Who Is Beatrice In Much Ado About Nothing

All throughout the beginning of the play, both Beatrice and Benedick use sarcasm and hide their true feelings for each other, which is the first example of tricky in their relationship. Both of them have vowed never to marry anyone; Benedick stating: "Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor." (1.1.232–35), while Beatrice says, "No, uncle, I'll none. Adam's sons are my brethren, and truly I hold it a sin to match in my kindred." (2.1.59–60.) Their friends see that they are the perfect match for one another, and plan to trick them into confessing their love for each other. When Benedick is in the orchard, he overhears Don Pedro, Claudio, and Leonato talking about how Beatrice is in love with him but is afraid he will mock her if she tells him. Benedick believes them, saying, "This can be no trick." (2.3.217.) He then goes on to say, "I will be horribly in love with her." (2.3.230–31.) Later, Beatrice hears Hero and Ursula talking about how they can't tell her that Benedick loves her because she is a scornful person. After Hero and Ursula leave, Beatrice states:

In Shakespeare’s play, Much Ado About Nothing, written in the early 15th century, the relationships between Benedick and Beatrice and Hero and Claudio are the key to the play and create a lot of tension and comedy. The two relationships are interesting in different ways, and this essay will explore this in terms of the language used, the plot, characterisation and how the two relationships stand thematically.

Beatrice is also very sociable with other people and seems to be a shrew just when talking about Benedick and other males. Not unlike Katharina, who was told she would marry Petruchio (2.I.260-268),  Beatrice does not consent to marry Benedick directly.  Beatrice has to be entrapped with the love sonnets that Hero stole from her pocket (5.IV.88-90).  Even at the conclusion of the play, it seems as though Beatrice will not change her attitudes, just her status as an unmarried woman.

the rest of his life rather than marry a woman. Beatrice in a way is

Differences between Beatrice and Hero in the early scenes of Shakespeare’s play ‘Much Ado about Nothing’

Hero is quite, kind, respectful and modest while Beatrice is witty, independent and fierce. Beatrice is a powerful woman and is not afraid to question the validity of a man’s honour. Beatrice has strong beliefs about what a real man is and should be. Beatrice: What should I do with him—dress him in my apparel and make him my waiting gentlewoman? He that hath a beard is more than a youth, and he that hath no beard is less than a man; and he that is more than a youth is not for me, and he that is less than a man, I am not for him. (2.1.128–132). In these lines Beatrice explains why she must remain unmarried, according to her there is no man who would be the perfect match for her. According to Beatrice a man who has no facial hair is not manly enough and a man who has facial hair is not young enough. Beatrice is untraditional and has her own opinions. Beatrice is not an accepting character like

Beatrice and Benedick, however, in much contrast to Hero and Claudio are the ideal couple who are both equal in the relationship. Beatrice is an opinionated and stubborn woman who will have no one if she doesn't have the one she wants, which she makes clear throughout the play by refusing to marry lightly and by the conversation in Act One between her and Pedro. She chooses

Shakespeare couldn’t have picked a better character to add to his play. Beatrice, with her quick wit and humor, is easily the spotlight stealer in Much Ado about Nothing. She possesses many great qualities that the other characters lack and ultimately gets the story going and captures the audience’s attention.

Throughout the story, Beatrice shows that her intellect is not only equal to that of a man’s, but at times also superior. Shakespeare allows her the freedom of speech because it is done in a context of humor. Leonato reinforces this in Act 1 Scene 1, “You must not, sir, mistake my niece. There is a kind of merry war betwixt Signior Benedick and her. They never meet but there’s a skirmish of wit between them.” Her battles of wit in which she partakes with Benedick is normally unallowed, but because the arguments resulted to be humorous, the audience accepts her biteful tongue. Beatrice is able to walk on a line of insolence, carefully not crossing it. Furthermore, Beatrice also uses her linguistic ability to ward off suitors until she came upon a man on her own terms who appreciates her wit and respects her as an individual. This is conveyed in Act 2, Scene 1 where Beatrice states, “Not till God make men of some other metal than earth. Would it not grieve a woman to be overmastered with a piece of valiant dust? To make an account of her life to a clod of wayward marl? No, uncle, I’ll none.” Although Beatrice ends up marrying Benedick and is forgiven for her insolence, conforming to society’s expectations, their marriage ties in a mutual understanding, being able to argue and be honest with one another. Therefore using her smart tongue, Beatrice is able to become

