Who Is Caravaggio?

Caravaggio’s, however, was darker and more dramatic. Caravaggio started an intense style called tenebrism. Tenebrism is a more prominent form of chiaroscuro, where there are vehement contrasts between light and dark. Fred Kleiner best describes Caravaggio’s style, “In his art, Caravaggio injected naturalism into both religion and the classics, reducing them to human dramas played out in the harsh and dingy settings of his time and place” (Kleiner, 681). Caravaggio painted during the Italian Baroque in the 1600’s. Italian Baroque artists like Caravaggio embraced theatricality and extravagant ornamentation, while Renaissance artists focused more on precise classical models. Now Caravaggio wasn’t exactly an upstanding member of society, most of what the art world knows about him is through his police reports. Caravaggio’s Entombment was created in 1603 and, like Giotto’s Lamentation, depicts the death of Jesus. While they both depict the same religious scene and use styles that are new for their time, Caravaggio’s painting has some drastic differences from Giotto’s. Caravaggio’s painting is oil painted on canvas, which gives Caravaggio the opportunity to be more detailed in his painting than Giotto can with fresco. Caravaggio creates these intense dramatic scenes of diagonals and intense movement. Unlike Giotto, Caravaggio uses linear perspective to direct his viewer’s attention to the body of Jesus. Caravaggio does this by using a diagonal cascade of mourners descending towards Jesus’ body. Inclusively, Caravaggio started a darker, more dramatic movement that gave naturalism a new realistic element.

Caravaggio's life started on September 29, 1571 in Italy. His full name is Michelangelo Merisi. He died on July 18, 1610. His death was caused by a bad fever on his way back to Rome. His father was Fermo Merisi. His mother was Lucia Aratori. They both came from the same district. He didn’t have an education, considering he was orphaned. He was never married and had no children, that people knew of. There was really no one who inspired him to make art.

Known as one of if not they best artists of his time Francesco Guardi is quite the artist. he is known for his later works, one of his bests know as the doges feasts which was a 12 canvas set of pure beauty. The painting was pictures of the election that took place in 1763 with the election of Dodge Alvise IV Mocenigo. Guardi captured this amazing moment for the future to witness, the election is a massive thing in italy. Its compared to the election in America but almost 2 times more bigger, its no joke to italy and he was there to capture and give the future a vivid

Throughout the years artists have chosen to portray the same event in the forms of paintings or sculptures, but often, due to the time period and views or values of the artist the interpretations differ and the final products are vastly different. Two primary examples of this are Caravaggio and Gentileschi who are both renowned artists of the Baroque era and style, which encompasses the intensity of the colors, as well as the brutal subject matter that it entails. Figures 17.9 “Judith and Holofernes (c. 1598),” by Caravaggio and figure 17.10 “Judith Decapitating Holofernes (c. 1620)” by Artemisia Gentileschi both illustrate the same biblical story of Judith seducing Holofernes and decapitating him to free the people of his oppressive rule. Caravaggio and Gentileschi pick the precise moment of the decapitation and capture it with brutal realism. These pieces when glanced at have a similar resemblance, but when one looks more deeply their differences are put on display.

Caravaggio uses chiaroscuro to emphasize St. Paul ecstasy. The servant and the horse are plunged in darkness. The artist wanted to get the feeling of contrast between light from the sky and ordinary background, which is dark. Caravaggio gave up painting God and angels instead he painted presence of God in divine light. There is a dramatic contrast between supernatural light and ordinary darkness. Paul young, beautiful and ecstatic persona is countered with very realistic image of a servant and a horse.

Michelangelo Michelangelo was the first Western artist that was recognized while he was alive ((Michelangelo Buonarroti Biography). He was one of the most talented and inspirational artist in modern history (Michelangelo, his paintings, and sculptures). His focuses were on paintings, sculptures, architecture, and drawings (Michelangelo style and technique). He used the mediums of oil, wood, stone, and other things related to that (Michelangelo style and technique). Figure and Fantasy are the subjects that he used (Michelangelo style and technique).

Caravaggio’s followers copied his style of using dark shadows and a strong contrast between light and dark. His revolutionary style of using techniques that made his paintings relatable and realistic drew a lot of attention even after his death. In addition, the subjects of his paintings drew international attention, not only his style.

