Who Is Javert A Silent Hero

Meursault's character is the determining factor in his conviction and sentencing. His social rebellion is deemed immoral and abominable. The reader and the novel's characters both try to rationalize Meursault's actions in order to give his life meaning. But according to Meursault, life is meaningless and consequently needs no justification.

In The Stranger by Albert Camus, the murder committed by Meursault is questionably done with no reason. Although the entirety of the second part is spent in society’s attempts to find a cause, Meursault has a durable existential mentality that proves that even he knows that there is no true reason for the crime. Through the use of light and heat imagery and diction in The Stranger, Albert Camus comments on the duality of society trying to find a cause for the murder and Meursault defying this because of his existential mentality. These elements heighten Meursault’s negative outlook on life by

Diction shows the difference in Meursault’s views and beliefs as he spends more and more time in prison, adapts to his new lifestyle,

Furthermore, another character that proves that Victor Hugo is trying to say that human nature is basically good is Javert. On page 336 it states, “Javert felt that something horrible was penetrating his soul, admiration for a convict. Repose first for a galley slave can that be possible? He shuddered at it yet could not shake it off… Javert bent his head and looked. All was black. He could distinguish nothing. He heard a frothing sound; but he did not see the river…”. This quote by Victor Hugo emphasizes on this unusual emotion of goodness arousing within Javert. It’s revealing a transformation of Javert’s character from a hardened law worshipper directly to someone feeling for a convict. Javert is seen gaining his conscious and eventually

Today, children are taught to forgive others and give second chances. But this was not always the case. Historically, once someone had committed a crime they were thought of as dishonorable people and it was made known to others that they had committed a sin. This is seen in many literary works including The Scarlet Letter, The Crucible, and Les Miserables. Les Miserables, originally written by Victor Hugo, exemplifies this prejudice. Throughout the story, the characters can not escape the prejudice related to one mistake, or perceived mistake. In the movie version directed by Bille August, Jean Valjean and Fantine are unable to receive forgiveness and move on with their lives.

Did Nobles really change? Believing everyone is born good, circumstances change some people. Others have a deep seeded bad side that at some point makes them snap while doing something no one could think possible of them. One thing for sure is he made a lot of people think he had changed those he made friends with. For example, when Dona and his pen pal Pam are strip searched and brought to the site of the execution it shows that Pam has come all the way around the world to see the execution. “Karen Sebung accompanies me as far as the waiting area where we witnesses are searched, then Dona and Pam are escorted to another room by a female officer. When they return a large man enters the room and introduces himself as an officer of the prison’s Internal Affair Division.” (Earle 80). Concluding that Jonathan Nobles as the choice to be good or bad, he truly shows that he is not a good person. “Two out of three people who serve time in prison never come back, and only eleven percent come back multiple times.” (slate.com) The situational rehabilitation comes into play when talking about his change. All the manipulation of others provides evidence that he never really rehabilitated.

The book begins with the convict, Jean Valjean, being released from a French Prison. He has served nineteen years for stealing a loaf of bread and subsequent escape attempts. He is set free, but only with his identification papers yellow. This marks him as criminal, and now in the new town, no one is willing to house him. In despair, Jean Valjean goes to the bishop M. Myriel. The kind man allows him to stay, but Jean Valjean repays him by stealing the bishop’s silverware then running for it.

When faced with concepts like crime and punishment, there is a majority of people who would claim that the law must be obeyed under all circumstances, without any exception. It would actually be quite difficult to find someone who openly stated beliefs that criminals should sometimes get away with crime instead of being brought to justice. The character of Javert in Les Miserables is a classic example of an absolutist who believes in the supreme power of the justice system. This character proves that absolutism can actually cause underlying issues and moral dilemmas. This is one of the first ethical theories that is addressed in Les Miserables. Rule-based theory, also called deontological theory,

The protagonist’s transformation begins when the bishop recognizes Jean Valjean’s human soul that is capable of goodness. When he is put out into the streets, Valjean goes from place to place being rejected for being a convict until he meets the bishop who sees him as a common person, “That men saw his mask, but the bishop saw his face”(75). Even though people might be good, they don’t always see someone’s true soul. The bishop’s simple act of kindness and deeper understanding

In Les Miserables, Javert abused his power by putting Jean Valjean through everything he put him through. Javert used his powers to constantly try and get Jean Valjean locked away and in trouble and all because he personally hated Jean because in his eyes a crime is a crime no matter who commits it. I think Jean is a decent person because he used his powers one time for good when he stood up for fantine when someone threw snowballs at her. Javert did not know that was Jean Valjean at the time because Jean was known as Monsieur Madeleine. Jean made a new name for himself and even became mayor and nobody had no idea he was a convict

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

The opening establishes and embodies the world of the justice system, “the man’s world”, accompanied by its seriousness, organisation and harshness in its outlook on reality, the depiction of a typical arrest, identification and trial of a convicted criminal. However, this “world”, according to Wood is threatened, stating that it is somewhat disrupted by the protagonist’s “frivolousness, selfishness, and triviality” (272).

This easy-going, pleasant hedonism is interrupted permanently by Meursault's murder of the Arab on the beach. Not only is he incarcerated, but also he must examine the reality behind the illusion of his trial and, ultimately, of his life. Introspection has not been his metier. It takes him a while to realize that the judge, the jury, the journalists, even his own lawyer, do not wish him well. Meursault finally realizes that he is going to be convicted, not because he killed an Arab but because he did not mourn his mother's death.

In his novel, Les Miserables, Victor Hugo identifies the principle social evils of French society through the actions and qualities of his characters. By depicting each of his characters’ struggles through destitute and oppressed measures, Hugo is able to identify the social errors of 19th century France. The fact that characters such as Valjean, Javert, Fantine, and Cosette, attempt to rise above poverty and redeem themselves indicate that such inequalities did, and still do, exist to this day. Through the use of feminist ideals and the criminal injustice system, Hugo attacks the principle social evils that each of his characters face in Les Miserables.

Throughout Victor Hugo’s Les Misérables, the character Jean Valjean, the Patron-Minette, and Gavroche have a lot in common. What defines them as people, though, are their actions in life and the actions of others. Hugo emphasizes how the lack of those things (education and kindness) leads to criminal ways and an ungratified way of life. No one has shown them affection or kindness which leads them to believe society is mean and they develop hatred towards it. Not one of them were educated, which leads to ignorance and a lack of opportunities in life, which leads to crime in the long run.