Who Is Cunning In Twelfth Night

As an individual falls in love, they believe that they are ready to sacrifice anything for their loved ones. In reality, this is not true because love is created by their own desires (unclear sentence). Romantic love in the play Twelfth Night, by William Shakespeare is a selfish act.

    It is not unusual that the fool should be a prominent figure and make an important contribution in forming the confusion and the humor in an Elizabethan drama. In William Shakespeare's comedy, Twelfth Night, Feste the clown is not the only fool who is subject to foolery. He and many other characters combine their silly acts and wits to invade other characters that either escape reality or live a dream. In Twelfth Night, Feste, Maria and Sir Toby are the fools that make the comedy work in many senses.

   In most Shakespearean romantic comedies, there is a character that plays the part of a truth-teller.  And in William Shakespeare's Twelfth Night it is no different. Feste, a clown, through his mixed up words and songs enlightens the other characters whilst playing the role of the truth-teller.  Through aiding the Duke with his patience, helping Viola with her love problems, and having a major role in Malvolio's downfall, Feste holds one of the primary parts of the play.

In William Shakespeare's comedic play, Twelfth Night, a recurring theme is deception. The characters in the play used deception for a variety of purposes. Viola's use of deception involves her disguising herself as a man in order to obtain a job with the Duke of Illyria, Orsino. On the other hand, Maria, Olivia's servant, writes a letter to Malvolio in Olivia's handwriting to make Malvolio act foolishly because of his love for Olivia. While some use deception as a means of survival, others use deception to trick others and make them act foolishly.

She’s the Man is a modern adaptation and interpretation of The Twelfth Night but the

“better a witty fool, than a foolish wit” (1.5.327). Here, Shakespeare uses Feste to articulate his

The only reference to Twelfth Night during Shakespeare’s own lifetime is to a performance on February 2, 1602. A law student named John Manningham wrote in his diary about a feast he attended at the Middle Temple in London where he was a law student and where “we had a play called Twelfth Night; Or, What You Will." This was likely to have been an early performance since it is generally agreed that the play was probably written in 1601. In 1954 Sir Leslie Hotson’s book, The First Night of Twelfth Night, sought to identify the exact date of the first performance of Twelfth Night. He used the evidence of old records to suggest that Queen Elizabeth asked for a new play for the last night of the Christmas 1600-01 season, the Feast of the

Twelfth Night, written by William Shakespeare, is a comedy about love. Love can be things that are not always what they seem and or it can be foolish and it can also be a weakness. Foolishness and weaknesses are the most of what we see in the play, Twelfth Night, the audience sees that, yes there is a tragedy but, that is not what the play revolves around. The audience sees that later on in the play all the love that is being described is foolish as well as something a child would do. The love that is being described can not happen for a certain reason and when the characters find out that someone loves them and they were not just saying that they would do something for them, the character just sort of accepts it and let fate intervene and take place. Everyone in the world has a weakness or have done something foolish in their life. It only counts

The most interesting character of “Twelfth Night” is Feste. He has such a double character that shows at different times of the play. His first ‘character’ or ‘personality’ is his wise and humorous one:

As an individual falls in love, they believe that they are ready to sacrifice anything for their loved ones. In reality, this is inaccurate because research by Grant Hilary Brenner M.D, a psychiatrist said that love is created by own desires . Romantic love in the play Twelfth Night, by William Shakespeare is a selfish act. https://www.psychologytoday.com/blog/experimentations/201710/we-project-romantic-partners-our-own-desires-cheat

In the play Twelfth Night, Shakespeare uses dramatic irony to develop the comedic effect in the characters relationships. The use of dramatic irony produces most of the comedic effect by revealing situations and relationships to the audience, but not the cast. Developing the plot with this literary device provides comedic and ironic situations while engaging the audience.

himself just to suit his outlook on the situation. For example, the play he twists Olivia's words around to make it seem like she likes his yellow cross-gartered tights when in reality she dislikes them. Sir Toby just considers himself and no one else, not even his companions. He ignores Maria's notification about drinking into the night, and he continues to push Sir Andrew and Olivia to court. Even though he believes that Sir Andrew doesn't have a chance. Olivia considers the all-inclusive community around her, yet she furthermore assumes that no man is meriting her brilliance. She assumes that she is "all that," and that no one can organize her. For Shakespeare to incorporate this sort of just a single was most likely to demonstrate that Malvolio who thinks excessively of himself isn't right about Olivia cherishing him.

In William Shakespeare's comedy Twelfth Night, it is ironic how many times the fool is said to be dishonest, when, in fact, his role proves entirely opposite. Though sometimes the characters do not realize his hidden messages, the reader can instantly comprehend Feste's figurative language, which is evident in every scene in which the fool appears. Whether he is singing to Orsino, arguing with Malvolio, or playing around with Viola, Feste always manages to sneak in a few symbolic foretokens before his exit. His keen eye and fast wit help him to actively partake in the portrayal of the story, however, the fool is merely present to express that which cannot be fully expressed through the

Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both

Our group proposed, presented, and directing the stage performance for the Twelfth Night. In the beginning of the semester I had no clue of what to expect from this course, and reading the syllabus made Shakespeare’s Plays seem complex. I am somewhat familiar with William Shakespeare’s plays stemming from a Shakespeare course that I had taken at Harold Washington (City College of Chicago). My professor (Hader) informed the class that if we were looking to go on to a four-year university as an English major that we will have to take another course, and it will be taught from a different perspective or angle—quite frightening. As a person who had not connected or have read anything that the playwright had ever written, I was afraid that I