There is little concession to perspective, and the vibrantly colored style is antithetical to the tenebrism of Caravaggio's followers ; Caravaggio paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on Baroque

A point the video made that struck me as odd was the fact that Caravaggio never drew his composition or subjects before he painted. I found this hard to believe considering that many great renaissance artists would do studies and preliminary drawing before they even touched the canvas. The conventional method was to make a cartoon of the piece before painting. Even Vasari had heavily critiqued on the forgoing of preliminary drawings. After searching for information on his painting process, I found that he typically did not draw before painting, rather he worked directly from the model and would outline the composition with a darker paint.

Michelangelo Merisi, known as “Caravaggio” was known for introducing realism and drama by using theatrical lighting and gesture to Italian Baroque art. Caravaggio’s paintings were focused on religious matter commissioned for the Catholic Church. Georges de la Tour was well known in his own time but then forgotten until well into the twentieth century. His work consisted mostly of candlelit subjects, and he commissioned paintings for royal aristocrats such as King Louis XIII and Henry II of Lorraine. George de la Tour is one of the most important examples of the many artists during the seventeenth century who were greatly influenced by the work of Caravaggio.

When a person thinks about Renaissance art, the first name they think of is most likely Leonardo Da Vinci, the famed painter and engineer. Or possibly, Michelangelo, the gifted sculptor and painter, responsible for the Sistine Chapel ceiling. Despite the fame of these two gifted artists, they both had their shortcomings. For example, Michelangelo was extremely difficult to get along with, on the other hand, Da Vinci had the tendency to stop in the middle of projects and turn his attention elsewhere. However, there is one happy medium between these two artists and that is the Italian painter, Raphael.

Michelangelo was a very famous artist in the renaissance period. He was known for his sculptures, paintings, and many other attributes. Doni tondo and the last judgment were two of the most known paintings he made. These two paintings are now present in different locations. Doni tondo also known as the holy family is now in the Uffizi in Florence, Italy, and the last judgment is present on the altar wall of the Sistine chapel in Vatican City.

The light in The Calling of St Matthew by Caravaggio is emphasizing the viewer’s attention on to the gentleman sitting with his head down. The painting has a prism effect where the light is dispersed through the plane of the painting making distinctive sections of contrast appear. Value is really defined by warm light and dark shadows. Temperature is as well constructed into the painting because the light is symbolized as warmth whereas the darker shaded colors are wet and cold.

Objects tend to be placed against, and sometimes beyond, the picture plane, allowing for virtuoso displays of foreshortening” (“Michelangelo Merisi da Caravaggio”). During his initial years in Rome, Caravaggio expanded upon many techniques. He specifically created detailed backgrounds while retaining focus on small objects within the painting, thus creating illusions of depth and volume. This technique led to his command of foreshortening, which became a technique Renaissance artists used to makes limbs appear shorter or objects fade into a background. Having worked tirelessly for years in Rome barely escaping poverty, Caravaggio became known for his revolutionary artistic style and volatile temper. Despite his trouble with the law, his personal connections won him the commission of two paintings for the Contarelli Chapel. The pieces blended elements from his past religious work and utilized both light from the sun as well as an overhead light from an artificial source (“Michelangelo Merisi da Caravaggio”). Unlike most artists, Caravaggio used two sources of light to enhance his painting. Sun light flowing from a window brighten some of the painting while an unseen lamp illuminates the other side of the scene. The paintings for the Chapel made Caravaggio’s name known to the world and he demonstrated that innovative use of light could differentiate certain aspects of his art from the surrounding gloom. Throughout the rest of his life as an artist,

Michelangelo merisi da Caravaggio, also known as Caravaggio was pessimistic in his poetry and an optimist in his artwork. He had an unparalleled influence on the renaissance. A master of both painting and sculpting, he was also an architect, engineer and poet. His abilities as a painter and sculptor were unsurpassed in his days, as his artwork consisted of paintings and sculptures that showed humanity in its natural state. Michelangelo had exceptional artistic skills, as he expressed his personality into his paintings and at the same time was radical and uncompromising in his approach to art and design through his spatial qualities, form, colour, materials and finishes. In doing so, Caravaggio was following the tradition set by the renaissance of providing the ideal art and design. At the young age of 17, Michelangelo began dissected corpses at the local church graveyard to gain a deeper understanding of the human body. His incredibly realistic sculptures depicted finely chiselled veins, muscles, wrinkles, nerves and bones. Such skill was and is still unsurpassed in the 21st century. Michelangelo's life-like sculptures and painting were widely influential to renaissance artists, His art was copied and imitated by many artists and eventually developed into its own art movement called Mannerism. Mannerist painters exaggerated and elongated the human bodies proportions. From around 1520 to 1580, during the late renaissance, Mannerism was very popular until Baroque art came