Not also that but Meursault is also constantly stubborn with others opinions and beliefs. It's not just the life of the main character, but it also views our lives as well. It can be cruel, unusual and rebellious if it’s not to society's laws and the absurdity of the human behavior has us doing these type of actions. The world and the point of being alive may not be entirely meaningless but conventional. Throughout the whole book, he is brutally honest about everything and his interpretation of virtues falls right into Camus’s category of his absurd ideology. Even though the author was an Existentialist, hes has more of an Absurdist thought put into his novel. Both of these beliefs are different yet the same because both relate to the point of being yourself. However, one rejects humanity and the other goes along with individual experiences and actions that are basically making your own

In The Stranger by Albert Camus, the murder committed by Meursault is questionably done with no reason. Although the entirety of the second part is spent in society’s attempts to find a cause, Meursault has a durable existential mentality that proves that even he knows that there is no true reason for the crime. Through the use of light and heat imagery and diction in The Stranger, Albert Camus comments on the duality of society trying to find a cause for the murder and Meursault defying this because of his existential mentality. These elements heighten Meursault’s negative outlook on life by

In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.

In the novel The Meursault Investigation, Kamel Daoud weaves a sister story for Albert Camus’s The Stranger, and has a dialogue of sorts with Camus. At times Daoud’s novel is very critical of Camus, standing in opposition to the attitudes and themes in The Stranger. The existence of The Meursault Investigation and the character of Musa is a criticism of the incomplete picture that Camus paints in his story, and the namelessness of “The Arab” that Meursault killed. Daoud gives a name to Meursault’s victim beyond that of “The Arab.” At other times, Daoud’s book parallels a lot of the ideas put forth by Camus. This can be seen as Harun slowly comes to resemble the man who killed his brother after committing a murder

In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as

Albert Camus in The Stranger demonstrates how in French-occupied Algeria, Meursault, a French colonist, is on trial for his inconsiderate behavior in regards to his mother’s death, rather than being convicted for the murder of an Arab man. Over the course of the novel, Camus illustrates how this French-colonized society frequently takes advantage of Arabs, explicitly making note of the embedded racism during 1830 to 1962. In doing so, he makes apparent the demeaning attitudes towards Arabs; whereas Meursault does not undergo any reciprocated aggression for the crime he commits, alternatively being treated as a free man. As he internally becomes accountable for his actions, Camus insinuates how the white population is not aware of the present racial inequality until put in situations similar to those oppressed.

In Part 1 of the novel, Meursault does not fully grasp the significance of life because of his absurdist way of life. Camus presents Meursault as a person who does not live life, but reacts to what life presents him. Meursault is incapable of understanding the metaphysics of the world due to his lack of emotions. The greatest understanding of Meursault is through his own mind; instead of being subjective, he is objective. “Behind them, an enormous mother, in a brown silk dress, and the father, a rather frail little man I know by sight” (22). His thoughts include “note-taking” details about his environment with an

The sweat blinding Meursault enables him from thinking clearly and reflects how powerful the sun is to throw him off of his usual train of thought. All Meursault can think about is the sunlight affecting his body and mood. All he can feel is “cymbals of sunlight crashing on [his] forehead” (59). Camus specifically describes where the particles of sun encounter his main character and how severely it bothers him. Still on the beach, his attention is on the “warm thick film” in his eyes (59). The sun throws off Meursaults’ focus on more than one occasion.

In Albert Camus’ The Stranger, Meursault is seen as a very unique character, but not in a good way. Throughout the novel, he continually fails to show normal human emotions to things like his mother’s death, Marie’s love, and the man he killed. Most people in his town, along with the reader at first, are not able to reason out his actions but as the final events of the novel unfold, the reader begins to see Meursault in a different light.

In the novel, The Stranger, author Albert Camus confronts some important issues of the time, and uses the singular viewpoint of the narrator Meursault to develop his philosophy and effectively weave together themes of absurdity, colonialism, and free will. Through the progressive disruption of Meursault’s life and his characterization, Camus presents the absurdity of the human condition along with the understanding that a person can actually be happy in the face of the absurd. Camus also intentionally sets the story in the colonized country of Algeria, and hints at the racial tensions that exist between French-Algerians and Arabs.

Camus describes in detail the street scenes yet never does Meursault become involved in them. Meursault is distant from the messiness of plans, ambitions, desires, hatreds, even love. Marie's protestations of love only puzzle him. When she asks him if he wishes to marry her he agrees only because he sees no real reason to refuse. He helps in Raymond's nefarious schemes for equally bland reasons, and also because Raymond plies him with food, drink, and cigarettes. He is even distant from his own trial. It interests him because he has never seen a trial before.

In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.

In “The Stranger” by Camus, Meursault’s actions throughout the story can be summed up in one word, absurd.

In The Stranger, Albert Camus allows the main character to tell the story in order to give the reader an experience of his own. Obviously, with a novel also comes language, which Camus incorporates cleverly as a way to indirectly illustrate Meursault’s thoughts about certain situations. Although the novel represents a postmodern setting, the author shifts the overall meaning. In The Stranger, Camus applies a unique literary style as a power that deflects blame from Meursault, the antiheroic character. In order to disclaim the fault of Meursault, Camus incorporates several instances in which he leaves a greater sense of authority to nonliving objects, while further drawing attention away from the main character. Based on the implication of

In the beach scene with Meursault, Masson and Raymond, and their fight with the Arabs, Camus’ motif of heat represents tension and foreshadows conflict between the two groups to show that tension leads to conflict and to build suspense. During this scene, the motif of heat specifically symbolizes cultural tension as well as foreshadowing physical conflict. When walking with Masson and Raymond in the beach scene, Meursault noticed that the “the sand was starting to get hot underfoot” (Camus 50) and it was “hard to breathe in the rocky heat rising from the ground” (Camus 50, 52). Camus uses the diction of underfoot to show that the heat is not there yet, but it is about to come. Furthermore, the diction of "rocky heat rising off the ground" shows that the heat is no longer under them, but now something that they are in. By using this kind of diction, Camus shows a transition in the state of heat which parallels the growth in tension in the Pied-Noir of the approaching Arabs. Due to its placement previous to conflict, it shows that tension leads to conflict. Another example of this theme is the inclusion of “the blazing sand looked red to me now” right before Raymond and Masson attack the Arabs with