Who Is John Torrance Being Tarnished?

The first way Golding demonstrates how people actions change is that Jack becomes evil and manipulative to try and maintain his authority over the boys. The first piece of evidence shows how Jack orders people around when he is in power. "Give me a drink. Henry brought him a shell and he drank, watching Piggy and Ralph over the jagged rim. Power lay in the brown swell of his forearms: authority sat on his shoulder and chattered in his ear like an ape.” (Golding 150) The reader should notice how much Jack used his leadership role for his own personal gain, his rise to power has made him similar to a god, with the other children being his slaves. .This

But Jack cannot change the past. Rather, he must reflect on it as it really happened, allowing those reflections to guide his future conduct and to enrich his relationships with those whom he has helped or hurt. By the end of the story, instead of running from his past, Jack has begun to make restoration for its mistakes by finally marrying his beloved Anne and opening his home to Elliot Burden, the man he long believed to be his father. Jack’s contemplation of the past leads him not to despair, but to a deeper understanding of and compassion for the human race.

The power-hungry will often feel the need for absolute control, hardly ever getting what they desire, they will often be portrayed as crazy and vicious. The same can be said for Jack; all he wants is to be the leader and make the decisions, but Ralph is the one in control. Jack’s desire for power is ruining his own image, and the well being of the other boys. Without the supervision of adults his morals and values took a turn for the worst.

King incorporates a myriad of stylistic devices that shape and develop the theme of the passage in the book. Through the periodic use of rhetorical questions such as,

“One critic has suggested that if pro football has become the voyeur’s version of combat, then the horror film has become the modern version of public lynching.” (paragraph 6) This is a prime example of one of the many argumentative strategies in the essay. Not only does the said quote prove that King’s opinion is shared by others but also that it appeals to authority. By including an experts shared opinion on the matter, King’s argument becomes much more compelling. “To show that we can, to show that we are not afraid, that we can ride this roller coaster” (paragraph 3) is an extremely effective metaphor king uses to help better describe why we go to see movies in the first place. We’ve all been on a roller coaster before so we can easily relate to what the author is explaining to us. King also uses a personal anecdote as an example of feeding our dark side what it wants; “For myself, I

second sentence, King is comparing plot to a jackhammer, and it is effective to get the point

Jack’s fear shows the reader that not only can someone have an emotional and dangerous response to it, but it can also be used to manipulate someone for his pleasures. As a kid, Jack, feared and hated his father and loved his mother. He feared whenever his psychopathic father would bring and beat his mother in the basement. The tables turned when a deep sense of realization switched into the psyche of his mind, he ended up loving the beatings and craved the cause of fear towards his mother. His innocence is lost and is refined into the mind of a psychopath, “ The knowledge that the father could instil such terror into another human being turned the boy’s fear of him into admiration and he began to emulate him. Soon,

This is an example of imagery which King uses to express his view of early television. He saw it as an incredible little box that offered visual entertainment much like a book offers entertainment. The vivid description paints a picture in your head of his TV and the things he watched. To him it was a whole new world, and he shares tat feeling with his readers using this imagery.

Jack’s thirst for power for the sake of dominance develops a sense of dictatorship. When killing the sow, the shift in Jack is clear. Jack no longer looks to control nor shield himself from savagery; instead, he embraces it: “His mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink” (Golding 70). The sense of power Jack receives from his kill is enough to completely take over his actions. Power is a drug to Jack, and he has become addicted. This addiction continues to affect his life, and more importantly, the lives of those he has surrounded himself with. Dropped “He [Jack] began to dance and his laughter became a bloodthirsty snarling” (Godling 64). Golding uses juxtaposition and zoomorphism to inhibit this effect. Jack shifts from dancing to snarling in a matter of seconds, showing his vulnerability to the evil which has taken root in his heart. Jack is no longer human; he is a savage. It is known that money changes people. However, this is not true. With money comes power; power changes people. Jack has lost all control and power over his own life. So, he looks for control and power in the lives of others.

Emotive imagery is flexibly employed by King in this passage to achieve his overall rhetorical goal.

Jack's violence that had once been simply part of his disguise, seems to have become a part of him. And it seems to be something that Jack enjoys too much, somewhat like a psychopath. “Robert was screaming and struggling with the strength of frenzy. Jack had him by the hair and was brandishing his knife.” “Then Jack found the throat and the hot blood spouted over his hands.” Jack's original plan of creating a new personality for himself seems to have gone to his head. And the psychopath within him has come alive.

Jack was a very power hungry young boy.  Although he doesn't have any power at the beginning of the novel, he took every opportunity to take the position of chief and was eventually successful. Jack's dictatorial style of leadership contrasted very directly with the more democratic and passive style of Ralph.  Jack ruled with an iron fist, allowing no one to question him or his leadership. Jack represented the wanting for a single, all-powerful leader to guide the followers of society using any means he feels necessary.

In the beginning of the book you are introduced to the antagonist Jack , who is in the middle of killing the

Jack, negatively portrayed in comparison to Ralph, tempts the boys with an array of forbidden treats, indulging their most violent, suppressed desires in an attempt to lull them away from the security of Ralph. In a sense, Jack is negatively compared to Ralph throughout the novel, and is often portrayed as confused and violent, very aware of the evil inside of him: “The real problem that arises among the boys involves their own inner nature…” (Johnston 2). When his plan fails, Jack feels as though his seat of power is threatened and therefore resorts to terrorizing, threatening and essentially forcing the boys to join him and align themselves against Ralph, alienating them from their former, comfortable life-style and thus making what they once failed to appreciate all the more desirable.

First of all, when Jack was around the age of 10, and moved to his new house across town, he was being constantly bullied by another kid in the same neighborhood after Laohu, the tiger, broke one of the kid’s toys. He was obviously upset one day at dinner as the kid, Mark, had been popular at school and was constantly bullying him.Consequently, he decided to lash out at his mother, whom he blamed for his