She throws away her old self, stating "Contempt, farewell! and maiden pride, adieu!"(3.1.109). She also choses not to be so protective of her independence and declares love for Benedick, claiming "I will requite thee, Taming my wild heart to thy loving hand"(3.1.111-112). However, the true change in Beatrice does not show until the first church scene in which Claudio publicly humiliates Hero. Beatrice shows deep concern for her cousin Hero, the first time in the play where Beatrice shows concern for another. She is the first to claim Claudio is a liar and declare "on my soul, my cousin is belied!"(4.1.145). Beatrice then proves once again that she is a better person by demanding justice for Hero is met. Through Benedick, Beatrice plots to right the wrong and asks Benedick to "Kill Claudio"(4.1.290). It is in this scene as well that Beatrice, proving a complete turnaround in behavior, confesses to Benedick that "I love you with so much of my heart that none is left to protest "(4.1.287-288). This shows Beatrice transforming from someone who would scoff at marriage and love, declaring things like "I may sit in a corner and cry heigh-ho for a husband"(2.1.312-313), to someone who easily embraces love from the person she once mocked. But such a dramatic change is seen in her love as well.

By using the intense phrases like ‘I lose more blood’ this could also convey that love is something he knows he may be hurt by. Similarly Beatrice states that no man is good enough for her and then also declares her intentions of remaining bachelor. However Beatrice’s confident chatter can be just a cover of her inner insecurities. She may talk as if she definitely will not marry when really she is afraid of this as her age is rapidly increasing; this is a feeling of desperation. Overall, the similarity between their views and feelings sparks a kind of sweet compatibility between them. This shines through their obstinate attitudes reflecting the idea that a love relationship has the potential to evolve. However, this is also makes the end (where they are indeed in love) more surprising therefore presenting their relationship as quite volatile.

However, upon hearing of Beatrice’s love for him he is suddenly perplexed and it does not take him long to decide that he will give that affection back in return.  How easily persuaded Benedick is.  This may come from the way Claudio, Don Pedro, and Leonato (Benedick’s associates) depict Beatrice as the most wonderful woman in Messina.  They talk of Beatrice as if she were the most magnificent woman so that Benedick will do exactly what he does indeed do.  When Benedick hears of this he must be thinking of what he has said before about his desire for the perfect woman.  In his speech he says that “the lady is fair . . . / . . . And virtuous. . . / . . . And wise[,]” which is exactly what Benedick demands in the woman that he will choose to be his wife.  However, Benedick only believes these things about Beatrice because of what Claudio, Don Pedro, and Leonato have said about her.  They only said them to convince Benedick that Beatrice was deserving of him and that she loved him with all her heart.  They told Benedick just what he wanted to hear.  It is a scheme made of lies, but it works because Benedick is persuaded and begins to agree with what they have said.  By doing this he is already influencing himself to follow the opposite path from the one that he has adhered to for years.  Here he is already starting to fool himself into believing Beatrice is the one for him

In the book Much Ado About Nothing by William Shakespeare is about the soldiers of Messina returning home from the war and their they get Hero and Claudio to marry, then they try to get Beatrice and Benedick to fall in love but Don Pedro's brother the prince of Messina tries to mess it up for them. In Much Ado About Nothing Hero serves as the foil character of Beatrice of which Beatrice from illuminated through Hero thus, severely influence by Beatrice getting married. In the book there are two characters who are very important to the story named Beatrice and Hero. In the book the characters are both related because they are cousins and they are very close besides almost being the complete opposite of each other.

Obviously Beatrice is a strong character to state quite clearly that she does not wish to marry and to stand by that statement (until she the end of the play where she chooses to marry Benedick out of love, which, incidentally, is another quirk about her considering the fact that she is of the upper class and they often married only for political agendas). Though, considering the information presented already, it must also be assumed

Shakespeare portrays Beatrice as being very dominant and strong woman. Leanato mocks Beatrice and does not entirely respect Beatrice, "O Lord, my lord, if they were but a week married, they would talk themselves mad," By using the verb “mad” he describes his views on his niece showing her merely sees her strong opinions as comedy. She protects her cousin and her family and by doing so she is contradicting patriarchal society as it is a male’s job to protect his family. This shows that she believes her uncle is to comical and is unable to fulfil his job as a male in the time.